Fun Facts About All 41 Broadway Theatres
by Nicole Rosky - May 11, 2019
What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!
Moisés Kaufman to Direct Berkeley Rep's PARADISE SQUARE: AN AMERICAN MUSICAL, A.J. Shively, Kennedy Caughell, and More Star
by Julie Musbach - Nov 7, 2018
Berkeley Repertory Theatre today announced the full cast and creative team for Paradise Square: An American Musical. The world premiere is helmed by acclaimed director Moises Kaufman, with choreography by the legendary Bill T. Jones and a book by Marcus Gardley, Craig Lucas, and Larry Kirwan. Music by Jason Howland and Larry Kirwan, with lyrics by Nathan Tysen, and based on the songs of Stephen Foster. Paradise Square is produced by special arrangement with Garth H. Drabinsky in association with Peter LeDonne and Teatro Proscenium Limited Partnership.
Photo Flash: Westchester Broadway Theatre Presents PHANTOM
by A.A. Cristi - Sep 17, 2018
Yeston & Kopit's 'PHANTOM' made its New York Premiere here at WBT in 1992. During our record breaking nine- month run, over 120,000 people attended. Night after night, audiences rose to their feet for the stunning musical thriller. The original production was directed by William Pullinsi and starred Robert Cuccioli as the Phantom and Glory Crampton as Christine Daee. 'PHANTOM' returned to our stage in 1996 and 2007 directed and choreographed by Tom Polum, who had been in the original production. This extraordinary piece will grace our stage once again with Tom Polum at the helm.
Who Will Win at the 2018 Tony Awards? We Compare Year By Year!
by BWW Special - Jun 10, 2018
The 72nd Annual Tony Awards are this Sunday June 10th at 8/9c hosted by Josh Groban and Sara Bareilles. It's the biggest award show of the Broadway season and it closes out a long awards season for Broadway and Off-Broadway musicals and plays. We can't help but wonder what chances this year's Best Musical and Best Play nominees have of taking home the ultimate prize...
BWW Review: RAGTIME at Asolo Repertory Theatre
by Carolan Trbovich - May 15, 2018
RAGTIME is such an underrated piece of art. Although written in 1996 and staged for Broadway in 1998, it is almost prophetic in its reflection of the social unrest, racism and immigration sanctions prevalent in our world today. Based on the 1975 novel by E. L. Doctorow, with a book by Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens, RAGTIME is as relevant today as it was when first conceived. Its timelessness is a credit to its brilliant and perceptive writing, albeit a sad commentary of our present society which has not learned from its past and has not progressed much in civility or compassion.
BWW Review: RAGTIME a Work of Great Power and Beauty Brilliantly Executed
by Frank Benge - Apr 20, 2018
RAGTIME is a 1996 musical about the American experience at the turn of the 20th century with a book by Terrence McNally, lyrics by Lynn Ahrens, and music by Stephen Flaherty. The score is inspired by the musical styles of the period and includes marches, cakewalks, gospel and, of course, ragtime. Based on E. L. Doctorow's 1975 novel of the same name about early 20th century America, the story weaves together the disparite lives of three groups: African Americans, represented by Harlem musician Coalhouse Walker Jr. (Ben Toomer); the White upper-class of suburbia, represented by Mother (Emma Hearn), a New Rochelle matriarch; and immigrants, represented by Tateh (Trevor Berger), a Jewish immigrant from Latvia. The musical's message of acceptance and hope in the face of challenges is even more relevant today than it was two decades ago.
TimeLine Theatre Announces 2018-19 Season
by Julie Musbach - Mar 15, 2018
TimeLine Theatre Company, acclaimed for presenting plays inspired by history that connect to today's social and political issues, is thrilled to announce its 22nd season and to preview an upcoming partnership with Firebrand Theatre.
In the Darkness of a Rising Dawn, Axelrod's RAGTIME Illuminates the Night
by Stephi Wild - Mar 7, 2018
It is very difficult for anyone intimately familiar with either the 1975 novel RAGTIME, or its brilliant 1996 musical adaptation of the same name, to believe that the story is 43 and 22 years old, respectively, when watching Axelrod Performing Arts Center's most recent, impactful production. The reason for this sense of disbelief isn't due to the story's familiar themes of uneasy attitudes toward immigration and immigrants, social and economic inequality, or racial tensions but, sadly, that these themes are so painfully timely for today's audiences. The proverbial 'theatrical mirror' is in no way hidden from view as RAGTIME's award-winning and socially aware director/choreographer, Luis Salgado (whom BroadwayWorld.com has called 'one of the young Latinos on Broadway who has dedicated his entire life to both dance and social work'), has brilliantly meshed our chaotic current climate with the palpable past...and effortlessly.
Vineyard's THE BEAST IN THE JUNGLE to Feature Tony Yazbeck, Irina Dvorovenko, and More
by Julie Musbach - Feb 15, 2018
Artistic Directors Douglas Aibel and Sarah Stern announce that Irina Dvorovenko ('The Americans'), a former American Ballet Theatre principal dancer, Tony Award nominees Tony Yazbeck (ON THE TOWN, FINDING NEVERLAND) and Peter Friedman (RAGTIME, The Vineyard's THE SLUG BEARERS OF KAYROL ISLAND...), and Teagle F. Bourgere (THE CRUCIBLE, A RAISIN IN THE SUN) will be featured in the world premiere of THE BEAST IN THE JUNGLE, an original work fusing dance, drama and music by legendary composer and four-time Tony Award winner John Kander (CABARET, CHICAGO), Tony Award nominee playwright David Thompson (STEEL PIER; FLORA, THE RED MENACE), and five-time Tony Award-winning director and choreographer Susan Stroman (THE PRODUCERS, CONTACT). Performances will begin May 4, 2018 with opening night set for May 23. Kander, Thompson, and Stroman previously collaborated at The Vineyard on THE SCOTTSBORO BOYS.
Theatre for a New Audience Adds Performance of HE BROUGHT HER HEART BACK IN A BOX
by A.A. Cristi - Feb 6, 2018
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) has added a performance (February 8 at 9pm) to its critically lauded world premiere production of Adrienne Kennedy's He Brought Her Heart Back in a Box, directed by Evan Yionoulis. The run will conclude, as a scheduled, on February 11.
RAGTIME: Florida Children's Theatre Raises Their Voice
by Julie Musbach - Jan 9, 2018
The Florida Children's Theatre raises their voices, taking on Ahrens and Flaherty's most complex score, 'RAGTIME'. Teaming up, this time around, to lead this production are the powerhouse directing duo of Sean Cutler & Darius J. Manuel. Both of these fiery and thought-provoking directors are the most recent BroadwayWorld Award winners for 'Best Director of a Musical' for their work at the Florida Children's Theatre: Sean Cutler for 'Sweeney Todd' in 2015 and Darius J. Manuel for 'Carrie the Musical' in 2016, which also won him the Best Choreographer Award and Best Musical for the company! With both of their energies and visions spearheading this project, it is bound to resonate deep in our souls and ring throughout the community.
TFANA Announces Cast And Creative Team For Adrienne Kennedy's HE BROUGHT HER HEART BACK IN A BOX
by A.A. Cristi - Dec 20, 2017
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces the cast and creative team for He Brought Her Heart Back in a Box, the first new work in a decade from Adrienne Kennedy, whom The New York Times called one of the finest living American playwrights. Set in Georgia and New York City in 1941, He Brought Her Heart Back in a Box is a heartbreaking, nail-biting memory tale of segregation, theatrical yearning, and doomed love.