Photos: Sharon D. Clarke and Wendell Pierce Get Honored With Portraits at Sardi's
by Bruce Glikas - Jan 18, 2023
Death of a Salesman stars Sharon D. Clarke and Wendell Pierce recently were honored with portraits at the iconic Sardi's. BroadwayWorld was there for the unveiling and you can check out photos here!
BWW Review: DEAR EVAN HANSEN at The Hippodrome
by Timoth David Copney - Mar 16, 2022
Because good theatre not only makes you feel the feels.
BWW Review: CAN'T PAY? DON'T PAY! Comically Reflects the Growing Social and Economic Divide Plaguing America
by Shari Barrett - Feb 22, 2020
This wildly funny satirical farce questions why, in a world of bailed-out banks and overpriced prescription drugs, theft is only a crime when it is committed by those truly in need, centering on humble housewife Antonia (Kaili Hollister) who joins a revolt of women at the local supermarket as they are all hungry and fed up by rising prices and stagnant wages. Determined to live with dignity and rejecting an austere diet of dog food and birdseed which is about all Antonia can afford to buy on her husband Giovvanni's (Jeremie Loncka) wages working on the production line at a local factory, the women's protest escalates and looting ensues.
BWW Review: STUPID FU***ING BIRD Takes Glorious Flight at Dobama
by Roy Berko - Sep 9, 2019
The lights dim. Joseph Lyle Dunn, who we later learn is portraying Conrad, the play's protagonist, comes stage center and says, 'The play will begin when someone says: 'Start the fucking play.'' As if on cue, a member of the audience yells, 'Start the fucking play,' and it does!
Photo Flash: First Look at Avant Bard's TOPDOG/UNDERDOG
by Stephi Wild - Mar 18, 2019
Avant Bard presents the acclaimed dark comedy TOPDOG/UNDERDOG by Suzan-Lori Parks, starring Louis E. Davis and Jeremy Keith Hunterand directed by DeMone Seraphin. The play-a tensely funny and Dead Serious tragicomedy about two African American brothers grappling for destiny-won Parks the 2002 Pulitzer Prize for drama, and the New York Times named it the best American play of the last 25 years.
BWW REVIEW: The Marvellous Madness of Monty Python Comes To The Sydney Stage With SPAMALOT
by Jade Kops - Mar 14, 2019
The classic comedy stylings of Monty Python kicks off Hayes Theatre's 2019 season with One Eyed Man Production's new take on SPAMALOT.
BWW Interview: THE DEAD SOUTH Charms North America and Europe With Bluegrass, Banjo, Guitar and Grit
by Cindy Sibilsky - Feb 6, 2019
BWW Review: THE DEAD SOUTH Charms North America and Europe With Bluegrass, Banjo, Guitar and Grit
Review: THE MANOR Brings a True and Tragic Tale to Greystone Mansion in Beverly Hills
by Shari Barrett - Jan 25, 2019
Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 17th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 90 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the Doheny saga have been changed, of course, "to protect the guilty" as we are told before the play begins by the mansion's loyal butler, James (Daniel Lench who has masterfully played the part for 6 years).
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