Hallelujah, Baby! is a musical with music by Jule Styne, lyrics by Adolph Green and Betty Comden, and a book by Arthur Laurents. The show is "a chronicle of the African American struggle for equality during the [first half of the] 20th century."[1]
The musical premiered on Broadway in 1967 and made a young Leslie Uggams a star. It won the Tony Award for Best Musical.
Luminaries of stage and screen will come together tonight, May 20th at LaGuardia Arts High School in Manhattan to pay tribute to treasured alumnus and show biz icon Ben Vereen (Pippin, Roots, Jesus Christ Superstar, Fosse, Jelly's Last Jam, Sweet Charity, Hair, Wicked).
It's Saturday, and that means it's time for BroadwayWorld's 'Saturday Intermission Pics' round-up. Today's photos feature Star Wars-themed SIPs (May the Fourth, get it?) from MATILDA and KINKY BOOTS, plus pics from THE BOOK OF MORMON, MOTOWN, NICE WORK, THOROUGHLY MODERN MILLIE at Paper Mill, MY FAIR LADY at Kennedy Center, WICKED, ANYTHING GOES, TOP HAT in the West End, and tons of regional shows!
BroadwayWorld's Richard Ridge was thrilled to sit down and speak with nearly all of this year's Tony Award nominees at the official Tonys Meet & Greet on May 1, 2013, and we will be bringing you special coverage on all of them throughout the awards season. Today we bring you Amanda Green, a nominee for Best Original Score for Hands on a Hardbody. Check out what she had to say below!
Luminaries of stage and screen will come together on May 20th at LaGuardia Arts High School in Manhattan to pay tribute to treasured alumnus and show biz icon Ben Vereen (Pippin, Roots, Jesus Christ Superstar, Fosse, Jelly's Last Jam, Sweet Charity, Hair, Wicked). This evening of song and dance will include such notables as:
How do you follow up the delightful, glittering spectacle of nostalgia and shirtlessness that is prom night, you ask? With a heavy dose of sappy sentimentality, of course - and when that doesn't work, a bit more shirtlessness.
As an undergraduate theater major in the early 1970s, I heard music everywhere. It seemed to pour out of every office and workspace around the department. (And in the LP era, if you wanted more than the radio, this meant schlepping a twenty pound record player and a dozen or so albums from your home to the campus, sometimes requiring back-and-forth trips from the car. If you go to that much trouble, you want to keep the music playing.) In the hushed costume shop with its quietly industrious all female staff, Broadway ruled, with Stephen Sondheim's recent Company and Follies in heavy rotation. It was 'men only' in the scene shop where I listened to male balladeers like James Taylor and Gordon Lightfoot while unhappily working off assigned crew hours. Jazz classes (my favorites) in the dance department were conducted to the pre-disco sounds of Isaac Hayes and the Temptations. And late night cast parties were never complete without spins of Bette Midler's first two albums.
Leslie Uggams one-woman,autobiographical, musical show, 'Uptown/Downtown' was a hit with The Apollo audience on Monday, March 18th.
Tony and Emmy Award winner Leslie Uggams will present a special performance of her acclaimed one-woman musical autobiography Uptown Downtown at the famed Apollo Theater in Harlem tonight, March 18 at 8 p.m.
Tony and Emmy Award winner Leslie Uggams will present a special performance of her acclaimed one-woman musical autobiography Uptown Downtown at the famed Apollo Theater in Harlem on Monday, March 18 at 8 p.m.
On Saturday, March 9, noted arranger and producer, Fred Barton, whose work is heard regularly in concert halls around the country, is celebrating composer Jule Styne on the Schimmel stage. With the scores of such Broadway classics as Gentlemen Prefer Blondes, Peter Pan, Bells Are Ringing, Gypsy and Funny Girl to his credit, composer Jule Styne ranks as one of the undisputed architects of the American musical theater. In addition to his legendary work in the theater Styne has also made Academy Award-winning contributions to the American Hollywood songbook writing songs for films such as Anchors Aweigh,Gentlemen Prefer Blondes, Funny Girl, Funny Lady and Three Coins in a Fountain.
Here are some of the familiar Broadway faces appearing in prime time tonight (Monday, February 18).
According to Leslie Uggams' website, she will be playing Lena Horne in STORMY WEATHER: THE LENA HORNE STORY on Broadway this fall.
When SCERA Production & Programs Manager Shawn Mortensen heard 14-year-old Mckenna Hixson audition for a spot in SCERA's Night of Broadway, he was speechless.
Too Marvelous for Words presents some of the much-loved songs of Johnny Mercer - one of America's great lyricists- and captures them at their most intimate. Linda Purl and Lee Lessack return to Three Stages in a powerhouse evening, dedicated to the heartwarming music of Georgia's favorite son. Four-time Academy Award-winning songwriter Johnny Mercer comes to life as the two artists weave heretofore little-known stories with his timeless tunes, including Moon River, Autumn Leaves, Black Magic, My Shining Hour, Come Rain or Come Shine, and more.
When SCERA Production & Programs Manager Shawn Mortensen heard 14-year-old Mckenna Hixson audition for a spot in SCERA's Night of Broadway, he was speechless.
America's sweetheart Amy Grant makes her debut with Pacific Symphony Pops for festive, heartwarming holiday concert, 'Christmas with Amy Grant'.
