Lost and Found - 1999 - London Fringe Articles Page 19

Viva Patshiva is an original musical comedy about a down and out man who is swept up by an ancient culture living in the shadows of Brooklyn. After embarking on a series of misadventures with a colorful crew of musical wanderers, he is confronted with a choice that could reconnect him with his soul or send him to hell forever.

Viva Patshiva is an original musical comedy about a down and out man who is swept up by an ancient culture living in the shadows of Brooklyn. After embarking on a series of misadventures with a colorful crew of musical wanderers, he is confronted with a choice that could reconnect him with his soul or send him to hell forever.

Viva Patshiva is an original musical comedy about a down and out man who is swept up by an ancient culture living in the shadows of Brooklyn. After embarking on a series of misadventures with a colorful crew of musical wanderers, he is confronted with a choice that could reconnect him with his soul or send him to hell forever.

Today we are talking to an iconic performer known for his decades on stages and screens around the world, from his variety show roots with sister Marie and their eponymous 70s television staple to his solo pop career in the 1980s and roles in Broadway and Hollywood and beyond since then - the one and only Donny Osmond. Osmond and I recount many of his marvelous show business memories in this all-inclusive chat, putting a particular emphasis on his theatre roles - most of all, his work in the film version of Andrew Lloyd Webber's JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT, filmed in 1999 and presented next week in a super-special Sing-A-Long showing with an exclusive live Q&A hosted by Osmond in Fathom-equipped movie theaters nationwide on March 26. In addition to all about the filming of the spectacular movie musical version of JOSEPH helmed by Steven Pimlott and co-starring Maria Friedman, Osmond and I discuss his experiences playing the title role in the show for six years throughout the 1990s and how he looks back on his experiences in the Biblically-themed pop/rock operetta. Plus, Osmond shares insights into the work of Andrew Lloyd Webber, as well as shares stories of working with legends such as Gene Kelly, Richard Attenborough, Joan Collins and touches upon his appearances in MULAN onscreen, BEAUTY & THE BEAST onstage, DANCING WITH THE STARS on TV - and much, much more!

Anthony Freud, general director of Lyric Opera of Chicago, today announced details of its new world premiere. Bel Canto, by the gifted young Peruvian composer Jimmy Lopez, with a libretto by Pulitzer Prize-winning playwright Nilo Cruz, is based on the best-selling novel by Ann Patchett. To premiere in Lyric's 2015-16 season, the new opera, commissioned as part of Lyric's Renee Fleming Initiative, will be conducted by Lyric music director Sir Andrew Davis and directed by Stephen Wadsworth.

Headlining the most successful entertainment of all time, THE PHANTOM OF THE OPERA, Michael Crawford was actually not the first name the creative team considered for the gothic musical undertaking during its creation in the mid-1980s, believe it or not. Steve Harley famously recorded the original single of the title song with composer Lord Andrew Lloyd Webber's muse Sarah Brightman and subsequently starred in the grandiose Ken Russell fever dream music video. While the public and critics alike assumed Harley's bid for the lead role in the gestating show was all but guaranteed after the video debut, it was not meant to be. Master director Hal Prince had his sights set on a British stage and screen star who had made a name with American audiences decades before in the troubled film versions of two Broadway hits - A FUNNY THING HAPPENED ON THE WAY TO THE FORUM and HELLO, DOLLY! - as well as made a name for himself the world over in the British sitcom SOME MOTHERS DO 'AVE 'EM. Crawford had also cemented his place in the musical theatre with his roles in FLOWERS FOR ALGERNON and BILLY, but it was PHANTOM that would catapult him into the ranks of iconic musical megastar. So, today, let us take a look at what made Michael Crawford's performance in THE PHANTOM OF THE OPERA so unforgettable as we celebrate this week's US release of the simply spectacular DVD/Blu-ray of the 25th anniversary production mounted late last year at the Royal Albert Hall starring Ramim Karimloo and Sierra Boggess, loving assembled and presented by original lead producer Cameron Mackintosh and featuring a grand finale complete with original PHANTOM cast-members Sarah Brightman and Michael Crawford, among a host of other glories.

