Lost - 1927 - Broadway Articles Page 16

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Roundabout Theatre Company (Todd Haimes, Artistic Director) is proud to announce John Goodman (Pozzo) and David Strathairn (Lucky) will join Bill Irwin (Vladimir) and Nathan Lane (Estragon) in a new Broadway production of Waiting for Godot by Samuel Beckett and directed by Tony? award winner Anthony Page.

THE BROADWAY STAGEHANDS STRIKE OF 2007 HAS OFFICIALLY COME TO AN END! BroadwayWorld offers the most comprehensive information to guide theatre-fans through the mayhem of rescheduled events and ticket information.

'The Kennedy Center Presents: The 2006 Mark Twain Prize for American Humor' will celebrate Neil Simon, one of America's foremost playwrights, humorists and screenwriters

An upcoming staged reading of George S. Kaufman and Edna Ferber's 1927 classic The Royal Family has drawn a starry cast that includes Marian Seldes and Mercedes Ruehl

Jason Alexander, Richard Dreyfus, Nathan Lane, Cyndi Lauper, Robert Redford, Paul Reiser, Mercedes Ruehl and Jonathan Silverman will be on hand to salute Neil Simon at the Kennedy Center's Ninth Annual Mark Twain Prize for American Humor ceremony

Pulitzer Prize-winning playwright Neil Simon--whose The Odd Couple and Barefoot in the Park were recently revived on Broadway--has been announced as this year's recipient of the Kennedy Center's ninth annual Mark Twain Prize for American Humor

Undercover Lover, a lost musical by Arnold Weinstein and Frank O'Hara, will be presented in New York from November 3rd through December 4th

Roundabout Theatre Company (Todd Haimes, Artistic Director) presents Kate Burton as 'Constance Middleton', Michael Cumpsty as 'John Middleton', John Dossett as 'Bernard Kersal' and Lynn Redgrave as 'Mrs. Culver' in the new Broadway production of W. Somerset Maugham social comedy The Constant Wife, directed by Mark Brokaw at the American Airlines Theatre (227 West 42nd Street).

Despite some grumbles, Spamalot has more in common with Broadway musical traditions than you might think