Mary - 1920 - Broadway Articles Page 20

Tonight, as the curtain rises at the (770 seat) Alliance Theatre, in Atlanta, this will be the center of the Universe for Barry and Bruce. This musical is, and has been, their baby for a long time, while waiting for this moment.

The Dallas Opera, in partnership with the Meadows Museum at Southern Methodist University, is delighted to introduce the first in a series of new programs hosted by Dallas Opera General Director and CEO Keith Cerny and designed to present informed personal perspectives on the arts.

William Morrow, an imprint of HarperCollins Publishers, today announces plans to publish the first-ever new Agatha Christie novel, fully authorized by the Christie estate, to be penned by international bestseller Sophie Hannah. The deal for World English rights was negotiated by Daniel Mallory, VP, Executive Editor at William Morrow, and David Brawn, Estates Publisher at HarperCollins UK with Hilary Strong, Managing Director at Christie rights manager Acorn Productions Ltd/Agatha Christie Ltd, the UK based rights holding production arm of RLJ Entertainment, Inc. (Nasdaq:RLJE) and Hannah's agent Peter Straus at Rogers, Coleridge & White. The novel will be published in September 2014 by HarperCollins worldwide.

The American Symphony Orchestra's upcoming season, full of discoveries and revolution begins with New York Avant-Garde on October 3, 2013. In partnership with the New-York Historical Society's new exhibition and catalog, the ASO recreates the fall-out in music of the famous New York Armory visual arts show of a century ago, in 1913.

Off-Broadway's award-winning Irish Repertory Theatre launches its 26th season with a revival of Sean O'Casey's JUNO AND THE PAYCOCK, directed by Irish Rep Artistic Director Charlotte Moore. With a cast that features, among others, J. Smith-Cameron as Juno Boyle, Ciaran O'Reilly as 'Captain' Jack Boyle, and John Keating as Joxer Daly, JUNO AND THE PAYCOCK will begin performances on Wednesday, October 9, 2013 at the Irish Repertory Theatre (132 West 22nd Street).

This Fall will bring with it ten new Broadway plays and five new Broadway musicals, and yet there is even more on the way for Off-Broadway, including: ALL THE FACES OF THE MOON, ARGUENDO, THE OLD FRIENDS, FETCH CLAY MAKE MAN, BIKE AMERICA, NATURAL AFFECTION, FUN HOME, BAD JEWS, LADY DAY, ANTHEM, GRASSES OF A THOUSAND COLORS, THE PATRON SAINT OF SEA MONSTERS, THE JACKSONIAN, HOW I LEARNED WHAT I LEARNED, CHERI, DOMESTICATED, LIES MY FATHER TOLD ME, THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE, and THE COMMONS OF PENSACOLA.

City Parks Foundation announces the 21st edition of the beloved late summer jazz favorite, the Charlie Parker Jazz Festival. In the world of modern music, few figures loom as large or cast as long a shadow as saxophonist Charlie Parker, best known as 'Bird' (short for 'Yardbird') to generations of musicians. He was born in 1920, and almost sixty years since his death in 1955, he is universally celebrated for single-handedly inventing bebop and bringing jazz into the modern era.

The Metropolitan Playhouse--2011 Obie Award winner--presents a revival of A Man's World, by Rachel Crothers, from September 14 - October 13, 2013. Directed by Michael Hardart at Metropolitan's home: 220 E 4th Street.

The Runaway Stage Productions 2014 Broadway Stage season will include Mel Brooks' Young Frankenstein and The Producers, the Sacramento regional premiere of Frank Wildhorn's Bonnie and Clyde, a West Sacrament Community Center Black Box Theatre production of Nunsense A-Men, and productions of Seussical The Musical and Jerry Herman's Mame.

City Parks Foundation proudly announces the 21st edition of the beloved late summer jazz favorite, the Charlie Parker Jazz Festival. In the world of modern music, few figures loom as large or cast as long a shadow as saxophonist Charlie Parker, best known as "Bird" (short for "Yardbird") to generations of musicians. He was born in 1920, and almost sixty years since his death in 1955, he is universally celebrated for single-handedly inventing bebop and bringing jazz into the modern era.

American Repertory Ballet and Princeton Ballet School will be participating in events throughout Central Jersey this fall, including in the towns of Cranbury, New Brunswick, and Hamilton. On September 7, ARB will participate in Cranbury Day on Main Street, and advanced Princeton Ballet School students will perform in the School's beautiful Cranbury studio. The following weekend, ARB will be at Hamilton's Septemberfest on September 15. Later in the month, on September 28 at 4:00pm, the company will be performing at New Brunswick High School as part of the New Brunswick Cultural Center's Hub City Sounds arts festival.

Playing the role of Ichabod Crane in the award-winning Equity professional East Lynne Theater Company's production of the world premiere of 'The Legend of Sleepy Hollow,' is Matt Baxter Luceno. His first appearance with ELTC was playing Rodney Martin in the comedy 'It Pays to Advertise' last fall, and now he's back as the music and school teacher from Connecticut who lands a job in superstitious Tarrytown, New York.

Flying carpets, flying horses, and Douglas Fairbanks performing his own gymnastic stunts to save the princess! It's all part of 'The Thief of Bagdad.'

Flying carpets, flying horses, and Douglas Fairbanks performing his own gymnastic stunts to save the princess! It's all part of 'The Thief of Bagdad.'

Everything's coming up roses July 17, as Maine State Music Theatre continues its 55th season of professional musical theater at the Pickard Theater on the Bowdoin campus in Brunswick, Maine with the smash musical fable, Gypsy. Scroll down for a sneak peek at Mama Rose and Gypsy Rose Lee!

It may be an economy sized production, but it fills the bill as one of the funniest musical comedies ever conceived. Williamstown Theatre Festival goes all out to deliver a full course of music, theatre and dance for this venerable joyride.

Chicago, the second production in the Shenandoah Summer Musical Theater 2013 season, was stuffed with star turns by the talented leads of the production, but the production as a whole lacked a little of the conventional "Razzle Dazzle" one would expect from the sexy and scandalous 1975 musical.