Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.
Cutting Ball Theater opens its 14th season with Strindberg Cycle: The Chamber Plays in Rep, a festival of August Strindberg's five Chamber Plays in new translations by Paul Walsh.
The joint will be jumpin' when International City Theatre closes its 2012 season with Ain't Misbehavin', the Tony Award-winning musical revue based on the life of Thomas "Fats" Waller. Saundra McClain directs Phillip Brandon (national tour: The Color Purple), Niketa Calame (Celebration Theatre's The Color Purple), Amber Mercomes (San Francisco and Los Angeles Opera productions of Porgy and Bess), Lacy Darryl Phillips (Broadway: Fosse and A Raisin in the Sun) and Jennifer Shelton (first national tour of Ragtime; previously seen on the ICT stage in Songs for a New World, Five Course Love, The Story, Honk! and Swinging on a Star), with musical direction by Rahn Coleman and choreography by Stephen Semien. Performances take place October 12 through November 4 at International City Theatre in the Long Beach Performing Arts Center, with low-priced previews beginning tonight, October 9.
The joint will be jumpin' when International City Theatre closes its 2012 season with Ain't Misbehavin', the Tony Award-winning musical revue based on the life of Thomas "Fats" Waller. Saundra McClain directs Phillip Brandon (national tour: The Color Purple), Niketa Calame (Celebration Theatre's The Color Purple), Amber Mercomes (San Francisco and Los Angeles Opera productions of Porgy and Bess), Lacy Darryl Phillips (Broadway: Fosse and A Raisin in the Sun) and Jennifer Shelton (first national tour of Ragtime; previously seen on the ICT stage in Songs for a New World, Five Course Love, The Story, Honk! and Swinging on a Star), with musical direction by Rahn Coleman and choreography by Stephen Semien. Performances take place October 12 through November 4 at International City Theatre in the Long Beach Performing Arts Center, with low-priced previews beginning October 9.
Cutting Ball Theater opens its 14th season with Strindberg Cycle: The Chamber Plays in Rep, a festival of August Strindberg's five Chamber Plays in new translations by Paul Walsh.
San Francisco's cutting-edge Cutting Ball Theater today announced the lineup for its 13th season. The season opens in October with Strindberg Cycle: The Chamber Plays in Rep, August Strindberg's Chamber Plays in new translations by Paul Walsh, directed by Cutting Ball Artistic Director Rob Melrose; this will be the first time all five of Strindberg's Chamber Plays will be performed together in repertory in any language.
The Theatre School at DePaul University's Showcase Series of
Contemporary Plays and Classics presents THE RIVALS by Richard Brinsley Sheridan and directed by Catherine Weidner. The play premieres on Friday, April 13, and runs through Sunday, April 22, 2012, at DePaul's Merle Reskin Theatre.
Classic Stage Company has announced complete casting for their upcoming production of Shakespeare's A MIDSUMMER NIGHT'S DREAM, which begins previews at CSC on Wednesday, April 4 for a limited engagement through Sunday, May 20. Joining two-time Tony Award winner Bebe Neuwirth (Hippolyta/Titania) and acclaimed film/television/stage star Christina Ricci (Hermia) in the cast are Jordan Dean (Demetrius), Nick Gehlfuss (Lysander), David Greenspan (Flute/Fairy), Halley Wegryn Gross (Helena), Anthony Heald (Theseus/Oberon), Erin Hill (Starveling/Fairy), Chad Lindsey (Snout/Fairy), Taylor Mac (Egeus/Puck), James Patrick Nelson (Snug/Fairy), Steven Skybell (Bottom) and Rob Yang (Quince/Fairy). Directed by Tony Speciale (Unnatural Acts), A MIDSUMMER NIGHT'S DREAM has its official opening Sunday, April 29.
San Francisco's cutting-edge Cutting Ball Theater ushers in the new year with the first offerings of the company's year-long celebration of the centennial of August Strindberg's death; the company will honor the playwright's vast career throughout 2012 with symposiums, lectures, and staged readings of his works as part of the Hidden Classics Reading Series and RISK IS THIS…The Cutting Ball New Experimental Plays Festival, culminating in a festival of fully-staged new translations of Strindberg's five Chamber Plays, entitled Strindberg Cycle: The Chamber Plays in Rep, in October of 2012. All centennial events take place at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets and more information, the public may visit cuttingball.com or call 800-838-3006.
Following acclaimed performances internationally, Theatre for a New Audience, in association with Baryshnikov Arts Center, will present the New York premiere of C.I.C.T. / Théâtre des Bouffes du Nord's Fragments from the texts by Samuel Beckett for only 29 performances at the Baryshnikov Arts Center, 450 West 37th Street.
