Hip-Hip-Hooray - 1915 - New York Articles Page 2

California Repertory Company announces productions for the 2017 2018 season. The season highlights stories of resistance and reinvention: resistance to the oppressing effects of misogyny, economic disparity and autocracy; and reinvention of the self through the power of storytelling and imagination.

Soho Rep. has announced its 2017-18 season, which marks the return of the beloved New York City theater to the Lower Manhattan storefront it has called home for over 25 years.

NYU Skirball's 2017-18 season will feature over 45 unique presentations by some of the world's leading provocateurs, artists and activists, performing unconventional and often controversial works in varied spaces throughout the Skirball Center - turning the lobby, dressing rooms, hallways and backstage areas into centers of creativity.

Further evidence that Yiddish is suddenly hip in 2017 was on flashy display last night at the Skirball Center for the Performing Arts, as the National Yiddish Theatre Folksbiene welcomed a diverse and eclectic crowd to celebrate mothers and the mother tongue in grand style. Prominent producer Daryl Roth and nine other women trailblazers in the arts, sciences, business and philanthropy were honored, and a dazzling all-female cast performed one showstopper after another. The evening's mother hen was the fabulous four-time Tony nominee Tovah Feldshuh, who delighted the audience with her funny and peppery mix of wisdom and heartfelt cheerleading for the Jewish mothers attending and for the Jewish mother in all of us.

Diamond Head Theatre (DHT) is excited to announce, All Shook Up, opening on May 19, 2017.

This morning, The Recording Academy and 2016 GRAMMY Best New Artist, Meghan Trainor, kicked off this year's GRAMMY Awards nominations by revealing nominees in the four General Field categories (Best New Artist, Record Of The Year, Song Of The Year, and Album Of The Year) live on 'CBS This Morning.

On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Artistic Director in 2006, Jay Wegman has done much more than maintain "one of the last standing locations for avant-garde performance downtown" (The New York Times, 2009). He has created an arts venue that is unique to the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City. In a 2015 New York Times profile, Wegman says Abrons is "a place for people to succeed or fail or land somewhere in between."

Abrons Arts Center and New York City Players' American Playwrights Division present REALLY, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling.

Due to popular demand Abrons Arts Center and New York City Players are adding three additional performances of Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.

Following the success of last year's THE LAST WORD festival, the Roundhouse announces a thrilling programme for its third season, presenting the best of spoken word, storytelling and live performance, from Tuesday 24 May - Saturday 18 June.

Abrons Arts Center and New York City Players' American Playwrights Division present Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.

Thirty years ago, championed by Liza Minnelli (Ira Gershwin's goddaughter), young Michael Feinstein debuted at the iconic Oak Room of The Algonquin Hotel. I was there, having been escorted by an older, more sophisticated friend. As I recall, Feinstein was alone at the piano; thoroughly engaging, telling stories of his time as Ira Gershwin's assistant, even then, peppering the show with lesser-known songs. This past Sunday, this standard bearer of The American Songbook began a run (through December 30) in partnership with the New York club now bearing his name, Feinstein's/54 Below (“The only place I have to sleep with myself to get the job,” he quipped). Though he's performed in the city since the 2012 closing of his room at Loew's Regency Hotel, the artist no longer had a place to call home in New York. This has happily been rectified.

Abrons Arts Center and New York City Players' American Playwrights Division present Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performances of Really will take place March 16 - April 2 at Abrons Arts Center (466 Grand St. Manhattan). Full performance schedule, press dates and casting will be announced at a later date. For more information visit abronsartscenter.org or call 212.352.3101.

The Chicago Humanities Festival (CHF) launches its 26th Fall Festival, featuring 130 events which will explore the theme of 'Citizens', today, Oct. 24, through Nov. 8, 2015 at venues across Chicago.

The Chicago Humanities Festival (CHF) announced today the complete schedule for the 26th Fall Festival, 130 events which will explore the theme of Citizens, Oct. 24-Nov. 8, 2015 at venues across Chicago.

Frances Albert (Frank) Sinatra (1915-1998) was arguably one of the most important vocalists of 20th century. The Hoboken, New Jersey native began as a boy singer with big band leaders Harry James and Tommy Dorsey, became a heartthrob to bobbysoxers, a headliner in nightclubs during their heyday, and was one of the best selling recording artists of all time. Sinatra's illusively relaxed phrasing was as unique as the quality of swing he made popular. This centennial year of his birth will be filled with tributes. 'You beat the rush,' Producer/Writer/Host Scott Siegel quipped from a podium last night during the variety tribute show The Sinatra Century at 54 Below.

