Exactly Like You - 1999 - Off-Broadway Articles Page 10

Patrick Carfizzi has a lot of future projects lined up. Yet, Houston audiences are lucky enough to have the opportunity to see him perform as Mustafa in Rossini's THE ITALIAN GIRL IN ALGIERS, playing now through November 11, 2012. When Patrick Carfizzi isn't on stage he is teaching (which is something he loves and plans to do more of as time and schedule permits), volunteering for community groups, and working with the elderly from time to time. He is "delighted, honored, and grateful" to do what he does for a living. Despite his busy schedule, he spent a few minutes to talk with me about his career in opera, THE ITALIAN GIRL IN ALGIERS, and his character Mustafa.

Oracle CEO Larry Ellison sat down for a one-on-one with CNBC's MARIA BARTIROMO. Below is a transcript from the segment:

What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry. Amid the florid prose and flowery praise, you'll find all the stories that don't quite fit anywhere else, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…

On Saturday, April 21st, Warner Bros. Records will have a special series of vinyl albums and singles available in honor of the 5th annual Record Store Day - a celebration of the unique culture surrounding over 700 independently owned record stores in the USA, and hundreds of similar stores internationally. Warner Bros. Records is an official sponsor of Record Store Day.

Soulpepper Theatre Company is one of the most successful theatre companies in Canada, and growing every day. What began as a group of twelve actors who wanted to tell classical theatre stories has grown into one of the largest theatre companies in Toronto and one of the most well respected in the country. They've enjoyed many sold-out productions in the last few years, and have been responsible for the growth and development of new Canadian works, including the smash hit Kim's Convenience, which has arguably been the most talked-about Canadian play of the last twelve months.

On Saturday, April 21st, Warner Bros. Records will have a special series of vinyl albums and singles available in honor of the 5th annual Record Store Day - a celebration of the unique culture surrounding over 700 independently owned record stores in the USA, and hundreds of similar stores internationally. Warner Bros. Records is an official sponsor of Record Store Day.

Today we are talking to an iconic performer known for his decades on stages and screens around the world, from his variety show roots with sister Marie and their eponymous 70s television staple to his solo pop career in the 1980s and roles in Broadway and Hollywood and beyond since then - the one and only Donny Osmond. Osmond and I recount many of his marvelous show business memories in this all-inclusive chat, putting a particular emphasis on his theatre roles - most of all, his work in the film version of Andrew Lloyd Webber's JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT, filmed in 1999 and presented next week in a super-special Sing-A-Long showing with an exclusive live Q&A hosted by Osmond in Fathom-equipped movie theaters nationwide on March 26. In addition to all about the filming of the spectacular movie musical version of JOSEPH helmed by Steven Pimlott and co-starring Maria Friedman, Osmond and I discuss his experiences playing the title role in the show for six years throughout the 1990s and how he looks back on his experiences in the Biblically-themed pop/rock operetta. Plus, Osmond shares insights into the work of Andrew Lloyd Webber, as well as shares stories of working with legends such as Gene Kelly, Richard Attenborough, Joan Collins and touches upon his appearances in MULAN onscreen, BEAUTY & THE BEAST onstage, DANCING WITH THE STARS on TV - and much, much more!

When you take on an iconoclastic production such as Jonathan Larson's RENT, you either have a whole lot of talent in your back pocket, or you are just plain ludicrous. Fortunately for Shadowbox Live, it was a case of the former that resulted in a fantastic opportunity to see this incredible story about Bohemians in Alphabet City, NYC struggling with life, love and AIDS, brought to life in local form.

The Highline Ballroom has announced upcoming shows for March 12th through April 12th. All shows will take place at the Highline Ballroom at 431 West 16th Street between 9th Avenue and 10th Avenue. Tickets may be purchased through Ticketweb, online at ticketweb.com or at the Highline Box Office from noon until doors close at 866-468-7619.

Sergio Diaz stars as Prince Charming in the U.S. Premiere performances of Ballet Preljocaj's 'Blanche Neige' (Snow White). Read BroadwayWorld's interview with the dancer below!

Headlining the most successful entertainment of all time, THE PHANTOM OF THE OPERA, Michael Crawford was actually not the first name the creative team considered for the gothic musical undertaking during its creation in the mid-1980s, believe it or not. Steve Harley famously recorded the original single of the title song with composer Lord Andrew Lloyd Webber's muse Sarah Brightman and subsequently starred in the grandiose Ken Russell fever dream music video. While the public and critics alike assumed Harley's bid for the lead role in the gestating show was all but guaranteed after the video debut, it was not meant to be. Master director Hal Prince had his sights set on a British stage and screen star who had made a name with American audiences decades before in the troubled film versions of two Broadway hits - A FUNNY THING HAPPENED ON THE WAY TO THE FORUM and HELLO, DOLLY! - as well as made a name for himself the world over in the British sitcom SOME MOTHERS DO 'AVE 'EM. Crawford had also cemented his place in the musical theatre with his roles in FLOWERS FOR ALGERNON and BILLY, but it was PHANTOM that would catapult him into the ranks of iconic musical megastar. So, today, let us take a look at what made Michael Crawford's performance in THE PHANTOM OF THE OPERA so unforgettable as we celebrate this week's US release of the simply spectacular DVD/Blu-ray of the 25th anniversary production mounted late last year at the Royal Albert Hall starring Ramim Karimloo and Sierra Boggess, loving assembled and presented by original lead producer Cameron Mackintosh and featuring a grand finale complete with original PHANTOM cast-members Sarah Brightman and Michael Crawford, among a host of other glories.