San Francisco's cutting-edge Cutting Ball Theater opens its 12th season with French symbolist Maurice Maeterlinck's PELLEAS & MELISANDE, in a new translation by Cutting Ball Artistic Director Rob Melrose. Directed by Melrose, with a musical score by composer Cliff Caruthers, video installation by Wesley Cabral, and choreography by Laura Arrington, PELLEAS & MELISANDE features Joshua Schell, Catilyn Louchard, Derek Fischer, Paul Gerrior, and Gwyneth Richards, along with Bennett Fisher, Jessica Rudholm, Carla Pauli, and Brittany Kilcoyne McGregor. PELLEAS & MELISANDE plays October 21-November 27 (Press opening: October 27) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 800-838-3006.
Cutting Ball Theater opens its 12th season with French symbolist Maurice Maeterlinck's PELLEAS & MELISANDE, in a new translation by Cutting Ball Artistic Director Rob Melrose.
Following acclaimed performances internationally, Theatre for a New Audience, in association with Baryshnikov Arts Center, will present the New York premiere of C.I.C.T. / Théâtre des Bouffes du Nord's Fragments from the texts by Samuel Beckett for only 29 performances at the Baryshnikov Arts Center, 450 West 37th Street.
San Francisco's cutting-edge Cutting Ball Theater opens its 12th season with French symbolist Maurice Maeterlinck's PELLEAS & MELISANDE, in a new translation by Cutting Ball Artistic Director Rob Melrose. Directed by Melrose, with a musical score by composer Cliff Caruthers, video installation by Wesley Cabral, and choreography by Laura Arrington, PELLEAS & MELISANDE features Joshua Schell, Catilyn Louchard, Derek Fischer, Paul Gerrior, and Gwyneth Richards, along with Bennett Fisher, Jessica Rudholm, Carla Pauli, and Brittany Kilcoyne McGregor. PELLEAS & MELISANDE plays October 21-November 27 (Press opening: October 27) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 800-838-3006.
Dallas Theater Center launches its 2011-2012 season with Shakespeare's beloved final play, The Tempest, at the Dee and Charles Wyly Theatre at the AT&T Performing Arts Center Sept. 9 - Oct. 9.
Cutting Ball Theater opens its 12th season with French symbolist Maurice Maeterlinck's PELLEAS & MELISANDE, in a new translation by Cutting Ball Artistic Director Rob Melrose.
San Francisco's cutting-edge Cutting Ball Theater proudly announces the lineup for its 12th season. The ambitious season opens in October with Maurice Maeterlinck's PELLEAS AND MELISANDE in a new translation by Cutting Ball Artistic Director Rob Melrose, who will also direct. The company is also poised to present the World Premiere of Eugenie Chan's evocative take on an ancient Estonian folk tale, TONTLAWLAD, directed by Paige Rogers and Annie Paladino, in February.
San Francisco's cutting-edge Cutting Ball Theater announces that the company has been awarded a grant for $150,000 from the Barbro Osher Pro Suecia Foundation to produce all five of playwright August Strindberg's Chamber Plays, in new translations by Paul Walsh, in a festival entitled Strindberg Cycle: The Chamber Plays in Rep. Cutting Ball Theater's Strindberg Cycle: The Chamber Plays in Rep will debut in October of 2012 with full productions of all five plays running in repertory through November 2012
San Francisco's cutting-edge Cutting Ball Theater closes its 11th season with the adventurous RISK IS THIS...THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage.
The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.
The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.
Canadian Stage unveiled its highly anticipated 2010-2011 season today, marking the first season programmed by Artistic & General Director Matthew Jocelyn. The season heralds a bold, new direction for the company. Jocelyn seeks to redefine Canadian Stage as a centre for national and international multi-disciplinary theatre that pushes boundaries, adopts a 21st-century perspective and reflects Toronto's cultural diversity. The work will be driven by directors and auteurs at the forefront of contemporary theatre and audiences will have the opportunity to discover a new generation of story-tellers who challenge and entertain.
The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.
San Francisco's cutting-edge Cutting Ball Theater welcomes the spring with the Bay Area Premiere of LADY GREY (in ever lower light) and other plays by Will Eno, hailed by The New York Times as 'a Samuel Beckett for the Jon Stewart generation.' LADY GREY (in ever lower light) and other plays, featuring Danielle O'Hare, Galen Murphy-Hoffman, Gwyneth Richards, and David Sinaiko, runs March 11-April 10 (Press opening: March 17) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($15-50) and more information, the public may visit cuttingball.com or call 800-838-3006.
Canadian Stage unveiled its highly anticipated 2010-2011 season today, marking the first season programmed by Artistic & General Director Matthew Jocelyn. The season heralds a bold, new direction for the company. Jocelyn seeks to redefine Canadian Stage as a centre for national and international multi-disciplinary theatre that pushes boundaries, adopts a 21st-century perspective and reflects Toronto's cultural diversity. The work will be driven by directors and auteurs at the forefront of contemporary theatre and audiences will have the opportunity to discover a new generation of story-tellers who challenge and entertain.
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