In New York Town - 1905 - Broadway Articles Page 3

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Friday, August 5 with Weekend One: Puccini and Italian Musical Culture.

One week into the virtually sold-out run of MSMT's Fiddler on the Roof, cast members, Bill Nolte, Susan Cella, Erick Devine, and Rachel Rhodes-Devey, together with MSMT's Managing Director Stephanie Dupal convened in the third Peek Behind the Curtain panel discussion at the Curtis Memorial Library on July 27, 2016, to examine the phenomenon of the show that continues to mesmerize audiences fifty-two years after its Broadway debut. In response to moderator Carla Maria Verdino-Sullwold's observation that Fiddler is a show which - like its characters - survives, the participants discussed their individual perspectives on the show, their characters, and the universal themes that continue to speak powerfully to audiences.

California Shakespeare Theater's 25th anniversary season at the Bruns Amphitheater returns to the works of George Bernard Shaw with his sharply-observed take on feminism, class distinctions, and romance, You Never Can Tell, directed by Obie award-winner Lisa Peterson, from August 10 through September 4. For tickets and information, contact the Cal Shakes Box Office at 510.548.9666 or visit www.calshakes.org?

"I haven't specifically counted," the dynamic actress sitting opposite me replies. "Somewhere between 1000-2000 performances, I think. I've done the role with Theodore Bikel and Harvey Fierstein, on both national tours, and in regional and stock houses all over the country." Susan Cella is speaking of her signature portrayal of Golde, the vehicle which has brought her to the latest stop in her artistic journey, Maine State Music Theatre in a new production of the Bock-Harnick musical, Fiddler on the Roof, that opens July 20.

The Drama Book Shop proudly welcomes Mint Theater Company's Artistic Director Jonathan Bank for a discussion about the company's devotion to rediscovering lost plays and its current production, A Day By The Sea. The event, which is free to the public, will take place on Wednesday, August 17th at 5:00PM. Bank will be joined by critic and historian Peter Filichia.

'It's all about growing and being willing to change…about people finding a way to look at things from both sides and learn to empathize.' The soft-spoken man sitting opposite me thoughtfully answers my question about the universality of the musical theatre piece in which he stars, Fiddler on the Roof. There is a gentle, heartfelt quality to all his comments, and one understands immediately why Bill Nolte makes an ideal Tevye. The Broadway actor, singer, and visual artist makes his Maine State Music Theatre debut on July 20 in a part he has played twice before, and he waxes eloquent about the experience in Maine and his reunion with director/choreographer Gary John LaRosa and many of the veteran cast members.

Greece's most prominent film director of the post-1968 era, Theo Angelopoulos (1935–2012) was a master cinema stylist. His investigations into history and politics, tyranny and resistance, and spiritual anomie and emotional devastation place him on equal footing with filmmakers like Andrei Tarkovsky, Bernardo Bertolucci, and Wim Wenders. Today, at a time when Greece has struggled with impending economic collapse, and as the country's refugee crisis has worsened, with displaced populations fleeing war in the Middle East and massing on its borders, the themes of Angelopoulos's cinema are pressing once again. Museum of the Moving Image will present Eternity and History: The Cinema of Theo Angelopoulos, a complete retrospective of the director's career—the first in the United States in 25 years—from July 8 through 24, 2016. The retrospective will also be presented at the Harvard Film Archive in Cambridge, Massachusetts, from July 15 through August 22. The presentation of the retrospective at Museum of the Moving Image was made possible with support from the Stavros Niarchos Foundation and the Hellenic American Chamber of Commerce.

One century ago, 200,000 New Yorkers mourned in the streets, representing the best-attended funeral procession in the history of the city to date. This May, the global Jewish community remembered Sholem Aleichem, for his centenarian yortsayt (Yiddish for "death anniversary").

Set in the sprawling urban slums of the South Wales docklands at the turn of the last century; a coming of age story about a young boy from the docks who idolises Houdini and commits himself to a life of magic, but the harsh reality of working-class life in Edwardian Britain gets in the way. A tenacious dreamer, he trains himself to emulate his hero's escapology amongst the mud and rust of his industrial surroundings, charming those hard-working realists around him but putting himself and others in danger as he becomes more dettached from reality. His parents struggle to come to terms with their son's eccentricity and our boy struggles in the mud and the filth to, not only achieve his dream of becoming an escapologist, but to survive, in a ruthless Edwardian dock town. As he grows our boy finds himself an integral part of the most terrifying events of British industrial history and his personal journey even intersects with the world's greatest showman himself. A connection which will influence both characters till the end of their days. With his hero's guidance, he battles against the irrepressible tide of responsibility, to balance childhood folly and humanity with the cynicism of adulthood.

With a gorgeous, epic score by Richard Rodgers and a groundbreaking for its time book by Oscar Hammerstein II, Rodgers & Hammerstein's Allegro opened in 1947 to the highest advance in Broadway history

City Theatre Artistic Director Tracy Brigden has announced the full lineup for 2016-2017, the South Side company's 42nd Season.

