Johnny Johnson - 1936 - Broadway Articles Page 2

Multi-Platinum and seven-time GRAMMY winning icon Randy Travis is set to release his 21st studio album October 1st on Warner Bros. Records titled Influence Vol. 1: The Man I Am.

Christine Baranski, Kelli Barrett, Walter Bobbie, Jeremy Cohen, Dalton Harrod, Randy Skinner, Shonn Wiley, Karen Ziemba,New York City Ballet Principaldancer Joaquin De Luz and American Ballet Theatre principal dancer Irina Dvorovenko will star in Rodgers and Hart's On Your Toes, the final Encores! presentation of the 2012-13 New York City Center season.

Christine Baranski, Kelli Barrett, Walter Bobbie, Jeremy Cohen, Dalton Harrod, Randy Skinner, Shonn Wiley, Karen Ziemba,New York City Ballet Principaldancer Joaquin De Luz and American Ballet Theatre principal dancer Irina Dvorovenkowill star in Rodgers and Hart's On Your Toes, the final Encores! presentation of the 2012-13 New York City Center season. Directed and choreographed by Warren Carlyle, On Your Toes will have guest music direction by Encores! founding music director Rob Fisher and will play seven performances, from May 8 - 12 at New York City Center, W. 55th Street (between 6th and 7th Avenues). The "Slaughter on Tenth Avenue" ballet, originally choreographed by George Balanchine, will be staged by Susan Pilarre, who served as a Ballet Mistress of the show's 1983 Broadway Revival.

The Picture Show at Bay Street Theatre, sponsored by Peconic Landing continues with classic films this winter and spring. All films start at 8 pm. Tickets are $7 at the door and include a small box of popcorn. For the $28 prix-fixe 'Dinner and a Movie' package, call Page at 63 Main (631-725-1810), IL Capuccino (631-725-2747) or Sen (631-725-1774). Beginning February 15, the dinner package will be available at Dockside (631-725-7100). Cost does not include sales tax, beverage or gratuities.

The Picture Show at Bay Street Theatre has announced announce that Peconic Landing is sponsoring its long-running, classic Picture Show Series for the 2013 Season.

Theatre legend & Academy Award winner Estelle Parsons will direct a rare concert reading of Paul Green and Kurt Weill's Johnny Johnson, with Ken Marks serving as Musical Director.

The ReGroup will kick of their 2nd season by presenting Paul Green's The House of Connelly at 7 PM on June 6th, 2011 at The 47th St Theatre, 304 W 47th St. For the first time, they will present both endings to the play; the ending Mr. Green had intended and the very different ending the Group Theatre had him rewrite.

The ReGroup will kick of their 2nd season by presenting Paul Green's The House of Connelly at 7 PM on June 6th, 2011 at The 47th St Theatre, 304 W 47th St.

The ReGroup will kick of their 2nd season by presenting Paul Green's The House of Connelly at 7 PM on June 6th, 2011 at The 47th St Theatre, 304 W 47th St.

The ReGroup will kick of their 2nd season by presenting Paul Green's The House of Connelly at 7 PM on June 6th, 2011 at The 47th St Theatre, 304 W 47th St. For the first time, they will present both endings to the play; the ending Mr. Green had intended and the very different ending the Group Theatre had him rewrite.

The ReGroup will kick of their 2nd season by presenting Paul Green's The House of Connelly at 7 PM on June 6th, 2011 at The 47th St Theatre, 304 W 47th St.

The 36th Annual Jazz Records Collectors Bash will be held June 25th & 26th, 2010. The event will offer 78s, LPs, CDs, Memorabilia, Rare Films

The 36th Annual Jazz Records Collectors Bash will be held June 25th & 26th, 2010. The event will offer 78s, LPs, CDs, Memorabilia, Rare Films

Kurt Weill's Johnny Johnson gets its UK premiere at Sadler's Wells - but why here and why now? Our correspondent finds out

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'