Deadline.com is reporting that Raven-Symoné, known most for starring on the Disney Channel's THATS SO RAVEN will take over for the Tony and Olivier nominated Patina Miller in Broadway's SISTER ACT. The web site reports that she will begin rehearsals at the end of February, and will debut at the end of March 2012 for a 6 month engagement in the show.

Grammy nominated recording artist and Broadway performer, Marty Thomas (Xanadu, Secret Garden, Wicked) prepares to redefine the nightclub scene with his new act Marty Thomas Presents: Diva at the hottest spot in Hell's Kitchen.

The Bill T. Jones/Arnie Zane Dance Company will present the world premiere of Jones' "Story/Time" at Peak Performances at Montclair State University, January 21-22 & 26-29. "Story/Time" marks Jones' third commission from Peak.

Grammy nominated recording artist and Broadway performer, Marty Thomas (Xanadu, Secret Garden, Wicked) prepares to redefine the nightclub scene with his new act Marty Thomas Presents: Diva at the hottest spot in Hell's Kitchen.

Landmark on Main Street proudly presents STEW AND THE NEGRO PROBLEM on Saturday, January 21, 2012 at 8 PM.

Grammy nominated recording artist and Broadway performer, Marty Thomas (Xanadu, Secret Garden, Wicked) prepares to redefine the nightclub scene with his new act Marty Thomas Presents: Diva at the hottest spot in Hell's Kitchen.

The Bill T. Jones/Arnie Zane Dance Company will present the world premiere of Jones' "Story/Time" at Peak Performances at Montclair State University, January 21-22 & 26-29. "Story/Time" marks Jones' third commission from Peak.

Lookingglass Theatre Company presents The Great Fire, a Lookingglass Original written and directed by Ensemble Member John Musial.

Soho Theatre's Season begins with a vibrant and packed programme spanning Theatre, Comedy and Cabaret performed across three performane spaces (and the seminar room).

Lookingglass Theatre Company presents The Great Fire, a Lookingglass Original written and directed by Ensemble Member John Musial.

Lookingglass Theatre Company presents The Great Fire, a Lookingglass Original written and directed by Ensemble Member John Musial.

Lookingglass Theatre Company presents The Great Fire, a Lookingglass Original written and directed by Ensemble Member John Musial.

Lookingglass Theatre Company presents The Great Fire, a Lookingglass Original written and directed by Ensemble Member John Musial.

Artistic Director, Steve Marmion has announced the next season at Soho Theatre; with a vibrant and packed programme spanning Theatre, Comedy and Cabaret performed across three performane spaces (and the seminar room).

Lookingglass Theatre Company presents The Great Fire, a Lookingglass Original written and directed by Ensemble Member John Musial.

A.R.T. American Repertory Theater (A.R.T.) opens its 2011-12 season with The Gershwins' Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin. The adaptation by Pulitzer Prize-winning playwright Suzan-Lori Parks and Obie Award-winning composer Diedre L. Murray, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Ronald K. Brown, begins previews on August 17 and opens for the reviewing press on August 31 at 7pm. Performances are at the Loeb Drama Center, 64 Brattle Street, Cambridge. Tickets for preview performances are currently on sale, remaining tickets for the run go on sale on July 12. Check out a sneak peek of the production below!

TimeLine Theatre Company, named the nation's theater 'Company of the Year' for 2010 by Terry Teachout in The Wall Street Journal and 'one of the Chicago theater's most impressive growth stories' by Chris Jones in the Chicago Tribune, announces its four-play 2011-12 season

A.R.T. American Repertory Theater (A.R.T.) will present The Gershwins' Porgy and Bess, opening the A.R.T.'s 2011-2 season tonight, August 17 at the Loeb Drama Center. The Gershwin's Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin, is adapted by Suzan-Lori Parks and Diedre Murray, and directed by A.R.T. Artistic Director Diane Paulus. Check out the first production shots below!

A.R.T. American Repertory Theater (A.R.T.) will present The Gershwins' Porgy and Bess, opening the A.R.T.'s 2011-2 season on August 117 at the Loeb Drama Center. The Gershwin's Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin, is adapted by Suzan-Lori Parks and Diedre Murray, and directed by A.R.T. Artistic Director Diane Paulus.