This touring production brought to life by Aaron Sorkin brings home a story that is so central to our culture and history; truly a must-see for anyone who cares to understand more about the best- and worst- of America. Read our critic's review.
IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY.....a perfect time for a perfect holiday performance
The critically acclaimed production of Murder in San José opens at the HKAPA on 30 April 2021, marking the return of live theatre in Hong Kong since the start of the pandemic.
Stu James answers questions about his virtual theatre appearance in SLOW FOOD, a tender, uproarious comedy by Wendy MacLeod and directed by Marya Mazor for International City Theatre. In this uproarious comedy, a vacationing couple heads to a Greek restaurant in Palm Springs for their anniversary dinner, only to be confronted with the worst service imaginable by a waiter who knows no limits to his meddling.
Drawing on the timelessness of George Orwell’s ANIMAL FARM, Saro Lusty-Cavallari’s (Director and Adaptor) adaptation of the seemingly sweet but ultimately dark fable serves as a reminder of the need to challenge the actions and messages delivered by our leaders.
Westa??s play, in which she turned her anger at injustice into witty repartee, tells of a married but closeted high society man who throws a wild drag ball that proves to be a fateful event in more ways than one, given the various degrees of scandal going on around so many of the characters. Written under a pseudonym before she became a blockbuster Hollywood star, THE DRAG scandalized New York audiences in 1927 with its portrayal of homosexuality, transgender characters, and drag queens. The premiere production closed out of town by the authorities after two weeks of sold-out performances to appreciative audiences.
A pandemic may be an odd time to debut a play, but that's what The Perkins Players did. Their first play -- a comedy partially about the tensions that arise when two very different people live in close proximity to each other -- was performed in front of audience members who had very likely spent a significant part of the past few months being forced to live in close quarters with other humans (except for anyone who lives by themselves). Would that make audience members relate or yearn for an escape about anything except being trapped together in one apartment?
Celtic Lion Productions present a rare revival of Look Back in Anger, John Osborne's searing portrayal of the savagery of the human heart. Called the 'most vivid play of the decade' by the New York Times, the influence of Osborne's 1956 masterwork on generations of playwrights cannot be underestimated. It is directed by Aimée Fortier at The Gene Frankel Theatre where it runs through February 29..
We're taking it back to the 80s with a photo flashback!
The Royal Lyceum Theatre Edinburgh along with partners Birmingham Repertory Theatre, Bristol Old Vic, Northern Stage, Nuffield Southampton Theatres, Oxford Playhouse, and new partner Leeds Playhouse, are delighted to announce the cast for the remount of the critically-acclaimed Pride and Prejudice* (*sort of), presented in close collaboration with partners of the original production, Tron Theatre and Blood of the Young.
The Royal Lyceum Theatre Edinburgh along with partners Birmingham Repertory Theatre, Bristol Old Vic, Northern Stage, Nuffield Southampton Theatres, Oxford Playhouse, and new partner Leeds Playhouse, present Pride and Prejudice* (*sort of), presented in close collaboration with partners of the original production, Tron Theatre and Blood of the Young.
The World Premiere of Lucas Hnath's DANA H. at the Kirk Douglas Theatre recounts the real-life story of the playwright's own mother, adapted from interviews with Dana Higginbotham which were conducted by Steve Cosson. Directed by Les Waters, the entire play is told in voiceovers from the real-life interviews, perfectly mimicked and emotionally heartfelt by Deirdre O'Connell in the title role. But be forewarned: this insider's look at a kidnapping and its repercussions is not for the faint of heart.
We're flashing back through the photo archives of BroadwayWorld's very own Walter McBride to bring you some shots of 2019 Tony nominee Adam Driver a decade ago, before the final performance of SLIPPING, at the Rattlestick Playwrights Theatre.
Broken Nose Theatre continues its seventh season with the Midwest premiere ofStephen Spotswood's drama GIRL IN THE RED CORNER, directed by Elizabeth Laidlaw, playing February 1 - March 2, 2019 at BNT's resident home, The Den Theatre
In January, Steep Ensemble Member Jonathan Berry returns to Steep to direct the world premiere of Ike Holter's Red Rex, the sixth play in Holter's seven-play "Rightlynd Saga" about Chicago. Since the 2012 production of his Hit the Wall, Holter's work has gained increasing national and international attention. In describing the "Rightlynd Saga," Chris Jones of the Chicago Tribune opined that it "might just be one of the most significant literary achievements in modern-day Chicago." Holter's play Rightlynd, part of the seven-play saga, is currently in production at Victory Gardens Theatre, and his Lottery Day, the final play in the saga, premieres in the Spring of 2019 at the Goodman Theatre. Director Jonathan Berry has been at the helm of many of Steep's most memorable shows, including the recent smash-hit production of Simon Stephens' Birdland.
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