Say Nothing - 1965 - Off-Broadway Articles Page 6

Four long acts long, with casting challenges, bedeviled by attitudes modern audiences likely will not share, and, it must be said, self-indulgent as regards some of O'Neill's great weaknesses, Moon for the Misbegotten requires more than most companies and audiences can summon to put it across successfully. I say "successfully" but perhaps "successfully as possible" might be the more accurate phrase. Washington's Heritage-O'Neill Theatre Company's current production partly but not fully meets these challenges.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

BroadwayWorld TV was bigger than ever in 2010, covering the world of theatre from GLEE to the Hollywood Bowl to Broadway to London and Beyond! Take a look back at some of 2010's most watched videos!

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

Popular TV/ film/Broadway actor Monte Markham will play Antony in a scene from Antony and Cleopatra for CART (California Artists Radio Theatre) on October 9 at the Beverly Garland Hotel in NoHo at 1:30 pm. Markham is well known to TV/film audiences for his consistent work in TV series, MOWs and theatrical movies for the last 50 years. He is also producer/director of a series of acclaimed documentaries which have changed the face of Cable TV, since before the History Channel began. He started his Broadway career in 1973 co-starring in song and dance with Debbie Reynolds in the musical Irene, for which he won the prestigious Theatre World Award. In our interview he concentrates on his roots in and passion for theatre, and may I add with tremendous intelligence, wit and integrity.

Lincoln Center Festival 2010 is sponsored by American Express. Lincoln Center Festival 2010 is also made possible by Nancy A. Marks, LuEsther T. Mertz Charitable Trust, Isilon Systems, The Skirball Foundation, The Harold & Mimi Steinberg Charitable Trust, The Katzenberger Foundation, Inc.

Lincoln Center Festival 2010 is sponsored by American Express. Lincoln Center Festival 2010 is also made possible by Nancy A. Marks, LuEsther T. Mertz Charitable Trust, Isilon Systems, The Skirball Foundation, The Harold & Mimi Steinberg Charitable Trust, The Katzenberger Foundation, Inc.

Today we continue our critical appraisal of the entire English-language recorded canon of Stephen Sondheim - at the very least, all the major productions which were recorded - beginning where we have left off with the round-ups of GYPSY and WEST SIDE STORY, as well as the 2009 Revival Recording of A LITTLE NIGHT MUSIC, from the last few weeks. The last show for which Sondheim wrote lyrics-only, before he was quite able to get his own musical scores produced, was his collaboration with Richard Rodgers, DO I HEAR A WALTZ? Next, we continue with the first show for which he wrote music and lyrics, SATURDAY NIGHT, as well as the first show he wrote music and lyrics for that actually made it to Broadway, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM.

UPCOMING SHOWS ON SALE THIS WEEK.

While she is one of hundreds of people who pursue their theatrical art in Nashville year after year, in many ways Denice Hicks might be considered 'the face' of Nashville theatre, so prevalent has been her influence and her presence among the city's best. As the artistic director of Nashville Shakespeare Festival, she leads one of the city's most vibrant professional companies, and she is widely considered one of the region's most capable individuals, lauded for her artistic vision, her impeccable timing and her seemingly boundless energy.

American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.

American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.

This Veteran's Day, as America takes a moment to remember those brave men and women who have served our country, Roundabout Theatre Company opens David Rabe's award-winning and stirring play, STREAMERS. Brad Fleischer stars as Billy, a wide-eyed and sentimental young man, struggling to understand his new army-life as the Vietnam conflict escalates. Tensions rise over race, sexuality and class, culminating in an explosive act that changes them forever...

Beloved Baltimore/DC actor, Bryon Predika, passed away on January 6, 2007.

In the third in a series of Women's History Month profiles, Nugent talks about producing hits and flops, getting backers, making movies and leveling the playing field for women in theater.

Like fine wines, there are some years in Broadway history where one finds a better vintage than others. Just today, for instance, I was playing a selection of tunes from shows that opened in 1966...