Promises, Promises - 1970 - US Tour Articles Page 14

For the first time since its renaming and refurbishment, one of Noël Coward's most well known plays will be performed at the Noël Coward Theatre.

Tony-Award Winning Star Donna McKechnie Returns to TheatreZone -- Takes on lead role as Marmee in Little Women: The Broadway Musical Broadway star and legendary entertainer Donna McKechnie returns to TheatreZone in Naples, cast as Marmee in Little Women: The Broadway Musical, announced artistic director Mark Danni. Based on Louisa May Alcott's classic novel, the musical follows the adventures of the four remarkable March sisters coming of age during the American Civil War era.

Tony-Award Winning Star Donna McKechnie Returns to TheatreZone -- Takes on lead role as Marmee in Little Women: The Broadway Musical Broadway star and legendary entertainer Donna McKechnie returns to TheatreZone in Naples, cast as Marmee in Little Women: The Broadway Musical, announced artistic director Mark Danni. Based on Louisa May Alcott's classic novel, the musical follows the adventures of the four remarkable March sisters coming of age during the American Civil War era.

The Legendary Diana Ross hits the Buckeye State for one night only as she performs her highly-anticipated Motown hits at the Ohio Theatre tonight.

The Legendary Diana Ross hits the Buckeye State for one night only as she performs her highly-anticipated Motown hits at the Ohio Theatre on September 27th.

Drury Lane Theatre, 100 Drury Lane, known for producing acclaimed, innovative and classic musicals and comedies, announces its 2012-2013 season featuring five glorious films brought to new life on stage.

Adam Spreadbury-Maher, Dominic Haddock & Kate Mara for OperaUpClose present THE TURN OF THE SCREW Directed by Edward Dick at London's Little Opera House at the King's Head Theatre. The play is written by Benjamin Britten, Richard Bleasdale and Danny McGrath

As we inch closer and closer to the Broadway's biggest night on Sunday, today we have the choreographic centerpiece of our extensive Tony Award countdown with a focus on the genius of Michael Bennett. While we have already featured his shows COMPANY, FOLLIES, A CHORUS LINE and DREAMGIRLS - and even took a look at the recent smash hit revival of PROMISES, PROMISES starring Sean Hayes and Kristin Chenoweth - today's triple dose of clips (with a few surprises) is undoubtedly as close as one can get to theatrical crack cocaine: "Turkey Lurkey Time" from the original Broadway production of PROMISES, PROMISES, "Fifty Percent" from BALLROOM performed by Dorothy Loudon and - one of the most elaborate numbers in Tony Awards history - "Always Mademoiselle" from COCO starring Katharine Hepburn. So, see some of the reasons why these are the best of the best of Bennett and, therefore, the best of the best of Broadway right here!

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.

Once upon a time, right here in New York City, storied clubs - swanky hotel supper clubs, zebra-striped celebrity showcases, smoky after-hour boîtes - ruled the night. Places like The Stork Club, Copacabana, Persian Room and Latin Quarter (run by Lou Walters, father of Barbara ) were meccas where songwriters, singers and society mingled and fueled American popular music. Author and Lyrics & LyricistsTM series artistic director Deborah Grace Winer takes the helm as artistic director/writer/host for The Crowd's at El Morocco: The Heyday of the New York Nightclubs, on April 30 and May 1, 2. Joining her are vocalists Debby Boone, La Tanya Hall, James Naughton, Billy Stritch and Karen Ziemba.

Once upon a time, right here in New York City, storied clubs - swanky hotel supper clubs, zebra-striped celebrity showcases, smoky after-hour boîtes - ruled the night. Places like The Stork Club, Copacabana, Persian Room and Latin Quarter (run by Lou Walters, father of Barbara ) were meccas where songwriters, singers and society mingled and fueled American popular music. Author and Lyrics & LyricistsTM series artistic director Deborah Grace Winer takes the helm as artistic director/writer/host for The Crowd's at El Morocco: The Heyday of the New York Nightclubs, on April 30 and May 1, 2. Joining her are vocalists Debby Boone, La Tanya Hall, James Naughton, Billy Stritch and Karen Ziemba.

