Jack at the Opera - 1938 Broadway History , Info & More
Jack at the Opera - 1938 - Broadway Articles Page 5
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by Gabrielle Sierra - Sep 29, 2009
Due to popular demand, the following shows have added additional performances:
F#@KING UP EVERYTHING - Sat, Oct 17 at 11pm
SING, BUT DON'T TELL - Sun, Oct 18 at 3pm
by BWW News Desk - Sep 29, 2009
HOWL! Festival presents HOWL! ARTS PROJECT 2009: THEATER SERIES September 18-29 at 45 Bleecker
by BWW News Desk - Sep 29, 2009
HOWL! Festival presents HOWL! ARTS PROJECT 2009: THEATER SERIES
September 18-29 at 45 Bleecker
by BWW News Desk - Sep 18, 2009
HOWL! Festival presents HOWL! ARTS PROJECT 2009: THEATER SERIES September 18-29 at 45 Bleecker
by BWW News Desk - Sep 18, 2009
HOWL! Festival presents HOWL! ARTS PROJECT 2009: THEATER SERIES
September 18-29 at 45 Bleecker
by Gabrielle Sierra - Sep 17, 2009
Due to popular demand, the following shows have added additional performances:
Encore: Friday, October 2nd at 5pm
Fat Camp: Friday, October 2nd at 4pm
by Gabrielle Sierra - Sep 11, 2009
In the glory days of the movie musical, folks joked that MGM stood for 'Makes Great Musicals' and it boasted more stars than in the heavens.
by Gabrielle Sierra - Sep 9, 2009
HOWL! Festival presents HOWL! ARTS PROJECT 2009: THEATER SERIES September 18-29 at 45 Bleecker
by Gabrielle Sierra - Sep 3, 2009
HOWL! Festival presents HOWL! ARTS PROJECT 2009: THEATER SERIES
September 18-29 at 45 Bleecker
by Gabrielle Sierra - Aug 21, 2009
by BWW News Desk - Feb 20, 2009
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
by Gabrielle Sierra - Jan 20, 2009
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
by Robert Diamond - Dec 15, 2008
Producer Howard Panter for Ambassador Theatre Group and co-producers Tulchin/Bartner/Jenkins, Bill Kenwright, Northwater Entertainment, Darren Bagert, and Tom Gregory announced the complete cast and design team for the new Broadway production of the greatest musical comedy GUYS AND DOLLS. The first joint Broadway project by two-time Tony Award winning director Des McAnuff and choreographer Sergio Trujillo since their collaboration on the Tony Award winning musical Jersey Boys, GUYS AND DOLLS will begin previews on February 3, 2009 at Broadway's newly refurbished Nederlander Theatre (208 West 41st Street). Opening Night is March 1, 2009.
by Eddie Varley - Dec 2, 2008
Producer Howard Panter for Ambassador Theatre Group and co-producers Tulchin/Bartner/Jenkins, Bill Kenwright, Darren Bagert, and Tom Gregory announced today that Craig Bierko (Tony Award nominee for The Music Man; Scary Movie 4) will star as 'Sky Masterson' and Kate Jennings Grant (Proof) will also star as 'Sarah Brown' in the new Broadway production of the greatest musical comedy GUYS AND DOLLS.
by Robert Diamond - Oct 28, 2008
LAUREN GRAHAM (Golden Globe Award nominee for 'Gilmore Girls') will appear as 'Miss Adelaide' opposite Oliver Platt's 'Nathan Detroit' in the new Broadway production of GUYS AND DOLLS.
by Robert Diamond - Oct 8, 2008
A new production of GUYS AND DOLLS, directed by Tony-winner Des McAnuff will begin previews on February 3, 2009 at Broadway's Nederlander Theatre. Opening Night is March 1.
by BWW - Oct 1, 2008
Ghosts. Romance.Mischief. New York City, 1938. What if those who have passed on have never really left us at all? It's possible! Join Bruce, a medium-at-large, as he plays matchmaker for a pair of sisters in this world and the next, and set skepticism aside for an evening of romantic high jinks. As one sister says to the other, 'You've dropped your friends, you're secretive, you're defensive, you're mysterious, you're hostile...it's got to be love.'
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