The San Francisco Ethnic Dance Festival will celebrate the centennial of the Panama-Pacific International Exposition in 2015 with a series of world dance and music performances and events from February to December. The annual, month-long Festival in June will serve as the celebration's centerpiece, and will be set in the only grand structure remaining from the historic 1915 world's fair, the Palace of Fine Arts Theatre. Details and artists of the 2015 Festival may be found below. For more information and tickets (on sale February 18), visit www.sfethnicdancefestival.org.

Cleveland Play House proudly introduces their production of How We Got On, the coming-of-age story of three teens whose passion for hip-hop and determination to succeed generates creativity, artistry and friendship. Playwright Idris Goodwin's How We Got On will delight Cleveland audiences with its uplifting message and great grooves. Directed by Jaime Castañeda, and featuring an eclectic cast of actors including Cleveland School of the Arts graduate Cyndii Johnson, How We Got On is sure to have audiences of all ages feeling the beat October 24 - November 16 in the Outcalt Theatre at PlayhouseSquare. This production of How We Got On is sponsored by Cleveland Clinic.

Blue Note Jazz Club, one of the world's most iconic jazz and blues venues based in Greenwich Village, is proud to announce an impressive schedule of artists for August 2014.

Victory Gardens Theater presents the 2014 IGNITION Festival of New Plays, including Where Did We Sit on the Bus? by Brian Quijada; Lack and Lack by April Fools (Kristiana Colon & Damon Williams); Sender by Ike Holter; Slingshot by Kia Corthron; Hillary and Clinton by Lucas Hnath; For Tomorrow, Please Prepare by Paul Downs Colaizzo; and Cocked by Sarah Gubbins. The festival will take place today, July 24-27, 2014. The IGNITION festival creates a productive environment for both emerging and established playwrights to explore and develop their new work.

Victory Gardens Theater announces the complete lineup for the 2014 IGNITION Festival of New Plays, including Where Did We Sit on the Bus? by Brian Quijada; Lack and Lack by April Fools (Kristiana Colon & Damon Williams); Sender by Ike Holter; Slingshot by Kia Corthron; Hillary and Clinton by Lucas Hnath; For Tomorrow, Please Prepare by Paul Downs Colaizzo; and Cocked by Sarah Gubbins. The festival will take place July 24-27, 2014.

Cleveland Play House enthusiastically welcomes dance legend Maurice Hines to Cleveland in the toe-tapping extravaganza, Maurice Hines is Tappin' Thru Life. Co-produced with Alliance Theatre and Arena Stage, CPH audiences will be dazzled by this infectious production, which brings the history of American tap to life. Directed by Tony-nominee Jeff Calhoun (Newsies) and featuring contemporary tap icons The Manzari Brothers and music from the all-female big band The Diva Orchestra, Tappin' Thru Life will dance its way onto PlayhouseSquare's Allen Theatre stage for an extended run from today, May 30 - June 29. Special gratitude is given to CPH's generous sponsor, Zinner & Co.

Cleveland Play House enthusiastically welcomes dance legend Maurice Hines to Cleveland in the toe-tapping extravaganza, Maurice Hines is Tappin' Thru Life. Co-produced with Alliance Theatre and Arena Stage, CPH audiences will be dazzled by this infectious production, which brings the history of American tap to life. Directed by Tony-nominee Jeff Calhoun (Newsies) and featuring contemporary tap icons The Manzari Brothers and music from the all-female big band The Diva Orchestra, Tappin' Thru Life will dance its way onto PlayhouseSquare's Allen Theatre stage for an extended run from May 30 - June 29. Special gratitude is given to CPH's generous sponsor, Zinner & Co.

If you are even a semi-regular reader of this column of reviews, you know that about every three or four months, I post a compilation of observations of shows from the previous quarter of the year. This cabaret critiquing mash up happens for a number of reasons, not the least of which is that I admittedly see too many cabaret shows for the amount of time I have to promptly review them (and then, of course, the usual writer's procrastination sets in). So I have to prioritize the timeliness of the reviews based on the prestige of the performer, the length of a show run, the strength (or lack thereof) of the performance, etc. The quality of the shows in these compilations—which can range from a half dozen to a dozen reviews in one shot—are usually a mixed bag of outright raves, qualified positives, and constructive pans (I'm not a fan of the word “negative” in the reviewer lexicon). With that in mind here are a collection of cabaret show reviews going back to the start of a very harsh winter.

Seattle Theatre Group presents DJ Spooky's Rebirth of a Nation at The Moore Theatre, Sunday, February 23, 2014 at 7:00pm. Come experience Paul D. Miller's (a.k.a. DJ Spooky) 'remix' of D.W. Griffith's most significant (and racist) contribution to film history, 1915 Civil War epic 'Birth of a Nation'.