School of the Americas - 2006 - Off-Broadway Articles Page 5

Harlem Stage presents the world premiere of Meshell Ndegeocello's Can I Get a Witness? The Gospel of James Baldwin, a new theatrical music and art work commissioned by Harlem Stage through its WaterWorks program, tonight, December 7, through December 11.

Last night, on Tuesday, November 29th, the National YoungArts Foundation (YoungArts) kicked off its Miami Art Week programming with the debut of two visual arts exhibitions: When We Were Young, which features rarely seen contemporary masterworks from the JPMorgan Chase Art Collection paired with newly created works by YoungArts Visual Arts alumni; and Roots, an immersive, site-specific installation of new work by Cuban-American artist Jose Parla. 

Performance Space 122's annual performance festival, Coil, returns for its twelfth edition with 13 individual events. The festival explores the constant vitality of live performance in New York City through contemporary artists from diverse genres, cultures and perspectives. Featuring work created locally, across the U.S., and around the world, Coil is known for its groundbreaking contemporary performance across interdisciplinary art, working with new technologies and forms. Through installations, live and virtual practices, PS122 is committed to redefining how, where, and when performance is experienced.

Harlem Stage will present the world premiere of Meshell Ndegeocello's Can I Get a Witness? The Gospel of James Baldwin, a new theatrical music and art work commissioned by Harlem Stage through its WaterWorks program, December 7-11.

Calgary-based Honens today announced details of its 2018 Piano Competition.  Pianists of all nationalities, aged 20 to 30 on August 30, 2018, with the exception of past Honens Laureates and professionally managed artists, may apply starting February 1, 2017.  The application deadline is October 31, 2017.  The Competition's Quarterfinals take place in Berlin and New York in March 2018.  Semifinals and Finals take place in Calgary from August 30 to September 8, 2018.

Performance Space 122's annual performance festival, Coil, returns for its twelfth edition with 13 individual events.

LiveConnections opens their 2016-17 season with an evening of boundary-crossing music as harpist Bridget Kibbey, clarinetist Benito Meza, and percussionist Samuel Torres team up for a one-night only concert at Philly's World Cafe Live today, October 21 at 7:30 PM.

LiveConnections opens their 2016-17 season with an evening of boundary-crossing music as harpist Bridget Kibbey, clarinetist Benito Meza, and percussionist Samuel Torres team up for a one-night only concert at Philly's World Cafe Live on Friday, October 21 at 7:30 PM.

Kansas City Ballet Artistic Director Devon Carney today announced the appointment of six new members, Kelsey Hellebuyck, Emily Mistretta, Gustavo Ribeiro, Amaya Rodriguez, James Rogers, Kevin Wilson, and three new apprentices, Ivan Braatz, Sarah Joan Smith, and Katherine Sawicki to the Kansas City Ballet Company.

Six leaders in the business, medical, education, and philanthropic communities have been elected as new members of the Board of Directors of the New York Philharmonic, and five global leaders have joined the New York Philharmonic International Advisory Board (IAB), established in the fall of 2014 to support the Philharmonic's activities abroad, including the New York Philharmonic Global Academy.

Six leaders in the business, medical, education, and philanthropic communities have been elected as new members of the Board of Directors of the New York Philharmonic, and five global leaders have joined the New York Philharmonic International Advisory Board (IAB), established in the fall of 2014 to support the Philharmonic's activities abroad, including the New York Philharmonic Global Academy.

The Organization of American States (OAS) AMA | Art Museum of the Americas presents Atmospheres and Entropy: Works on paper by Catalina Chervin, an exhibition curated by Susanna V. Temkin as part of AMA's F Street Gallery program showcasing young and emerging artists of OAS member countries. AMA is part of the OAS's Secretariat for Hemispheric Affair, and its work is based on the principle that the arts are transformative for individuals and communities, as visual components reflecting the four pillars of the OAS: democracy, human rights, security and development.  

In its award-winning arts center in downtown brooklyn, BRIC presents and incubates fresh work by artists and media-makers reflecting NYC's diversity.

YALE SCHOOL OF DRAMA announces the retirement of Professor Adjunct Edward A. Martenson, Chair of the Theater Management Department, effective June 30, 2017, and the appointment of Professor Adjunct Joan Channick, who currently serves as Associate Dean, as the new Chair, effective July 1, 2017.

The Music Institute of Chicago is sad to report that longtime and much-loved cello faculty member Gilda Barston died June 25 after a long illness. She was 71 years old and lived in Evanston, Illinois.

