by Chloe Rabinowitz
- Mar 20, 2026
The Fralin Museum of Art at the University of Virginia will present Legacies of Indepence from August 29, 2026, to January 3, 2027, featuring exhibitions that explore Thomas Jefferson's impact and the 250th anniversary of the Declaration of Independence.
by Chloe Rabinowitz
- Jan 7, 2026
L'Alliance New York will present a screening of Twelfth Night or What You Will (La Nuit des rois ou Tout ce que vous voulez), set for Thursday, January 22, 2026 at 7PM at the Florence Gould Theater, L'Alliance New York,
by Roy Berko
- Dec 14, 2024
What did our critic think of PETER/WENDY at Dobama?
by Steve Callahan
- May 23, 2023
Last Saturday Opera Theatre of St. Louis premiered a new adaptation of Scott Joplin’s legendary opera Treemonisha. It is a bright and worthy addition to our recent flurry of adoration of some of America’s major black composers; the Black Rep closed their stunningly fine evening of Eubie Blake’s music three days earlier.
by Chloe Rabinowitz
- Mar 14, 2022
Working In Concert's Bellissima Opera initiative constellates bringing together a dream team of the right people at an appropriate time in a suitable way - International Women's Day is just the healing arts performance we need.
by Team BWW
- Nov 10, 2021
Live theatre is officially back and Concord Theatricals is celebrating! 'There's No Business Like Show Business' is a digital celebration that launched just last month, marking the return of live theater and all of the incredible people who help to make it happen. The celebration coincides with the 75th anniversary of Irving Berlin's Annie Get Your Gun and its iconic showstopper 'There's No Business Like Show Business,' a song that has more resonance than ever this year.
by Roy Tan
- Aug 31, 2016
Olivier Award winner George Maguire (Sunny Afternoon) and Rocky Horror star Dominic Andersen are to join the starry line-up for the sold-out concert production of Godspell at St. Paul's Church in Covent Garden on Tuesday 30 and Wednesday 31 August. BroadwayWorld has your exclusive first look at the production below!
by Joseph Baker
- Sep 29, 2014
When Gaston Leroux published THE PHANTOM OF THE OPERA back in 1911, little did he realize the numerous chandeliers that would come crashing down through the decades, and I've witnessed a good number of them. First, in 1925, there was 'the Man of a Thousand Faces,' Lon Chaney, Sr., who frightened poor Mary Philbin (a well-done version, even IF the film was silent); then, for Universal in 1941, Claude Rains (Bette Davis' favorite co-star) was a more subdued vocal coach for soprano Susanna Foster (a wooden Nelson Eddy, alas, is a greater impending horror as 'Raoul'). I could go on - even Herbert Lom, the actor who was the harried police superior to Peter Sellers' 'Inspector Clousseau,' took a swing on the old light fixture. (And let us not forget diminutive Paul Williams in the slightly askew PHANTOM OF THE PARADISE.) All of these pale, of course, in comparison to the legendary interpretation by Michael Crawford in the Andrew Lloyd Webber musical, which first brought the audience to its feet in 1986.