City Theatre Artistic Director Tracy Brigden has announced three plays of the six-show 2016-17 season. The South Side company's 42nd season includes a trio of exciting Pittsburgh premieres: Hand to God by Robert Askins, Feeding the Dragon written and performed by Sharon Washington, and The Royale by Marco Ramirez. 'I am really excited about next season at City Theatre where we have culled the hottest new plays for our Pittsburgh audience. Where else can you find a vivid new voice, a theatrical history lesson, and a rollicking and irreverent Broadway hit all at one theatre? Stay tuned for the next installment of three more new plays-coming soon!'

The Man Who Shot Liberty Valance was originally a short story penned in 1953 by Dorothy M. Johnson (1905 - 1984), who wrote numerous articles and stories with Western themes. In 1962, Valance was adapted for motion pictures in a blockbuster film directed by John Ford and starring John Wayne, James Stewart, and Lee Marvin, in the title role of the sadistic gunslinger who is taken on by Stewart, who portrayed a tenderfoot attorney new to the dusty town of Shinbone. Jethro Compton's new stage play is based on the short story instead of the movie, getting its start in England in 2014. The Rubicon Theatre Company's new production marks the play's American debut, starring Gregory Harrison in the role of Bert Barricune, the equivalent of John Wayne's Tom Doniphon in the film. Reviews of the play have called it 'gripping drama' and 'consistently absorbing.' We spoke with Jenny Sullivan, who is directing Rubicon's production and she talked about the process of presenting a subject that has become much more famous through the film adaptation than for the original story.

PlayMakers Repertory Company proudly announces its 2016/17 Season.  Dynamic plays from three important women playwrights, plus a landmark drama by Arthur Miller, a romantic Shakespearean romp and a beloved musical masterpiece will highlight the new Mainstage Season from PlayMakers Repertory Company. The new season is the first selected for the theater by Vivienne Benesch, PlayMakers' new  Producing Artistic Director.

The New York Festival of Song marks its eleventh annual co-presentation with Juilliard's Ellen and James S. Marcus Institute for Vocal Arts with a new program titled HARRY, HOAGY, and HAROLD.

The Film Society of Lincoln Center and the Jewish Museum will present the 25th annual New York Jewish Film Festival (NYJFF) at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, today, January 13-26, 2016.

Cape Town Opera hopes to provide a feast for opera lovers with its 2016 season, which was recently announced in the Mother City. The company's young international opera stars have joined forces with a new team of award-winning creative minds to make next year a memorable one for grand opera.

The New York Festival of Song marks its eleventh annual co-presentation with Juilliard's Ellen and James S. Marcus Institute for Vocal Arts with a new program titled HARRY, HOAGY, and HAROLD.

The Film Society of Lincoln Center and the Jewish Museum will present the 25th annual New York Jewish Film Festival (NYJFF) at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center

The Film Society of Lincoln Center and the Jewish Museum will present the 25th annual New York Jewish Film Festival (NYJFF) at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, January 13-26, 2016.

Chautauqua Theater Company (CTC), under the leadership of Artistic Director Vivienne Benesch and Managing Director Sarah Clare Corporandy, announced casting for their Mainstage 2015 Season, which includes blending Chautauqua Theater Company alumni with those making their company debuts. Principal actors are Andrew Borba, Carol Halstead, Tangela Large, Manu Narayan, Michael Potts, Shelia Tousey, and Kathryn Hunter Williams. The season features Our Town (July 3-12), Intimate Apparel (July 24-August 2), and Henry V (August 14-21), all performed at the Bratton Theater at Chautauqua Institution.

Greed and familial betrayal is at the darkly comic heart of The Little Foxes by Tony Award-winning playwright Lillian Hellman-'an expertly constructed, grippingly paced plot machine that pits good against evil and lets evil win' (The New York Times). Artistic Associate Henry Wishcamper directs the classic 1939 play about wealth's corrupting power-one of Hellman's most notable works, which was adapted into a 1941 film starring Bette Davis-centering on the Hubbard family's ruthless pursuit in the South's post-bellum economic slump. The Little Foxes appears May 2 - June 7 in the Albert Theatre (opening night is Monday, May 11). Tickets ($25-$81; subject to change) are on sale now at GoodmanTheatre.org/LittleFoxes, by phone at 312.443.3800 or at the box office (170 North Dearborn). The Goodman Theatre Women's Board is the Major Production Sponsor, Ernst & Young LLP and Interactive Health are the Corporate Sponsor Partners and Towers Watson is the Opening Night Sponsor for The Little Foxes.

The Museum of Modern Art has announced its film exhibitions for April 2015. All films and events take place in the Roy and Niuta Titus Theaters, unless otherwise noted. Details below!

Hottest Articles on BroadwayWorld.com from this weekend Sunday, February 15, 2015 - Sunday, February 15, 2015.

I want to applaud the theatre companies who pay homage to black playwrights. We're allowed to examine the psyche and social situations from the black perspective through these theatrical masterpieces. I had the pleasure of seeing The Pearl Theater's production of INTIMATE APPAREL written by Lynn Nottage, and I was moved by the seamless writing and performances by the cast.