The rising popularity of competitive cooking shows featuring young culinary masterminds has sparked children's interest in the kitchen. Fueled by this trend and inspired by the positive impact cooking healthy meals has on younger generations, the California Milk Processor Board (CMPB), creator of the iconic got milk? campaign, has launched a new statewide program that features recipes created by and for kids. Titled "Jr Got Milk? Chef," got milk? scouted talented kid chefs throughout California and tasked them with developing simple yet creative meals that are perfect for summer and back-to-school menus.

Alan Gilbert conducts the New York Philharmonic in Mahler's Das Lied von der Erde, featuring baritone Thomas Hampson and tenor Stefan Vinke, in his Philharmonic debut, and Sibelius's Symphony No. 7, beginning today, April 20, 2016, at 7:30 p.m.; Thursday, April 21 at 7:30 p.m.; and Friday, April 22 at 11:00 a.m.

Alan Gilbert will conduct the New York Philharmonic in Mahler's Das Lied von der Erde, featuring baritone Thomas Hampson and tenor Stefan Vinke, in his Philharmonic debut, and Sibelius's Symphony No. 7, Wednesday, April 20, 2016, at 7:30 p.m.; Thursday, April 21 at 7:30 p.m.; and Friday, April 22 at 11:00 a.m.

have been and where we are going? Or how certain kinds of music fit into this diverse universe of sound? These are some of the important questions that music raises, and each year, Pacific Symphony, led by Music Director Carl St.Clair, attempts to shed light on the answers by exploring a different facet of American music through the American Composers Festival (ACF). This year's ACF spotlights organ music through four highly acclaimed organists and the splendor of the king of instruments-in this case, the one-of-a-kind William J. Gillespie Concert Organ, located in the Renee and Henry Segerstrom Concert Hall. Built from steel, tin, oak, poplar, maple, lead and carbon fiber, the astounding instrument found in the Symphony's concert hall required three years and 42,000 hours of labor by a team of organ builders at C.B Fisk in Gloucester, Mass., before making its debut with Pacific Symphony in 2008.

The Houston Symphony's 2016-17 season, Andres Orozco-Estrada's third season as music director, celebrates more than a century of leadership in Houston's cultural landscape. In its 103rd year, the Houston Symphony announced the upcoming season at Jones Hall on Monday, January 25, in front of several hundred guests and supporters, emphasizing the institution's ongoing collaboration with living composers, a continued focus on new music, a renewed concentration on innovative programming, and world-class musicianship and entertainment. Houston Symphony Music Director Orozco-Estrada, Principal POPS Conductor Michael Krajewski, and Executive Director/CEO Mark C. Hanson were on hand to unveil the new season and share their favorite highlights.

The Houston Symphony's 2016-17 season, Andres Orozco-Estrada's third season as music director, celebrates more than a century of leadership in Houston's cultural landscape. In its 103rd year, the Houston Symphony announced the upcoming season at Jones Hall on Monday, January 25, in front of several hundred guests and supporters, emphasizing the institution's ongoing collaboration with living composers, a continued focus on new music, a renewed concentration on innovative programming, and world-class musicianship and entertainment.

have been and where we are going? Or how certain kinds of music fit into this diverse universe of sound? These are some of the important questions that music raises, and each year, Pacific Symphony, led by Music Director Carl St.Clair, attempts to shed light on the answers by exploring a different facet of American music through the American Composers Festival (ACF). This year's ACF spotlights organ music through four highly acclaimed organists and the splendor of the king of instruments—in this case, the one-of-a-kind William J. Gillespie Concert Organ, located in the Renée and Henry Segerstrom Concert Hall. Built from steel, tin, oak, poplar, maple, lead and carbon fiber, the astounding instrument found in the Symphony's concert hall required three years and 42,000 hours of labor by a team of organ builders at C.B Fisk in Gloucester, Mass., before making its debut with Pacific Symphony in 2008.

Brooklyn Center for the Performing Arts at Brooklyn College announces that internationally acclaimed Peking Opera performer Feng Gu will join the Nai-Ni Chen Dance Company for its annual Lunar New Year Celebration on Sunday, January 31, 2016 at 3pm.

PITTSBURGH – The annual tradition returns! The Pittsburgh Symphony Orchestra and Music Director Manfred Honeck perform waltzes and polkas from his home country of Austria on November 27 and 29 at Heinz Hall as part of the BNY Mellon Grand Classics season.

PITTSBURGH - The annual tradition returns! The Pittsburgh Symphony Orchestra and Music Director Manfred Honeck perform waltzes and polkas from his home country of Austria on November 27 and 29 at Heinz Hall as part of the BNY Mellon Grand Classics season.