With curtains billowing so gently our eyes almost felt tricked, Forever Yours, Julita lured a small but enthusiastic audience into the story of Puerto Rican poets Luis Llor?ns Torres and Julia de Burgos at the play's Tallahassee premiere on January 25.
Circus, cabaret, vaudeville and comedy combine in the World Premiere of THE UNBELIEVABLES.
Amanda Glenn's turn as Louise is lovely and heartbreaking. Glenn has a beautiful voice and exquisite is her painstaking, delicate interpretation of the awkward, plain Jane who becomes the iconic burlesque queen.
"Ain't Misbehavin'" is a musical-review which will be of interest to those who like 1920 and 30's Harlem Renaissance swing music. Be aware that the show, though nicely performed, has over 30 songs and no story line.
TCR Presents Vinegar Tom in an insanely entertaining manner, audience was kept on the edge of their seats!
In the 1920's Hollywood's counterpart was the Kaufman Astoria Studios. The historic movie studio produced silent films as well as the first 'talkies'. The Astor Room which sits 'Below' the sound stages was the original studio commissary and it has been lovingly preserved in all it's glory…. complete with the same Mason & Hamlin 1923 Grand Piano used by the musicians of the day. Where Rudolph Valentino dined with other silent film stars, studio executives, and extras you now enjoy a great meal while being entertained every Wednesday by host Michael Mott and his group of talented friends. This weeks guest vocalists were Morgan Assante (Les Miserables), Josh Tolle (Kinky Boots), and Haley Swindal ) Jekyll & Hyde). Composer, Lyricist, singer Michael Mott is a bit like Astoria's answer to Seth Rudtsky and it's one of the few places where prices are probably lower than in the 1920's. There's no cover or minimum. Seeing new talent in this historic setting is like going back to the future.
The Museum of Modern Art delivers a stunning one-artist showcase, and puts forward powerful evidence of Francis Picabia's sly, sensitive genius.
Surely most theatre folks have seen productions of the fabulous musical THOROUGHLY MODERN MILLIE, winner of six Tony Awards including Best Musical, making the show the 2002 season's most awarded new show on Broadway, based on the original story and screenplay by Richard Morris for the 1967 Universal Pictures film directed by George Roy Hill and starring Julie Andrews. I can tell you without a shadow of a doubt, the current production directed by Anne Gesling for the Y.E.S. Youth/Teen Program at Santa Monica's Morgan-Wixson Theatre is just as good as many adult production I have seen, given the cast's talent, Gesling's spot-on fast-paced direction and fabulous 1920's costuming, Daniel Koh's musical direction creating wonderful cast harmonies, and creative choreography by Lauren Blair.
Philadelphia chanteuse Julie Charnet brings her blend of jazz and swing to the Ethical Society of Philadelphia and other venues.
As the opening night of The Belmont Theater's 'Side Show' quickly approaches, the activity in the black box studio has increased ten-fold. The set is becoming more elaborate, the swell of music from the orchestra now fills the air, and the costumes are coming together piece by piece. Tech week has begun, and it can both an exciting and somewhat stressful time for any production. As an actor, it can sometimes be difficult to lose sight of your character and even the meaning behind the show itself among the bustle and flurry of tech week. That is why I felt that the time had come to interview some of the actors in our show, in order to provide a bit of insight into their characters and to explain from their perspective the importance of a musical such as 'Side Show.' And for Nik Olson, this was no small task.
One of the most eagerly awaited new shows of this year's New York Musical Festival (NYMF) is the special event 'Midnight at the Never Get' which will be presented at 42WEST (514 West 42nd Street) for three (3) performances: Thursday, July 28 @ 9pm; Sunday, July 31 @ 9pm; Monday, August 1 @ 8pm. Produced by Michael Chase Gosselin, the musical is conceived by and starring Sam Bolen and Mark Sonnenblick, with musical direction and arrangements by Adam Podd, choreography by Andrew Palermo and directed by Max Friedman. Audiences will be transformed back to 1965 when they enter the venue to the back room of The Never Get. Featuring a sultry score fashioned after the American Songbook, 'Midnight at The Never Get' imagines two men who never existed at a time that very much did.
SINGIN' IN THE RAIN is a marvellous blend of singing, dancing, celluloid snippets and 12,000 litres of recycled water.
The Mac-Haydn Theatre roars back to the 1920's with Kander and Ebb's jazzy music and a deliciously scandalous story in CHICAGO.
Reagle Music Theatre of Greater Boston will bring the bright lights of 1920's New York City to the stage with the Tony Award-winning musical comedy THOROUGHLY MODERN MILLIE from tonight, July 7, through July 17, 2016. Millie will run for eight performances at the Robinson Theatre (617 Lexington St. Waltham, MA, 02452). BroadwayWorld has a first look at the cast in action below!
A school year at Gloucester County Institute of Technology is more like a tumble. Somehow we muddle through the enormity of each event, emerging from it a little prouder, a little smarter, a little more appreciative. There's apexes tacked onto every month, among these being shows, Thespian Cabarets, and competitions. Anymore I envisage my mind as a scrapbook, with washi tape borders reading an event's name, the center of the page a sprawl of selfies, ticket stubs, and phrases the resound in the aesthetic of those hours.
Next week the Memphis Orpheum will teem with gun-toting lugs in pinstripes and leggy Jazz Age chorines as BULLETS OVER BROADWAY takes the stage. This roaring twenties crime comedy, based on Woody Allen's 1994 film by the same title was transformed for the stage with Susan Stroman's guidance. In Allen's film, the lead character, David Shayne, was played by John Cusack. In this stage version, a young actor named Michael Williams inhabits the role.
