Lucia di Lammermoor 2024 - Articles Page 7

A deal with the devil is struck with powerful results in the Metropolitan Opera's production of Arrigo Boito's Mefistofele, with performances November 8 to December 1, 2018. Starring in the diabolical title role is 2018 Richard Tucker Award winner Christian Van Horn, who joins recent Tucker Award winners Angela Meade as the love interest Margherita and Michael Fabiano as the bargain-making Faust. Rounding out the cast is Jennifer Check as Helen of Troy. Not seen on the Met stage in nearly 20 years, Robert Carsen's production is conducted by Carlo Rizzi and Joseph Colaneri.

Love. Honour. Obey. Tricked into a loveless marriage by her domineering brother, Lucia retreats into silence. Is madness her only escape? Broadway World has the exclusive look !

The Metropolitan Opera presents one of the most beloved operas in the repertory, Georges Bizet's Carmen, with performances October 30 to November 15 and again from January 9 to February 8. Starring in all performances in the title role is Clémentine Margaine, who made her celebrated Met debut in this role in 2017.  Yonghoon Lee and Roberto Alagna share the role of Carmen's lover, Don José. Guanqun Yu, Aleksandra Kurzak, and Susanna Phillips sing the role of Micaëla, and Kyle Ketelsen, Alexander Vinogradov, and Michael Todd Simpson portray the toreador Escamillo. Conductor Omer Meir Wellber makes his Met debut leading the Metropolitan Opera Orchestra in interpreting Bizet's famous score; winter performances are conducted by Louis Langrée.

Theater Basel presents LUCIA DI LAMMERMOOR on Friday, Nov. 2. 

Tragedy raw in tooth and claw in this revival of the ENO's 2008 production of Lucia di Lammermoor.

The Metropolitan Opera presents one of the most beloved operas in the repertory, Georges Bizet's Carmen, with performances October 30 to November 15 and again from January 9 to February 8. Starring in all performances in the title role is Clémentine Margaine, who made her celebrated Met debut in this role in 2017.  Yonghoon Lee and Roberto Alagna share the role of Carmen's lover, Don José. Guanqun Yu, Aleksandra Kurzak, and Susanna Phillips sing the role of Micaëla, and Kyle Ketelsen, Alexander Vinogradov, and Michael Todd Simpson portray the toreador Escamillo. Conductor Omer Meir Wellber makes his Met debut leading the Metropolitan Opera Orchestra in interpreting Bizet's famous score; winter performances are conducted by Louis Langrée.

The Verdi Chorus 35th anniversary season culminates with its Fall 2018 concert Passione! Opera! for two performances only at the First United Methodist Church in Santa Monica on November 10 and 11 led by Founding Artistic Director Anne Marie Ketchum. As the only choral group in Southern California that focuses primarily on the dramatic and diverse music for opera chorus, this program, which marks the end of a landmark year for the company, will feature selections from three Verdi operas - Aida, Don Carlo, and the famed chorus "Va, pensiero," from Nabucco, as well as operatic sequences from Boito's Mefistofele, Saint-Saens' Samson and Delilah, Catalani's La Wally and Offenbach's The Tales of Hoffmann.

On the heels of the release of his first solo album, Contrabandista, on Decca Classics, Mexican tenor Javier Camarena's “infectious” voice (New Yorker) and “brightly eloquent” performances (LA Times) take him to New York and across Europe this season. Already considered the pre-eminent Mozart and bel canto specialist of his generation, Camarena has just completed a run as Arturo in Bellini's I Puritani in Barcelona, followed yesterday by the Tucker Gala at Carnegie Hall, and is currently starting rehearsals for the role of Nadir in Bizet's Les pêcheurs de perles at the Metropolitan Opera. The tenor returns to the Met stage in February as Tonio in Donizetti's La fille du régiment, and again, in the same production, later in the spring at London's Royal Opera House; sings Ernesto in the same composer's Don Pasquale at the Opéra de Paris and Edgardo in Lucia di Lammermoor at the Bayerische Staatsoper; and reprises Les pêcheurs at Spain's Ópera de Bilbao. In December and January, during a rare lull in his production schedule, Camarena keeps busy with concerts and recitals in Spain, Switzerland, the U.S. and Mexico.

Whether from disease, 19th century #MeToo-style abuse, or unrequited love, Opera Philadelphia's (OP) Festival O18 opening weekend showed us three ways that central female characters lost their grip on reality. While I considered only one of them a total success, audience openness to sometimes-demanding material made it clear that the company has found a formula that strikes at the hearts of opera-goers, new and old.

The Verdi Chorus 35th anniversary season culminates with its Fall 2018 concert Passione! Opera! for two performances only at the First United Methodist Church in Santa Monica on November 10 and 11 led by Founding Artistic Director Anne Marie Ketchum.   As the only choral group in Southern California that focuses primarily on the dramatic and diverse music for opera chorus, this program, which marks the end of a landmark year for the company, will feature selections from three Verdi operas - Aida, Don Carlo, and the famed chorus 'Va, pensiero,' from Nabucco, as well as operatic sequences from Boito's Mefistofele, Saint-Saens' Samson and Delilah, Catalani's La Wally and Offenbach's The Tales of Hoffmann.

