Once is Enough - 1938 - Broadway Articles Page 2

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

La Mirada Theatre for the Performing Arts Producing Artistic Director BT McNicholl announces its most ambitious and a?oeSpectacular, Spectaculara?? season of special events ever! Revel in the unmistakable sounds of THE RIGHTEOUS BROTHERS and THE FOUR FRESHMEN and to the songs of country legend TRAVIS TRITT; sing along with MOULIN ROUGE and THE LITTLE MERMAID, and do the time warp with ROCKY HORROR's Dr. Frank-N-Furter!  

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

Multiple Grammy and Oscar winning artist, musician and producer T Bone Burnett gave a thought provoking keynote speech at SXSW today, warning of the current dangers of the dominance of digital monopolies like Google and Facebook, while championing the value of the independence of artists. See below for the full text of the speech.

On October 30, 1938, just before 8:00 pm, Americans gathered around the radio to listen to Mercury Theatre On The Air, an anthology series produced and hosted by Orson Welles. That evening's program, scripted by Howard Koch, was a modern-day adaptation of H.G. Well's The War of the Worlds, one of the first tales of alien invasion, in which Martians emerged from meteors to lay waste to all of the Earth's civilizations. Except that Koch, with help from producers John Houseman, Paul Stewart and Welles himself, structured the program to play, at least in the first moments, as special news bulletins interrupting a normal performance by a dance orchestra. The ruse seems thin even for the time, but Hitler had 'annexed' Austria a few months earlier, and was threatening to do more, so the program struck a chord and the resulting panic in the area in close proximity - Welles' Martians landed in a New Jersey pasture, sent East Coast residents scurrying across bridges and clogging highways.

In 1968, playwright David Edgar was 20 years old. It was also the year of some of the most important and formative events in modern history, including the Paris student revolt, the assassination of Martin Luther King, Enoch Powell's "rivers of blood" speech, and the ongoing war in Vietnam. Trying It On is a new play written and performed by David Edgar, which reflects on the legacy of this momentous year, drawing on first-person interviews with some of the leading political figures of the time, as well as contemporary activists. The performance also marks David's first professional stage performance in this contemplative one-man play.

From SOUTH PACIFIC to THE KING AND I to FIDDLER ON THE ROOF and now MY FAIR LADY, director Bartlett Sher has been spending the better part of this young century perfecting his method of mounting ravishing, emotionally stimulating productions of classic 20th Century musicals.

Catch MOTOWN THE MUSICAL before it races away from the Hippodrome in Baltimore. If you missed it in 2016, flag it down before it's gone. If you caught it before, it's had a tuneup and is plenty worth watching again. Surely someone you love should see it with you.

Will Geer's Theatricum Botanicum is back with an exciting summer line-up of socially conscious theater, music and performance. The Summer 2018 Season, including five plays set to open in rapid succession and perform in repertory throughout the summer together with a host of satellite events, will open June 2 and continue through mid-October in the company's breathtakingly beautiful outdoor Topanga setting.

Ellen Wedner, Vice President of Arts & Culture at Mandel JCC, today invited book buffs to several literary events next month at which authors will discuss his/her work and respond to comments and questions from the audience.

Ellen Wedner, Vice President of Arts & Culture at Mandel JCC, today invited book buffs to several literary events next month at which authors will discuss his/her work and respond to comments and questions from the audience.

Ellen Wedner, Vice President of Arts & Culture at Mandel JCC, today invited book buffs to several literary events next month at which authors will discuss his/her work and respond to comments and questions from the audience.

Midtown Direct Rep (MDR) launches its 2017-18 reading series, Theater at The Woodland, with a free presentation of SOMETHING TO LIVE FOR, a new play with music, written by Rob Zellers, directed by Billy Porter, with music supervision by Zane Mark and musical direction by Darryl Ivey. 

Even if you've never heard a note sung by Ella Fitzgerald (and if that's the case, you should stop reading this review immediately and look up some of her recordings on YouTube) Andrea Frierson's duo-bio solo show, ME & ELLA, can be related to by anyone whose life was influenced by a popular artist they've never met.

New York Theatre Ballet, the foremost chamber ballet company in the United States, will return to Tarboro, North Carolina on March 30, 2017 at 7:30pm to perform in the Edgecombe Community College Performing Arts Series, bringing a program of mixed repertoire. NYTB has performed in the series annually for the past four years.

