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Review: OFFSPRING: THE LEGACY OF DANCE at The Actors Company

by Valerie-Jean Miller - Jun 26, 2025

What did our critic think of OFFSPRING: THE LEGACY OF DANCE at The Actors Company A Labor of Love: Produced, written, directed and performed by Adia Joelle. An homage to talent, hard work, discipline, success and mutual love and respect, shown thru the eyes, ears & heart of the offspring of such

Review: LA CAGE AUX FOLLES at Palm Canyon Theatre

by Charlie Thomas - Oct 31, 2024

What did our critic think of LA CAGE AUX FOLLES at Palm Canyon Theatre? Based on the 1973 French play of the same name by Jean Poiret, the musical gets the star treatment from composer/lyricist Jerry Herman and book by Harvey Fierstein and has become a gay cult classic since it’s Broadway debut in 1983. 

BWW Spotlight Series: Meet Brandon Ferruccio – Fulfilling Every Actor's Dream to Direct Plays

by Shari Barrett - Mar 28, 2020

This Spotlight focuses on Brandon Ferruccio, who started out an as actor only to discover his real passion was to direct plays, especially with all female casts or with a strong feminine lead character. He has directed many productions at Theatre Palisades, Westminster Playhouse, Whittier Community Theatre, The Warner Grand in San Pedro, El Camino College, and the James Armstrong Studio Theatre in Torrance. And soon he will be adding the Westchester Playhouse to the list of theaters in which he has directed productions.

BWW Review: HIP HOP FILM FESTIVAL 2018 Brings Fresh Perspectives and Hot Talent to Harlem

by Cindy Sibilsky - Aug 13, 2018

The 3rd annual Hip Hop Film Festival was held, fittingly, at the historic National Black Theatre founded by Dr. Barbara Ann Teer who moved to Harlem in 1968 and saw that the once vibrant neighborhood was suffering from a sense of hopelessness after the losses of African American leaders Dr. Martin Luther King Jr. and Malcolm X and desperately needed a community space and cultural arts institution that would 'be reflective of the power, grace and excellence of a people' (according to her daughter and current CEO Sade Lythcott).

BWW Interview: Thea Musgrave at 90, Queen of SCOTS and Composer for all Seasons

by Richard Sasanow - May 22, 2018

Composer Thea Musgrave is celebrating these days. It's not just that she's marking her 90th birthday on May 27 with a concert in New York, but that the concert is showcasing a gaggle of world premieres, US premieres and NY premieres (along with more familiar works), which highlight her rich musical vocabulary and keen sense of drama.

BWW Feature: Mark and Ryan Kleinman, Living the Dream

by Jeanmarie Simpson - Apr 23, 2017

I am incredibly proud of all my kids and Ryan is pursuing his dream as a performer. He has been performing for quite awhile now as a professional and I have had the idea that this would be so since about his Junior year in High School. I have always taken the time to include my kids (when they have shown an interest) into the shows I was doing. Ryan and his older sister, Kaitlynn, were able to be more inundated with it at a young age as I was more active as a professional performer and they got to be backstage and at rehearsal, and often in shows with me. Whenever I was in a show that needed kids, I got them an audition and, since they were talented, often got cast, so we were able to share the stage. Sound of Music, South Pacific, Music Man, Secret Garden, A Christmas Carol, all shows that my kids been able to share with me.

BWW Review: HOME/SICK Recounts the Radical Politics of the Weather Underground

by Shari Barrett - Jun 21, 2016

The West Coast premiere of a theatrical reimagining of the history of the Weather Underground, HOME/SICK was developed and devised by New York City theater collective The Assembly and members of the cast to take a look at the changing political scene from 1969 through 1973 when a group of outcasts disgusted by the Vietnam War and the government's repression of those seeking equality domestically took a stand to affect political change by seizing control of Students for a Democratic Society and reshaping it in the name of overthrowing the United States government. Believing violence to be the only means to transform American politics and society, these passionate idealists accelerated the movement to a revolutionary fervor, but let their internal fears and confusion somehow get in their way.

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