Look Where I'm At! - 1971 - Off-Broadway Articles Page 5

One of the biggest downers perpetrated by American culture is the characterization of Labor Day weekend as the 'unofficial end of summer.' But given what has passed for cabaret entertainment-at least the shows I was able to attend--since the 'unofficial start of summer' on Memorial Day weekend, the end of summer can't come soon enough. But my dismay over the hours lost watching average shows this season was tempered a bit by the pride and joy I felt watching the June performances of three strikingly attractive and talented 30ish brunettes with powerhouse voices-- Jackie Kristel, Karen Gross and Jodi Beck, who all staged entertaining shows as spring was turning to summer.

Tony Taccone informed the guests that legendary actors Ian McKellen and Patrick Stewart will perform at Berkeley Rep in a pre-Broadway engagement of No Man's Land. Award-winning director Sean Mathias stages Harold Pinter's masterwork in the Roda Theatre for an exclusive and strictly limited run in August.

OneRepublic brings unforgettable pop hooks, funky soulful interludes, and piano-driven rock to their Filene Center debut.

Douglas Hodge stars as Willy Wonka in the brand-new production of Charlie and the Chocolate Factory at Theatre Royal Drury Lane in London. Directed by Academy Award winner Sam Mendes, the story is brought to life with music by Marc Shaiman and lyrics by Scott Wittman and Marc Shaiman (Grammy winners for Hairspray; Smash), with a book by award-winning playwright and adaptor David Greig (The Bacchae; Tintin In Tibet). The show opens tonight, June 25. Let's see what the critics had to say...

Tonight, Thursday, June 13 (7 + 9 pm) at The Invisible Dog in Brooklyn, choreographer Rebecca Lazier and indie-classical ensemble Newspeak present the first US performances of Coming Together/Attica, a site-specific setting of Frederic Rzewski's iconic minimalist scores written following the 1971 prison riots in upstate New York. Lazier's dancers are Rashaun Mitchell and Silas Riener (formerly of Merce Cunningham Dance Company); Asli Bulbul, most recently from Bill T. Jones/Arnie Zane Dance Company; Jennifer Lafferty, who is featured in the work of Beth Gill and Yasuko Yokoshi; Pierre Guilbault; and Christopher Ralph.

From May 28 to June 7, 2014, the New York Philharmonic will present the inaugural NY PHIL BIENNIAL, a kaleidoscopic exploration of today's music by a wide range of contemporary and modern composers that will showcase an array of curatorial voices through concerts presented with partners in venues both on and off the Lincoln Center campus.

On Thursday, June 13 (7 + 9 pm) at The Invisible Dog in Brooklyn, choreographer Rebecca Lazier and indie-classical ensemble Newspeak present the first US performances of Coming Together/Attica, a site-specific setting of Frederic Rzewski's iconic minimalist scores written following the 1971 prison riots in upstate New York. Lazier's dancers are Rashaun Mitchell and Silas Riener (formerly of Merce Cunningham Dance Company); Asli Bulbul, most recently from Bill T. Jones/Arnie Zane Dance Company; Jennifer Lafferty, who is featured in the work of Beth Gill and Yasuko Yokoshi; Pierre Guilbault; and Christopher Ralph.

Tonight, at the annual gala celebrating the Tony Award-winning Berkeley Repertory Theatre, the nonprofit's artistic director thrilled the crowd with a surprise announcement: Tony Taccone informed the guests that legendary actors Ian McKellen and Patrick Stewart will perform at Berkeley Rep in a pre-Broadway engagement of No Man's Land. Award-winning director Sean Mathias stages Harold Pinter's masterwork in the Roda Theatre for an exclusive and strictly limited run in August.

On Thursday, June 13 (7 + 9 pm) at The Invisible Dog in Brooklyn, choreographer Rebecca Lazier and indie-classical ensemble Newspeak present the first US performances of Coming Together/Attica, a site-specific setting of Frederic Rzewski's iconic minimalist scores written following the 1971 prison riots in upstate New York. Lazier's dancers are Rashaun Mitchell and Silas Riener (formerly of Merce Cunningham Dance Company); Asli Bulbul, most recently from Bill T. Jones/Arnie Zane Dance Company; Jennifer Lafferty, who is featured in the work of Beth Gill and Yasuko Yokoshi; Pierre Guilbault; and Christopher Ralph.

It's April 1st. Do you know when your Spring is coming? During another longggggg New York winter, the good news is that there were a ton of warming cabaret shows. The bad news is that there were so many, even during this seemingly endless winter our intrepid reviewer Stephen Hanks didn't have enough time to review them all right after the performances. So in what is becoming a seasonal ritual, here he offers yet another compilation of 13 'catch-up' cabaret show reviews.

Yesterday's MEET THE PRESS WITH DAVID GREGORY featured a roundtable discussion with Gov. Bob McDonnell (R-VA); Mayor Kasim Reed (D-Atlanta); Fmr. Gov Jennifer Granholm (D-MI); GOP strategist Alex Castellanos; and NBC's Tom Brokaw. Below are highlights from the broadcast.