The Lakewood Playhouse is proud to announce its 79th Season of Shows! It's a season filled with Laughter, Mystery, Literature, and Stories That Touch the Heart. This year includes Five Premiers that have never been seen at the Lakewood Playhouse!  

The cast of Raven Theatre Company's premiere of Tennessee Williams' Not About Nightingales has been announced, with Raven Founding Artistic Director Michael Menendian directing. The play's action revolves around the tyrannical prison warden Boss Whalen's inhumane treatment of the inmates in his island prison.  Deciding they have had enough, and inspired by their de facto leader Butch, the inmates of Hall C fight back by waging a hunger strike. When it garners media attention, Boss Whalen responds with torture.  All the while, Whalen's inmate assistant Jim and new secretary Eva struggle with the moral dilemma of either exposing the strike and losing their jobs or assisting Whalen in keeping it under wraps. 

Nothing in the press release prepared me for the power and beauty of THE MAR VISTA, an ambitious autobiographical theater-dance piece by Brooklyn-based Yehuda Hyman which ranges over four countries on two continents in 90 years. This is no one's fault (though a tissue alert would have been nice), as the collaboration between Hyman's Mystical Feet Company and LABA: The Laboratory of Jewish Culture does not lend itself to neat description. A brief review of Hyman's artistic background--choreographer, playwright, poet, translator of poetry, and teacher of dance at Sarah Lawrence (from which he earned his M.F.A), Princeton, NYU, Barnard, and USC, among others-would best, perhaps, indicate the play's epic sweep, both emotionally and historically.

Perhaps the most epic choral work ever composed, Beethoven's monumental Ninth Symphony, which includes the famous last movement, “Ode to Joy,” has filled concert venues around the world for close to two centuries, yet has never lost its ability to thrill. A musical wonder considered by many to be Beethoven's greatest work, his massive and majestic Ninth fills Irvine Meadows Amphitheatre with pure radiance during Pacific Symphony's second concert of Summer Festival 2016. Led by Music Director Carl St.Clair, this crown jewel of the season boasts a huge orchestra, full chorus and a spine-tingling vocal quartet. The heart-welling program also includes a number of other beloved and moving pieces including Aaron Copland's “Fanfare for the Common Man,” Samuel Barber's “Adagio for Strings,” John Williams' “Liberty Fanfare” and his “Hymn to the Fallen” from the film “Saving Private Ryan.”

Perhaps the most epic choral work ever composed, Beethoven's monumental Ninth Symphony, which includes the famous last movement, “Ode to Joy,” has filled concert venues around the world for close to two centuries, yet has never lost its ability to thrill. A musical wonder considered by many to be Beethoven's greatest work, his massive and majestic Ninth fills Irvine Meadows Amphitheatre with pure radiance during Pacific Symphony's second concert of Summer Festival 2016. Led by Music Director Carl St.Clair, this crown jewel of the season boasts a huge orchestra, full chorus and a spine-tingling vocal quartet. The heart-welling program also includes a number of other beloved and moving pieces including Aaron Copland's “Fanfare for the Common Man,” Samuel Barber's “Adagio for Strings,” John Williams' “Liberty Fanfare” and his “Hymn to the Fallen” from the film “Saving Private Ryan.”

The national tour stop of MOTOWN at the Capitol Theatre is another in a series of historic events for Broadway in Utah (recently dubbed Broadway at the Eccles, after its new home). Immediately following its final Salt Lake City performance, the entire production will pack up and move to the Nederlander Theatre in New York City for a limited 18-week Broadway engagement, starting July 12. This means that the performers you see here will also be starring in the show on Broadway, on the same set and wearing the same costumes. It is quite literally Broadway in Utah.

Eagle Theatre will pay homage to the Greater Delaware Valley with a groundbreaking production of Thornton Wilder's Tony Award, Drama Desk Award, and Pulitzer Prize Winning play, OUR TOWN.

In their new City Center home, the Mint presents the American premiere of the Irish playwright's workplace drama.

Donmar Warehouse Announces the 2016 Spring Season!

Mint Theater (Jonathan Bank, Producing Artistic Director; Jen Soloway, Managing Director) today announced that the next production, Women Without Men, will begin performances January 30th and continue through March 26th at New York City Center Stage II (131 West 55th Street). The play explores the clash of conflicting natures and petty competitions that erupt amongst the cloistered teaching staff of an all-girls boarding school.