At its London premiere in 1728, John Gay's rollicking Beggar's Opera caused a sensation. Lampooning the politics and public morality of the day, it became an instant hit.
Virginia's Tony-Award winning Signature Theatre releases a photo of their production of The Threepenny Opera,Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife and Natascia Diaz (Jenny; Broadway's Man of LaMancha, Signature's Brother Russia, Kiss of the Spiderwoman). Check out a sneak peek below!
Virginia's Tony-Award winning Signature Theatre releases a photo of their production of The Threepenny Opera, Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife and Natascia Diaz (Jenny; Broadway's Man of LaMancha, Signature's Brother Russia, Kiss of the Spiderwoman).
Virginia's Tony-Award winning Signature Theatre announces the cast for The Threepenny Opera, Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife.
Virginia's Tony-Award winning Signature Theatre presents The Threepenny Opera, Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife. Click below to watch a foreboding promo for the show!
Virginia's Tony-Award winning Signature Theatre announces the cast for The Threepenny Opera, Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife. Scroll down for a first look at the cast!
Virginia's Tony-Award winning Signature Theatre announces the cast for The Threepenny Opera, Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife.
At its London premiere in 1728, John Gay's rollicking Beggar's Opera caused a sensation. Lampooning the politics and public morality of the day, it became an instant hit. In 2014, York University's Faculty of Fine Arts brings together professional and emerging talent in theatre, music, dance and digital media in an edgy new production of this satirical masterpiece. Adapted and directed by interdisciplinary theatre artist Gwen Dobie, Theatre @ York's Beggar's Opera runs now through February 1. BroadwayWorld has a first look at the cast in action below!
Adapted and directed by interdisciplinary theatre artist Gwen Dobie, Theatre @ York's Beggar's Opera (http://finearts.yorku.ca/beggarsopera) previews January 28, opens January 29 and runs to February 1. It unfolds as a play within a play with a decidedly modern vibe, bringing the audience into the action. The show transforms York University's Sandra Faire & Ivan Fecan Theatre into the Lincoln Fields Correctional Institute, where visitors are subjected to 21st century surveillance measures to witness the 'inmates' performing within. BroadwayWorld has a first look at the cast below!
Adapted and directed by interdisciplinary theatre artist Gwen Dobie, Theatre @ York's Beggar's Opera (http://finearts.yorku.ca/beggarsopera) previews January 28, opens January 29 and runs to February 1. It unfolds as a play within a play with a decidedly modern vibe, bringing the audience into the action. The show transforms York University's Sandra Faire & Ivan Fecan Theatre into the Lincoln Fields Correctional Institute, where visitors are subjected to 21st century surveillance measures to witness the 'inmates' performing within. BroadwayWorld has a first look at the cast below!
At its London premiere in 1728, John Gay's rollicking Beggar's Opera caused a sensation. Lampooning the politics and public morality of the day, it became an instant hit.
Theater historian and prolific author Ethan Mordden is this week's guest on THEATER TALK, discussing his newest book with co-hosts Michael Riedel of the New York Post and producer Susan Haskins. The witty and insightful writer, a true aficionado of and expert on musical theater, offers an overview of the art form's evolution, which he chronicles in Anything Goes: A History of American Musical Theatre, a comprehensive overview of the great American art form.
Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, will stage a winter theater comedy tradition A Mummers' Play: Prince George and the Dragon. Previews are set for tonight, Dec. 20, 2012; Friday Dec. 21, 2012; and Saturday Dec. 22, 2012 all at 7:30 p.m. There is no performance on Sunday, Dec. 23, 2012. Opening night is Thursday, Dec. 27, 2012 and the closing performance is on Sunday, Jan. 6, 2013.
Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, will stage a winter theater comedy tradition A Mummers' Play: Prince George and the Dragon. Previews are set for Thursday, Dec. 20, 2012; Friday Dec. 21, 2012; and Saturday Dec. 22, 2012 all at 7:30 p.m. There is no performance on Sunday, Dec. 23, 2012. Opening night is Thursday, Dec. 27, 2012 and the closing performance is on Sunday, Jan. 6, 2013.
Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, premieres its production of The Beggar's Opera, the original source of The Threepenny Opera in less than three weeks. The production opens tonight, April 27 and closes Saturday, May 19. Performances are scheduled for Fridays and Saturdays at 8 p.m., Sundays and Wednesdays at 7 p.m., with an additional performance Tuesday, May 1 at 7 p.m. There are no performances on Mondays, Thursdays or any other Tuesday.
Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, premieres its production of The Beggar's Opera, the original source of The Threepenny Opera in less than three weeks. The production opens Friday, April 27 and closes Saturday, May 19. Performances are scheduled for Fridays and Saturdays at 8 p.m., Sundays and Wednesdays at 7 p.m., with an additional performance Tuesday, May 1 at 7 p.m. There are no performances on Mondays, Thursdays or any other Tuesday.
Sydney Theatre Company and Asteron present the Malthouse Melbourne and Victorian Opera production of Bertolt Brecht & Kurt Weill's The Threepenny Opera
Sydney Theatre Company and Asteron present the Malthouse Melbourne and Victorian Opera production of Bertolt Brecht & Kurt Weill's The Threepenny Opera
After being absent from Seattle's professional stages for almost 30 years, Seattle Shakespeare Company revives Bertolt Brecht and Kurt Weill's landmark musical The Threepenny Opera for 14 performances at the Intiman Theatre.
We are auditioning young people this month and next for the following shows
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
We interview up-and-coming director David Epstein about 'Lipstick on a Pig' playing at Theatre Row.
The Roundabout's new production of Kurt Weill and Bertolt Brecht's The Threepenny Opera might well have been the most shocking and innovative theatre event of the 1967-68 Broadway season
The New York Times reports that Ana Gasteyer has joined the cast of Roundabout's 'Threepenny Opera' for which previews will beging on March 24th.
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