Because I Say So - 2019 - Off-Broadway Articles Page 16

Yes, the Holiday Season is once again upon us. Time for merriment, gathering with friends, family, chosen family, and what have you to enjoy the sights, the sounds, and the food of the season. Amidst all of the hustle and bustle of the times, the Straz Center’s Carol Morsani Hall brings a different fable and tale of love, hope, and the courage to survive against all odds to its patrons following the close of Thanksgiving weekend, and ushering in the first week of December. Unlike Ghosts of both Past, and Present, patrons of the Straz Center are plunged head-first into a dark tale based on figures found in Greek Mythology, and the tale itself seems all too relevant and perfectly placed in our current climate. The Broadway Smash Hadestown takes the stage by storm and leaves no prisoners in its wake. I for one am thankful for this time, the time to sit in a sacred space and experience the undeniably beautiful event that is live theatre, and the Straz Center is the Gift that keeps on giving, not only during the holiday season but all year long. Their 2022/2023 Bank of America Broadway Season is one of the absolute best yet!

Performance Space New York has announced the Spring 2023 season of its Healing Series, the second part of its year-long reflection on the political potency of healing and the role performance plays in it, in the midst of what feels like a momentous shift in art-making to foreground modes and practices of care.

Gate Theatre has announced its first season at Theatro Technis @ 26 Crowndale. Starting this spring, this follows the announcement of Gate Theatre's permanent move from Notting Hill to Camden, following a long search for a more accessible home.

American Idol alum and TikTok star Abigail Brooks prepares for her Manhattan club debut with a chat and a shoot with Stephen Mosher

As Mark William's new show prepares to open, Broadway World Cabaret takes a look at his 2019 debut solo album.

Broadway World Cabaret is looking at the Lady, the Legend, THE LAST WORD.

An industry reading of a new American musical, TEN BRAVE SECONDS by Will Van Dyke and Jeff Talbott, will take place this week (Thursday, November 17) in New York City directed by Ellie Heyman, with musical direction by Patrick Sulken. 

As he prepares to open TECHNICOLOR DREAMS on December 10th, Mark William chats with Broadway World Cabaret.

Renowned Toronto dance company Kaeja d’Dance, winner of the 2019 Dance Ontario Lifetime Achievement Award, brings the premiere of two new works to Harbourfront Centre from November 11-13. The company, now in its 31st year, presents 31: TOUCHX and I AM THE CHILD OF as part of Harbourfront’s Torque series.

Associate Professor María José Contreras Lorenzini likes to quote Brazilian theatre practitioner and political activist Augusto Boal when speaking about dramaturgy. “For me, theatre is the rehearsal of revolution,” she said right off the bat in our interview. “How can artistic assembly be a training for the unpredictable and dangerous times we are living in?”

In this three-part series, BroadwayWorld spoke to over 20 female playwrights who have been produced in major NY theaters about what life in the theater is really like for them -- and what can be done to make it better.

In theatre, as well as in life, we all need a little help from our friends. This holds true for Director Ryan Gibbins at Arkansas State University-Beebe Theatre Department, who will be presenting BIG FISH this Thursday through Saturday, November 3 through 5, in the Owen Center Theatre, beginning at 7pm. Thankfully, Mr. Gibbons has extremely talented friends, and his students are blessed to be guided under professional opera singer Frank Pitts, who has graciously stepped into the Music Director position for the show.

Written by BenDeLaCreme, composed by Major Scales and performed by Jinkx Monsoon, the song debuted in the 2021 holiday tour which beautifully (and hilariously) explores the effects the pandemic had on our mental health, and how the “joy” of the holidays felt different than before. Plus, check out upcoming tour dates!

Much in the same way most students know about the Salem Witch Trials through the dramatization found in Arthur Miller’s The Crucible, it’s safe to assume virtually every student of U.S. history from 2015 onward may better know the intimate details of this Founding Father through Lin-Manuel Miranda’s HAMILTON.

Rodgers + Hammerstein's Cinderella opens at the Grant Fine Arts Center this week, bringing back Lion Heart Productions’ first large-cast musical since Mamma Mia! In 2019.  The show is running 2 weekends, through November 12th, and is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein's most beloved songs, including “In My Own Little Corner,” “Impossible/It's Possible” and “Ten Minutes Ago”.   BroadwayWorld Michigan had a chance to speak with Director Ron Jenkins and one of the show's stars, Avery Mills playing Ella, in this classic and delightful show. Enjoy our chat and their fun answers to get you excited for the performance tonight and in the coming weeks!

Tony Award winning playwrights Edward Albee and Harold Pinter, who have left indelible marks in world theatre, both give voice to the outlandish and amusing behavior of humans in many of their dark comedies. Pacific Resident Theatre is offering a retrospective of two of their early one acts in tandem, both first produced in 1960. Albee's Fam and Yam, set in an upper Eastside penthouse, examines an encounter between two unnamed playwrights, one famous, one not, offering Albee's biting wit and incisive satire at its best. In Pinter's The Dumb Waiter, two working-class hitmen wait in a basement for their next assignment. I decided to speak with Pacific Resident Theatre's Artistic Director, Marilyn Fox, about the production.

BroadwayWorld chats with OBIE-winning playwright Christopher Chen about his incendiary new play 'The Motion' which will be part of the TheatreWorks New Works Festival at Montalvo Arts Center in Saratoga November 6 to 13. The Festival offers a first look at three intriguing and wonderfully different new plays.

Invincible – the Musical world premieres November 30, 2022, at The Wallis (with previews beginning November 22nd). Tiffany Nichole Greene directs this reimagining of Shakespeare’s Romeo & Juliet weaving in the catalogue of hit songs of Pat Benatar & Neil Giraldo. I managed to catch Bradley Bredeweg, the book author of Invincible, between his multi-tasking of juggling multiple commitments.

Tomorrow night Natalie Douglas has her first outing as a Cabaret Convention host and, brother, is she ready.

Not many musical artists can achieve the level of greatness that Sunmi has had so far in her career. Hit after hit, she has proven that she’s one of the most versatile and well-respected artists in the K-Pop industry.

Overture Center for the Arts and FPC Live present Ani DiFranco with The Righteous Babes Revue: Gracie and Rachel, Pieta Brown, Jocelyn Mackenzie on Saturday, Nov. 5 at 8 p.m. in Capitol Theater.

Knowing I have 4.5 weeks left of my college experience really puts things into perspective for me. All of those little moments where I doubted this was the right major for me, sleepless nights stressing over a 9 am deadline, or even just sitting in meetings for different organizations I was in to plan an event following pandemic guidelines.

Goldie Dver has been in the business of music and enertainment for years, but 2022 is her year for a SWEET BEGINNING.

Emeryld reveals the second track “Scandal”, plus the music video, from her upcoming EP. She is the newest signing on the record label that brought you Charli XCX, HAIM, MARINA, Christine and the Queens, Matt Maeson etc. Earlier this Summer, she released “Bombs Away”, accompanied by Andy Madeleine VIDEO.

The 22-year-old burgeoning songwriter reflects on her life and career ahead of her debut solo show, PATHETIC LITTLE DREAMER - off her album of the same name - playing Midtown hotspot 54 Below on October 19th.