Based on novel by Prosper Merimee
Based on the opera by Henri Meilhac and Ludovic Halévy
"In a Southern town during World War II, Joe, an army corporal, is stationed near a parachute factory where Carmen Jones is employed. This reputed hussy soon manages to steal Joe away from his fiancée, and the army as well, and they run off to Chicago together. But the fickle Carmen loses interest in Joe when she meets and successfully woos Husky Miller, a prize fighter on his way to the top. Mad with jealousy, Joe waits for Carmen outside the stadium the night of Husky's big fight to make a last desperate plea for her love. When she denies him resolutely, he stabs her to death in a rage of passion to the eerie accompaniment of the crowd inside the stadium cheering Husky's victory."
New York City Center's seventh annual Fall for Dance Festival, running September 28 - October 9, will showcase 20 national and international companies and choreographers. With ticket prices remaining at $10 for all seats, a night of dance is more affordable than a night at the movies. The festival will include world and U.S. premieres, and will feature several companies making their first U.S. appearances.
Hailing from Mazatlan, Mexico, dance company Delfos Danza Contemporánea makes its Ravinia debut on Friday, Aug. 27, with the piece When Disguises Are Hung Up (Cuando los Difraces se Cuelgan), with additional performances at 5:30 p.m. on Saturday, Aug. 28 and 1 p.m. on Sunday, August 29.
Hailing from Mazatlan, Mexico, dance company Delfos Danza Contemporánea makes its Ravinia debut on Friday, Aug. 27, with the piece When Disguises Are Hung Up (Cuando los Difraces se Cuelgan), with additional performances at 5:30 p.m. on Saturday, Aug. 28 and 1 p.m. on Sunday, August 29.
New York City Center's seventh annual Fall for Dance Festival, running September 28 - October 9, will showcase 20 national and international companies and choreographers. With ticket prices remaining at $10 for all seats, a night of dance is more affordable than a night at the movies. The festival will include world and U.S. premieres, and will feature several companies making their first U.S. appearances.
Jacob's Pillow Dance, National Historic Landmark and home of America's longest-running international dance festival, kicks off Festival 2010 with the prima ballerina Nina Ananiashvili. The Festival runs Wednesday, June 23 through Saturday, June 26 at 8pm; Saturday, June 26 and Sunday, June 27 at 2pm. Tickets range from $10-63. $10 Friday evening and Saturday/Sunday matinee youth tickets available. Tickets on sale now online jacobspillow.org, via phone at 413.243.0745 or in person at Jacob's Pillow. Jacob's Pillow is located at 358 George Carter Road in Becket, MA, 01223 (10 minutes east on Route 20 from Mass Pike Exit 2).
Jacob's Pillow Dance, National Historic Landmark and home of America's longest-running international dance festival, kicks off Festival 2010 with the prima ballerina Nina Ananiashvili. The Festival runs Wednesday, June 23 through Saturday, June 26 at 8pm; Saturday, June 26 and Sunday, June 27 at 2pm. Tickets range from $10-63. $10 Friday evening and Saturday/Sunday matinee youth tickets available. Tickets on sale now online jacobspillow.org, via phone at 413.243.0745 or in person at Jacob's Pillow. Jacob's Pillow is located at 358 George Carter Road in Becket, MA, 01223 (10 minutes east on Route 20 from Mass Pike Exit 2).
Jacob's Pillow Dance, National Historic Landmark and home of America's longest-running international dance festival, kicks off Festival 2010 with the prima ballerina Nina Ananiashvili. The Festival runs Wednesday, June 23 through Saturday, June 26 at 8pm; Saturday, June 26 and Sunday, June 27 at 2pm. Tickets range from $10-63. $10 Friday evening and Saturday/Sunday matinee youth tickets available. Tickets on sale now online jacobspillow.org, via phone at 413.243.0745 or in person at Jacob's Pillow. Jacob's Pillow is located at 358 George Carter Road in Becket, MA, 01223 (10 minutes east on Route 20 from Mass Pike Exit 2).
A haunting tale of obsession, the internationally acclaimed Richard Jones production of
Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory.
Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center.
Opera News calls Richard Jones's production of The Queen of Spades, originally created for
Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a
production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'
A haunting tale of obsession, the internationally acclaimed Richard Jones production of
Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory.
Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center.
Opera News calls Richard Jones's production of The Queen of Spades, originally created for
Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a
production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'
Dmitri Shostakovich's The Nose has its Metropolitan Opera premiere on March 5 at 8:00 pm, conducted by Valery Gergiev, in a visually arresting new production by artist William Kentridge that features original collage, film, sculpture, and massive projections of the artist's drawings and prints. Making his Met debut, baritone Paulo Szot performs the role of Kovalyov in the story of the Russian official who wakes one morning to discover his nose has disappeared (and taken on a higher bureaucratic rank). Based on the short story of the same name by Nikolai Gogol, the opera is what Kentridge has called an exploration of "learning from the absurd." In this production, visuals include renderings of Soviet workers, snatches of newspaper, and projections of propaganda - as well as the missing appendage in adventures ranging from delivering a speech to riding a horse.
Lineup of shows coming up at Joe's Pub for the month of March.
Franco Zeffirelli's glittering production of Puccini's Turandot returns on October 28 with Maria Guleghina in the title role and Marcello Giordani as Calàf, both singing these demanding roles for the first time in their Met careers. Marina Poplavskaya and Samuel Ramey make company role debuts as Liù and Timur respectively, and conductor Andris Nelsons makes his Met debut.
Robert Lepage's imaginative production of Berlioz's La Damnation de Faust, which premiered last season to sold out houses, returns to the Met on October 23. Three stars sing their roles for the first time at the Met: Olga Borodina as Marguerite, Ramón Vargas as Faust, and Ildar Abdrazakov as Méphistophélès.
Roundabout Theatre Company (Todd Haimes, Artistic Director) is proud to have Stephen Sondheim & James Lapine return to Studio 54 with Sondheim on Sondheim, a new original Broadway musical starring Barbara Cook, Vanessa Williams, Michael Arden & Leslie Kritzer. Music & lyrics are by Stephen Sondheim, conceived & directed by James Lapine. Sondheim on Sondheim will begin previews on March 19th, 2010 and open officially April 22nd, 2010 at Studio 54 on Broadway (254 West 54th Street). This will be a limited engagement through Sunday, June 13th, 2010.
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
Due to popular demand, the following shows have added additional performances:
Encore: Friday, October 2nd at 5pm
Fat Camp: Friday, October 2nd at 4pm
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
LA LUNA NUEVA - A two-week festival of Hispanic arts and culture from around the world
Held September 12-25, 2009 at the Milagro Theatre, 525 SE Stark Street, Portland, Oregon 97214
New York City Opera is proud to present the company premiere of Samuel Barber's Antony and Cleopatra in concert on January 15 and 16, 2009 at 8 PM in Carnegie Hall's Stern Auditorium. Soprano Lauren Flanigan sings the role of Cleopatra opposite baritone Teddy Tahu Rhodes, in his New York City Opera debut, as Antony. The cast includes rising tenor Simon O'Neill as Caesar and City Opera favorites David Pittsinger as Enobarbus, Sandra Piques Eddy as Charmian and Laura Vlasak Nolen as Iras. City Opera Music Director George Manahan will conduct. The company's celebration of Samuel Barber's upcoming centennial will also include a Symposium on Antony and Cleopatra on Saturday, January 10, co-presented by and taking place at Miller Theatre at Columbia University, which will feature City Opera soprano Elizabeth Futral in a unique recital of musical depictions and evocations of Cleopatra.
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