On this very day in 1943, Michael DiFiglia was born in Buffalo, New York, and the world of Broadway would simply never be the same. Cutting his teeth with the accomplished choreography for A JOYFUL NOISE, PROMISES, PROMISES, SEESAW and COCO was merely the beginning of a career that would virtually rewrite and revolutionize the ways and means by which a director could yield ultimate control over a project. With COMPANY and FOLLIES, the later co-directing with Hal Prince, Bennett solidified himself as one of the most talented and brilliant choreographers of his generation and, shortly thereafter, proved with A CHORUS LINE that he was a master theatrical engineer with few, if any, peers. Worldwide success, Tony Awards and the Pulitzer Prize were just the gravy. Who else but Michael Bennett would then, or ever, receive - or should I say, earn - the credit "Entire Production Conceived, Produced and Directed by," besides him? While BALLROOM failed to live up to A CHORUS LINE in mostly every way, he soon after reinvented the wheel yet again with DREAMGIRLS in 1981. We never got to see his productions of CHESS and SCANDAL, both of which he was in the latter stages of developing at the time of his death in 1988. Broadway has never been the same since he's been gone. So, today, on the day following a glittering new production of COMPANY at Lincoln Center - with the complete dance sequence "Tick Tock" fully restored, now with five dancers - we take a tip of the top hat to the tops in taps, temerity and truthfulness onstage - the one and only Michael Bennett.

Three-time Tony Award-winning scenic designer ROBIN WAGNER and esteemed costume designer LEWIS BROWN are among the 2011 TDF/Irene Sharaff Awards recipients. The awards will be presented at a ceremony on Friday, April 8 at 6:30pm at the Hudson Theatre (145 West 44th Street). Mr. Brown was selected to receive the 2011 TDF/Irene Sharaff Lifetime Achievement Award for costume design, and Tony Award-winning scenic designer Robin Wagner will receive the Robert L.B. Tobin Award for Sustained Excellence in Theatrical Design. Sadly, Mr. Brown passed away in January of 2011. His award will be accepted by his long-time colleague and friend, Albert Wolsky, who was the recipient of the 2010 TDF/Irene Sharaff Lifetime Achievement Award

Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick. DOUBLE FALSEHOOD will close at CSC (136 East 13th Street) Sunday, April 3.

Universally hailed as the reigning King of the Blues, the legendary B.B. King will perform three UK concerts in Manchester, Edinburgh and London in June 2011.

A shimmering taxidermy deer and a gasp-inducing canvas depicting a tumulus of minuscule salary men are among the compelling works set to greet visitors to Japan Society Gallery from Friday, March 18 to June 12, 2011

Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.

Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.

Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.

Three-time Tony Award-winning scenic designer ROBIN WAGNER and esteemed costume designer LEWIS BROWN are among the 2011 TDF/Irene Sharaff Awards recipients. The awards will be presented at a ceremony on Friday, April 8 at 6:30pm at the Hudson Theatre (145 West 44th Street). Mr. Brown was selected to receive the 2011 TDF/Irene Sharaff Lifetime Achievement Award for costume design, and Tony Award-winning scenic designer Robin Wagner will receive the Robert L.B. Tobin Award for Sustained Excellence in Theatrical Design. Sadly, Mr. Brown passed away in January of 2011. His award will be accepted by his long-time colleague and friend, Albert Wolsky, who was the recipient of the 2010 TDF/Irene Sharaff Lifetime Achievement Award

A shimmering taxidermy deer and a gasp-inducing canvas depicting a tumulus of minuscule salary men are among the compelling works set to greet visitors to Japan Society Gallery from Friday, March 18 to June 12, 2011

Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.

The theatre scene in St. Louis in 2010 turned out to be another year filled with fine productions and superb performances. Despite the economic barriers faced by all the local theatre companies many continued to take risks, presenting material that challenged audience expectations, but entertained them as well. And so, I'm presenting my own top ten of 2010, to honor the shows that beguiled and entranced me this past year.

Talking to the UK Telegraph, composer Andrew Lloyd Webber tells the paper that The Wizard of Oz, which opens in February 2011 in London (and already has a $13+ million dollar advance) will play America next, with talks underway to do a television casting show for Dorothy as he's done in the UK. Britain's loss could be America's gain, however. 'A couple of the networks in the US have wanted to build something around what I do on TV, and I think with Oz something is definitely going to happen there. The X Factor juggernaut is going to be huge there next year but other networks are looking for something to go against it. Once we've found a Dorothy in the US, my instinct is to open the show in Kansas [Dorothy's home].'