As You Like It - 1910 - Broadway Articles Page 13

The 2010/11 season at the Annenberg Center for the Performing Arts features six distinct performance series that highlight amazing artists and extraordinary experiences. This season showcases a world-class roster of performers including international theatre companies, jazz and world music greats, superstar dance companies and Philadelphia's most edgy and innovative artists.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

When Mary Poppins flies into London to help out the Banks family, a familiar face is there to greet her with open arms. Her trusted friend and cohort, the chimney sweep and fun-loving Bert, is ready to help Mary share her magic with this family in need. When Mary Poppins, the award winning Broadway production of the timeless classic story, flies into Atlanta's Fabulous Fox Theatre, Bert will be ready to share the magic of this exciting production with local audiences. Playing this role, a role he originated in London and then Broadway, is Gavin Lee, who sat down to share with me his take on his experience with Mary Poppins and the satisfaction of playing such an amazing role.

When Mary Poppins flies into London to help out the Banks family, a familiar face is there to greet her with open arms. Her trusted friend and cohort, the chimney sweep and fun-loving Bert, is ready to help Mary share her magic with this family in need. When Mary Poppins, the award winning Broadway production of the timeless classic story, flies into Atlanta's Fabulous Fox Theatre, Bert will be ready to share the magic of this exciting production with local audiences. Playing this role, a role he originated in London and then Broadway, is Gavin Lee, who sat down to share with me his take on his experience with Mary Poppins and the satisfaction of playing such an amazing role.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

The critically acclaimed Los Angeles Theatre Ensemble continues its commitment to producing new and daring plays with the world premiere of A Giant Arc in the Skyspace of Directions at the Powerhouse Theatre. Written by award-winning playwright Michael Vukadinovich, the show boasts a talented creative team led by multi-faceted director Efrain Schunior.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

The critically acclaimed Los Angeles Theatre Ensemble continues its commitment to producing new and daring plays with the world premiere of A Giant Arc in the Skyspace of Directions at the Powerhouse Theatre. Written by award-winning playwright Michael Vukadinovich, the show boasts a talented creative team led by multi-faceted director Efrain Schunior.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Patti LuPone and Mandy Patinkin, Stephen Sondheim, Broadway In Chicago, 'The Addams Family,' 'Fiddler On The Roof,' 'Ragtime,' more.....

In his second week with the New York Philharmonic this season, David Robertson will lead the Orchestra in Ravel's Mother Goose Suite, Barber's Violin Concerto, with Gil Shaham as soloist, and Bartók's The Wooden Prince (complete, with surtitles to indicate story line). The concerts will take place Thursday, February 25, 2010, at 7:30 p.m., Friday, February 26, at 11:00 a.m., and Saturday, February 27 at 8:00 p.m.

In his second week with the New York Philharmonic this season, David Robertson will lead the Orchestra in Ravel's Mother Goose Suite, Barber's Violin Concerto, with Gil Shaham as soloist, and Bartók's The Wooden Prince (complete, with surtitles to indicate story line). The concerts will take place Thursday, February 25, 2010, at 7:30 p.m., Friday, February 26, at 11:00 a.m., and Saturday, February 27 at 8:00 p.m.

In his second week with the New York Philharmonic this season, David Robertson will lead the Orchestra in Ravel's Mother Goose Suite, Barber's Violin Concerto, with Gil Shaham as soloist, and Bartók's The Wooden Prince (complete, with surtitles to indicate story line). The concerts will take place Thursday, February 25, 2010, at 7:30 p.m., Friday, February 26, at 11:00 a.m., and Saturday, February 27 at 8:00 p.m.

The critically acclaimed Los Angeles Theatre Ensemble continues its commitment to producing new and daring plays with the world premiere of A Giant Arc in the Skyspace of Directions at the Powerhouse Theatre. Written by award-winning playwright Michael Vukadinovich, the show boasts a talented creative team led by multi-faceted director Efrain Schunior.

In his second week with the New York Philharmonic this season, David Robertson will lead the Orchestra in Ravel's Mother Goose Suite, Barber's Violin Concerto, with Gil Shaham as soloist, and Bartók's The Wooden Prince (complete, with surtitles to indicate story line). The concerts will take place Thursday, February 25, 2010, at 7:30 p.m., Friday, February 26, at 11:00 a.m., and Saturday, February 27 at 8:00 p.m.

This winter, the Garibaldi-Meucci Museum, located on Staten Island, is offering a variety of events. The scheudle for January thru March can be found below.

THE ORPHANS' HOME CYCLE, PART 1: THE STORY OF A CHILDHOOD, the first part of the world premiere three part theatrical event by the Pulitzer Prize and Academy Award-winning playwright Horton Foote, opened last night at Signature Theatre Company at the Peter Norton Space, 555 West 42nd Street, between 10th and 11th Avenues - and the critics are cheering!

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

'This is a fool-proof kidnapping plan, I tell you. We carefully selected the only child of the wealthiest man in town. He'll melt down for a ransom of two thousand dollars. Just see if he doesn't'

Get ready, the ?Last of the Red Hot Mamas? is back!! Sophie Tucker, the brassy burlesque and vaudeville entertainer was a legend spanning most of the 20th century. Sunday, June 7, at 2:00 PM at the Skokie Theater, 7924 North Lincoln, (in Skokie- Admission is $25.00 at the door, $20 in advance, with discounts for groups of 10 or more. Order by calling 847-677-7761 or online at www.skokietheater.com.) Chicago cabaret comedy favorite Carla Gordon will salute the great Miss Tucker.

The Drama Desk and Obie Award-wining Mint Theater Company (Jonathan Bank, Artistic Director) continues the 2008-2009 season with The Widowing Of Mrs. Holroyd by D.H. Lawrence opening March 1st. Today Mint announced it would extend the production through April 5th. Five years ago Mint Theater introduced New York audiences to D. H. Lawrence - the playwright - with their highly acclaimed production of The Daughter-in-Law, which was nominated for a Drama Desk Award for Outstanding Revival and named one of the highlights of 2003 by The New York Times. Audiences and critics alike were surprised to learn that Lawrence had written a play - in fact he wrote eight.

The Drama Desk and Obie Award-wining Mint Theater Company (Jonathan Bank, Artistic Director) continues the 2008-2009 season with The Widowing Of Mrs. Holroyd by D.H. Lawrence opening March 1st. Today Mint announced it would extend the production through April 5th. Five years ago Mint Theater introduced New York audiences to D. H. Lawrence - the playwright - with their highly acclaimed production of The Daughter-in-Law, which was nominated for a Drama Desk Award for Outstanding Revival and named one of the highlights of 2003 by The New York Times. Audiences and critics alike were surprised to learn that Lawrence had written a play - in fact he wrote eight.

The veteran of 12 B'way shows looks back on hits, flops, L.A. and unforgettable choreographers.