Legendary singer/actress Vikki Carr, born Florencia Bisenta de Casillas Martinez Cardona in El Paso, Texas, skyrocketed to superstardom as an American pop singer in 1962 with 'He's a Rebel' followed by 'It Must Be Him' in 1967 and 'With Pen in Hand' in 1969. In the 80s and 90s her Spanish recordings brought her three Grammy Awards, and she set the precedent for cross over artists becoming successful in both English and Spanish. Now in 2012 she returns to the Sony label with a new album Viva la Vida, released on September 25. In our chat she talks about the album, the charity that is closest to her heart and how she feels about being a Mexican-American in show business.

Warner Bros. announced today that the 1939 classic The Wizard of Oz will be fully restored and converted into 3D, as a part of the studio's 90th Anniversary celebration next year. The film is currently being restored and will be released on Blu-ray 3D in either September or October of next year.

Barbra Streisand's longtime collaborator Richard Jay-Alexander is scheduled to appear on QVC Thursday, September 20 at 7 AM and noon (ET) to offer the singer's upcoming album 'Release Me,' which has been specially packaged with a bonus DVD for the multimedia retailer.

Barbra Streisand's private music vault holds all the master tapes she's recorded for five decades. Now, she's sharing 11 previously unreleased songs, spanning a cross-section of her career from 1963 to the present. The collection, titled Release Me, will be available on vinyl (Tuesday, September 25) and on CD (Tuesday, October 9).

Barbra Streisand's private music vault holds all the master tapes she's recorded for five decades. Now, she's sharing 11 previously unreleased songs, spanning a cross-section of her career from 1963 to the present. The collection, titled Release Me, will be available on vinyl (Tuesday, September 25) and on CD (Tuesday, October 9).

So many cabaret shows, so little time . . . to write reviews that is. During his almost two years as a cabaret reviewer, BroadwayWorld.com critic Stephen Hanks managed to do a pretty good job of writing critiques during a show's run or soon after the run ended. But this summer he just couldn't keep up. Finally, here are observations on 10 performances over the past two months.

James Goldman and Stephen Sondheim's FOLLIES closes tonight, June 9, at Los Angeles' Ahmanson Theatre after a critically acclaimed run. Nominated for eight Tony Awards, the show has been through quite the journey, beginning at Washington, D.C.'s Kennedy Center in May 2011, then making its transfer to Broadway's Marquis Theatre, where it opened in September of 2011 and ran through January 22, 2012, and finally traveling to L.A. for its May 9, 2012, opening. As a farewell to Follies, BroadwayWorld brings takes you through this journey with photos, video and highlights from all three productions below.

New York's City Center can be a dark and unwelcoming place on a Friday afternoon. The recently restored interior is obscured by shadows and the only light comes from the merciless worklights over the stage which only partially illuminate the two performers beneath them. Yet, even through these shadows, the admirable skills of two Broadway veterans are evident as they recreate their roles in WEST SIDE STORY. Both actors appeared in this musical classic over forty years ago at Lincoln Center.

'Not the Same Old Song' presents singer/songwriter, pop and folk performances at Joe's Pub in April and May. Tickets on sale now online at joespub.com, by phone at 212-967-7555 or in person at The Public Theater Box Office (1 PM to 6 PM) located at 425 Lafayette Street, NYC.

BroadwayWorld brings you an exclusive look at the Spanish production of FOLLIES at Teatro Español de Madrid, directed by Mario Gas, with choreography by Aixa Guerra and Luis Méndez and musical direction by Pep Pladellorens, starring Vicky Peña as Phyllis Rogers, Carlos Hipólito as Ben Stone, Muntsa Rius as Sally Durant and Pep Molina as Ben Plummer.

PS Classics has revealed the complete track list for the the new cast recording for the revival of FOLLIES on November 29. To pre-order the double-disc album online at $14.95, visit www.psclassics.com. The album will feature 33 tracks with some dialogue lead-ins, scenes, and speeches in a two-disc set, complete with 52-page full-color booklet with essay, synopsis, lyrics and production photos. Limited song clips are available now as well on the PS Classics web site. Tracks will include:

Here's to the girls upstairs! Director Gary Griffin chats briefly on his vision for 'Follies.'

The GRAMMY Museum, in cooperation with Estate of George Harrison, will debut a major new exhibition, George Harrison: Living in the Material World opening on October 11, 2011.

Two-time Tony Award nominee and Emmy Award winner Bobby Cannavale will star as Nick Arnstein opposite Lauren Ambrose, who will star as Fanny Brice, in the first Broadway revival of FUNNY GIRL since the 1964 original production. FUNNY GIRL, which features music by Jule Styne, lyrics by Bob Merrill and book by Isobel Lennart, will be directed by Tony Award-winner Bartlett Sher.