Puccini's La Bohème, the most-performed opera in Met history, returns to the repertory in the opening week of the 2018-19 season, with 11 performances of Franco Zeffirelli's beloved production from September 25. Initial performances feature three much anticipated Met debuts

Opera Philadelphia – “one of the most creative and ambitious companies in this country” (New York Times) – is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O, with the “spirit ... not to follow taste but to lead it” (Philadelphia Inquirer). Festival 018comprises five operatic happenings – two world premieres, two new productions, and a three-part cabaret event – at multiple venues across the city from September 20-30, and features two superstar opera divas: coloratura soprano Brenda Rae and mezzo-soprano Stephanie Blythe, co-stars of Opera Philadelphia's acclaimed spring 2017 production of Rossini's Tancredi. Rae headlines a new production of Donizetti's Lucia di Lammermoor from celebrated director and designer Laurent Pelly that anchors both the O18 festival and the company's year-round Opera at the Academy series. Blythe (aka Blythely Oratonio) takes the stage at Philadelphia's Theatre of Living Arts (TLA) for a three-night, three-part cabaret takeover titled Queens of the Night, along with self-described “drag queen king” Dito van Reigersberg (aka Martha Graham Cracker). It all leads up to a reprise performance of Dito & Aeneas: Two Queens, One Night, Opera Philadelphia's 2017 cabaret-play spectacular, which was hailed as “smart and bubbly in all the right places” (Philadelphia Inquirer). The two divas even perform together on the TLA stage, when Rae makes a special guest appearance opposite Blythe, comedically echoing the tragic lovers of Tancredi. 

Opera Philadelphia is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O.

You can't accuse Opera Philadelphia's O18 Festival--running September 20-30 at various city venues--of being predictable. But no one would chastise you if you were to think: How do you follow-up what seems like a once-in-a-lifetime event, last year's O17? Well, as Monty Python used to say, 'And now for something completely different...'

Sera este sabado 7 de julio a partir de las 21.30h, integrada dentro de la Semana de la Ópera

Opera Saratoga's Artistic and General Director Lawrence Edelson announced that the company's 2018 Summer Festival will feature new productions of four operas at The Spa Little Theatre in Spa State Park, along with a wide variety of free and ticketed concert events from May 26 through July 15 at venues throughout the region.

After a national search, Florida Grand Opera (FGO) has chosen three new singers for the 2018-19 FGO Studio. One of the most respected and highly competitive studio programs in the nation, the FGO Studio, led by Artistic Directors Diana Soviero and Bernard Uzan, provides comprehensive career development to emerging artists who have demonstrated potential to make major contributions to the field of opera

Donizetti's LUCIA DI LAMMERMOOR--the story of a fragile young woman, Lucia, who's caught in a feud involving her family, the Ashtons, and the Ravenswoods--is one of the mainstays of the repertoire at major opera houses around the world, famed particularly for its mad scene. It's long been a favorite at the Met, with the current performances the third cast of the season, starring soprano Pretty Yende, tenor Michael Fabiano and baritone Quinn Kelsey.

BroadwayWorld has an inside look at Lucia di Lammermoor at The Met! Check out the video below where soprano Pretty Yende and glass harmonica player Friedrich Heinrich Kern rehearse the mad scene from Donizetti's Lucia di Lammermoor.

Soprano Nadine Sierra has been named the winner of the 13th annual Beverly Sills Artist Award for young singers at the Metropolitan Opera. The $50,000 award, the largest of its kind in the United States, is given to extraordinarily gifted singers between the ages of 25 and 40 who have already appeared in featured solo roles at the Met. The award, given in honor of Beverly Sills, was established in 2006 by an endowment gift from the late Agnes Varis, a managing director on the Met board. In 2009 Sierra became the youngest ever winner of the Metropolitan Opera National Council Auditions and has gone on to make her mark at the Met with memorable performances in Verdi's Rigoletto, and Mozart's Le Nozze di Figaro, Idomeneo and Don Giovanni. In the Met's 2018-19 season, Sierra will reprise the role of Gilda in Rigoletto.

The 2018 Metropolitan Opera Summer Recital Series will once again bring free outdoor recitals featuring rising young stars of the opera world to New Yorkers in all five boroughs. The series, now in its tenth year, is presented in collaboration with City Parks Foundation's SummerStage Festival and will feature six free concerts between June 11 and June 29. The first two recitals, on June 11 at 8 p.m. at Central Park SummerStage and June 13 at 7 p.m. at Brooklyn Bridge Park, will feature soprano Latonia Moore, who starred as the title role in Verdi's Aida this past season, tenor Mario Chang, who is currently singing as Arturo in Donizetti's Lucia di Lammermoor, and baritone Joshua Hopkins, who will star as Mercutio in the Met's upcoming production of Gounod's Roméo et Juliette, joined by pianist Dan Saunders.

A decade after launching her career in Italy, acclaimed Australian coloratura soprano Jessica Pratt delivers her first performances in the title role of Donizetti's Lucia di Lammermoor at New York's Metropolitan Opera on April 11 and 14.

Gareth Morrell will replace Roberto Abbado as conductor for Donizetti's Lucia di Lammermoor at the Met on Saturday, April 7 2018 at 12.30pm. The British conductor led the opera on April 3rd.

Gareth Morrell will replace Roberto Abbado as conductor for Donizetti's Lucia di Lammermoor at the Met on Tuesday, April 3 2018 at 7.30pm.