Let it Ride - 1998 - Off-Off-Broadway Articles Page 6

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

The Best Of The Performing Arts Close To Home Brings You A GREAT VARIETY OF ENTERTAINMENT IS COMING YOUR WAY

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

Today, John McGrath, Artistic Director of National Theatre Wales announced the company's first year of work at a press briefing in Cardiff that was simultaneously broadcast to the world via the internet.

The Cincinnati Playhouse in the Park will continue its Thompson Shelterhouse Theatre season with Arlene Hutton's engaging and endearing play LAST TRAIN TO NIBROC . This sweet journey of the heart begins public previews on March 28 and continues through April 26. Young lives intertwine when Raleigh, a recently discharged flyboy with ambitions of becoming a writer, and May, a woman who dreams of doing missionary work, board the same train to Los Angeles in the winter of 1940. They soon come to realize that not only are they headed in a similar direction, but their roots are closer than they could have dreamed.

The Cincinnati Playhouse in the Park will continue its Thompson Shelterhouse Theatre season with Arlene Hutton's engaging and endearing play LAST TRAIN TO NIBROC . This sweet journey of the heart begins public previews on March 28 and continues through April 26. Young lives intertwine when Raleigh, a recently discharged flyboy with ambitions of becoming a writer, and May, a woman who dreams of doing missionary work, board the same train to Los Angeles in the winter of 1940. They soon come to realize that not only are they headed in a similar direction, but their roots are closer than they could have dreamed.

Following rave reviews Too Much Memory, written by Keith Reddin and Meg Gibson, and directed by Ms. Gibson, has sold out its run through its closing on Monday, December 22, at the Fourth Street Theatre, 83 East 4th Street. The Rising Phoenix Repertory and Piece by Piece production opened Tuesday, December 9, to rave reviews as part of New York Theatre Workshop's Jonathan Larson Lab. All performances are sold out. Those wishing to be put on a waiting should arrive at the theatre 45 minutes prior to curtain.

On December 26th and 27th, The Fab Faux will perform The Beatles' final three albums, Abbey Road, Let It Be and The White Album, in their entirety. Spread out over the course of two nights, the 'And, In The End...' concerts will recreate the final chapter in the legendary album output of The Beatles, and will offer fans a chance to hear songs performed live that The Beatles themselves never played in concert (the exception being part of Let It Be, which was performed on the 'rooftop' of Apple Corp, with spectators crowding the street, eventually forcing police to shut the whole operation down...).

Too Much Memory, written by Keith Reddin and Meg Gibson, and directed by Ms. Gibson, begins performances tonight at 8:30pm at Fourth Street Theatre, 83 East 4th Street. The Rising Phoenix Repertory and Piece by Piece production is set to open Tuesday, December 9, at 8:30pm. Too Much Memory is a project of New York Theatre Workshop's Jonathan Larson Lab.

Too Much Memory, written by Keith Reddin and Meg Gibson, and directed by Ms. Gibson, begins performances tonight at 8:30pm at Fourth Street Theatre, 83 East 4th Street. The Rising Phoenix Repertory and Piece by Piece production is set to open Tuesday, December 9, at 8:30pm. Too Much Memory is a project of New York Theatre Workshop's Jonathan Larson Lab.