Pioneer, innovator and the voice of an entire new musical theatre generation coming in the dawning of the age of GLEE, Tony Award recipient and Grammy-winning composer, lyricist and performer Lin-Manuel Miranda has merged the worlds of the two most significant of original American art forms - musicals and rap - in such a striking and surprisingly inventive way with his hit musical IN THE HEIGHTS - currently touring the country - and is setting out to do the same with his fresh collaboration with Pulitzer Prize-winning NEXT TO NORMAL composer Tom Kitt on their new musical BRING IT ON!, currently in previews out of town in Los Angeles as it eyes New York. In addition to discussing the development of IN THE HEIGHTS and BRING IT ON! in detail, Miranda and I also outline his experience working alongside the two modern-day masters of the musical theatre - Stephen Sondheim and the recently deceased Arthur Laurents - on the Spanish translation and new lyrics for the recent bilingual revival of WEST SIDE STORY - in addition to his forthcoming ALEXANDER HAMILTON project, which Miranda recently performed a medley from for President Obama himself at the White House Poetry Jam. As if all of that were not enough, we also delve into his thought process as he sets out to take on one of Sondheim's most challenging roles in all of musical theatre - that of Charley Kringas in MERRILY WE ROLL ALONG at Encores!, under the direction of James Lapine. Plus, news on his new feature film THE ODD LIFE OF TIMOTHY GREEN, as well as recollections of his fondest Broadway shows, scores, cast albums, movie musicals and general musical and theatrical inspirations - and his favorite Shakespeare plays, too - as well as much, much more!

It's powerful, it's moving, it's melodious, and it's true!

Having racked up multiple top ten hits while still a mere teenager since he burst upon the music scene in 1999, songwriter and performer Shad Moss was once known as Lil Bow Wow and now goes by just Bow Wow, though he is building up a considerable enough film resume to consider now using only his Christian name to differentiate his various talents. Between LIKE MIKE, ROLL BOUNCE, THE FAST AND THE FURIOUS: TOKYO DRIFT, Tyler Perry's MADEA'S BIG HAPPY FAMILY most recently, and, now, his villainous new role in THE FAMILY TREE, Moss has transitioned from rapper to leading man in much the same way that he seamlessly moved from boy wonder to the man behind his own music at Cash Money Records. With news on his forthcoming album UNDERRATED featuring collaborations with Snoop Dogg, Chris Brown and Nicki Minaj, among others, as well as a look back at his past albums and appearances - such as his movie musical debut in MTV's CARMEN: A HIP-HOPERA co-starring Beyonce Knowles, Mekhi Pfeiffer and Mos Def; as well as his memorable stint on ENTOURAGE - Moss also shares his individual observations on how the music industry has changed and morphed in the last fifteen years since he started out as Jermaine Dupri's protégé, as well as all about his upcoming film thriller RECALLED and working with the cast, crew and creatives of THE FAMILY TREE - Hope Davis, Dermot Mulroney and Chi McBride included - and much, much more! THE FAMILY TREE opens in select cities today.

THE FLAMING LIPS continue to confirm additional concert dates to their current summer itinerary. All dates are listed below.

VH1's most celebrated music documentary series 'Behind The Music' returns with seven of today's most successful and celebrated artists.

VH1's most celebrated music documentary series 'Behind The Music' returns with seven of today's most successful and celebrated artists.

The 'Sas' is back. Rachelle Rak (better known to the Broadway community as 'Sas'), has had a career as a Broadway dancer to be envied. Having worked on Broadway for ten straight years in the original companies of Cats, Fosse, Starlight Express, and Dirty Rotten Scoundrels (among others) and the revival company of monster hits such as Oklahoma!, it seemed Rak had not only 'made it,' but found a home as the consumate chrous girl. Until 2006.

Highline Ballroom located at 431 West 16th Street between 9th Avenue and 10th Avenue is pleased to announce it's upcoming shows. Tickets may be purchased through Ticketweb, online at ticketweb.com or at the Highline Box Office from noon until doors close at 866-468-7619.

San Francisco's cutting-edge Cutting Ball Theater welcomes the spring with the Bay Area Premiere of LADY GREY (in ever lower light) and other plays by Will Eno, hailed by The New York Times as 'a Samuel Beckett for the Jon Stewart generation.' LADY GREY (in ever lower light) and other plays, featuring Danielle O'Hare, Galen Murphy-Hoffman, Gwyneth Richards, and David Sinaiko, runs March 11-April 10 (Press opening: March 17) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($15-50) and more information, the public may visit cuttingball.com or call 800-838-3006.

Still humming the tunes from their Jeff-nominated Boojum!, Caffeine Theatre is proud to announce their next project for Spring 2011... and it's a long way from Wonderland. Stage 773 serves as the arena for two devastating plays performed in rotating repertory: Brutal Imagination by Cornelius Eady, directed by Caffeine Managing Director Jason Beck, and Wreckage by Caridad Svich, directed by Joanie Schultz.

Peter Nero and the Philly Pops® brings to life dance-inducing, finger-snapping classic pop and rock 'n' roll with John Mueller's 50's Dance Party (March 2, 4, 5, and 6, 2011).

Peter Nero and the Philly Pops® brings to life dance-inducing, finger-snapping classic pop and rock 'n' roll with John Mueller's 50's Dance Party (March 2, 4, 5, and 6, 2011).

Peter Nero and the Philly Pops® brings to life dance-inducing, finger-snapping classic pop and rock 'n' roll with John Mueller's 50's Dance Party (March 2, 4, 5, and 6, 2011).

Still humming the tunes from their Jeff-nominated Boojum!, Caffeine Theatre is proud to announce their next project for Spring 2011... and it's a long way from Wonderland. Stage 773 serves as the arena for two devastating plays performed in rotating repertory: Brutal Imagination by Cornelius Eady, directed by Caffeine Managing Director Jason Beck, and Wreckage by Caridad Svich, directed by Joanie Schultz.