"For the first time in its charmed, yet pitiful, existence the New Directions has lost Sectionals," and, with that, indeed did "Christmas came early for one Sue Sylvester." As GLEE gave the gift of its inimitable takes on a number of musical theatre showstoppers - among them, songs from CHICAGO, COMPANY and HALLELUJAH, BABY - to gleeks around the world with last night aptly-titled "Swan Song" episode, the Lima-based glee club that now and always acts as the focal point of the show faced perhaps its most treacherous hurdle yet - and that's not even including Sue's evil shenanigans. In NYC, the temperature rose in much the same way that it actually unseasonably happened to do in Gothan itself this week with a spectacularly sexy "All That Jazz" and some seriously stage-worthy barn-burners courtesy of "Being Good Isn't Good Enough" - recently re-introduced to the world at large by no less than Barbra Streisand in her landmark 2012 tour (as well as on her recently released cut-out compilation RELEASE ME) - and COMPANY classic "Being Alive". While next week is sure to provide all the holiday cheer a show named GLEE could possibly muster - which is a whole lot - this week's "Swan Song" reminded us why GLEE connects and continues to express an all-too-rarely explored, expressed and enacted trope of those who are involved with the performing arts: competition inspires greater dedication.
The Cleveland Orchestra announces its 2012 Holiday Festival, scheduled for tonight, November 29 through December 23. This season's expanded Festival begins with five performances of Tchaikovsky's The Nutcracker in a collaboration with The Joffrey Ballet at the State Theatre in PlayhouseSquare in downtown Cleveland. Conceived and originally directed in 1987 by Robert Joffrey, with contribution from Gerald Arpino, this production of The Nutcracker includes more than 40 company dancers, 200 brilliant costumes, and larger-than-life scenery. The performances mark the Orchestra's return to performing in downtown Cleveland during the winter season and the first time the Orchestra has ever performed in a full production of Tchaikovsky's The Nutcracker.
America's sweetheart Amy Grant makes her debut with Pacific Symphony Pops for festive, heartwarming holiday concert, 'Christmas with Amy Grant'.
The Broadway at Birdland concert series has announced the return of Amanda Green to the stage. The one-night-only special event will take place on Monday, November 26 at 7pm.
Broadway legend Leslie Uggams makes her 54 Below debut forseven special performances only! Best known for her Tony Award-winning role in Hallelujah, Baby!, as well as the groundbreaking miniseries, Roots, Ms. Uggams' storied career has spanned television (her own CBS variety show), film (Skyjacked) and Broadway (Her First Roman, Blues in the Night, Jerry's Girls, Anything Goes, King Headley II, Thoroughly Modern Millie, On Golden Pond). Check out photos from her 54 Below concert below!
Coming up this week, 54 BELOW, the new performance venue located just below the legendary Studio 54 at 254 West 54th Street, presents some of the brightest stars from Broadway, cabaret, jazz and beyond, including Tony winners Len Cariou and Leslie Uggams, jazz brunch with jazz legend Barbara Carroll, singer/songwriter Samia Najimy Finnerty and Broadway star Elizabeth Stanley.
Tony and Emmy Award winner Leslie Uggams will make her 54 Below debut with the show tonight, November 13-17 in Manhattan.
Today we are thrilled to be talking to a nine-time Tony Award-winning performer/director/choreographer all about his illustrious career onstage and behind the scenes working on classic musicals such as THE BEST LITTLE WHOREHOUSE IN TEXAS, NINE, GRAND HOTEL, THE WILL ROGERS FOLLIES and many more as well as all about his new solo piece premiering at Feinstein's At Loews Regency this weekend - the one and only Tommy Tune. Taking a look back at his near-peerless legacy as the top director of the 1980s and 1990s on Broadway, Tune imparts his candid insights about show business and reflects upon many aspects of the aforementioned hit shows - from their inception and creation to their critical and public reception and their ultimate legacy - as well as shares stories about his time as a performer, both then and now, with the star-studded tales cumulatively involving such legendary luminaries as Gene Kelly, Barbra Streisand, Michael Bennett, Hal Prince, Maury Yeston, Ken Russell, Jane Krakowski, Sutton Foster and many more. Plus, Tune gives us an enticing glimpse of his new Feintein's At The Regency showcase, TAPS, TUNES AND TALL TALES, playing November 18-26, and casts his sights on the future, near and far, and discusses the types of projects he would like to tackle next - including, first up, finding the perfect NYC location for his environmental new theatre piece, 54. All of that, tons of taps, top hats and tails and much, much more!
Tony and Emmy Award winner Leslie Uggams will present two special performances of her new cabaret Classic Uggams at the Long Island University Tilles Center for the Performing Arts tonight, Saturday, November 10 at 7:30 and 9:30 p.m. The legendary actress and singer will then make her 54 Below debut with the show November 13-17 in Manhattan.
1967 | Broadway |
Original Broadway Production Broadway |
2000 | Off-Broadway |
New York Concert Off-Broadway |
2004 | New York |
Workshop New York |
2018 | New York |
York Theatre Company Production New York |
Off-Broadway |
Off-Broadway Revival Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1968 | Tony Awards | Best Choreography | Kevin Carlisle |
1968 | Tony Awards | Best Costume Design | Irene Sharaff |
1968 | Tony Awards | Best Direction of a Musical | Burt Shevelove |
1968 | Tony Awards | Best Musical | 0 |
1968 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Jule Styne |
1968 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Betty Comden |
1968 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Adolph Green |
1968 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Robert Hooks |
1968 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Lillian Hayman |
1968 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Leslie Uggams |
1968 | Tony Awards | Producer (Musical) | Albert Selden |
1967 | Theatre World Awards | Performance | Leslie Uggams |
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