It's 1969 London. The brash young Rupert Murdoch purchases a struggling paper, The Sun, and sets out to make it a must-read smash which will destroy - and ultimately horrify - the competition. He brings on rogue editor Larry Lamb who in turn recruits an unlikely team of underdog reporters. Together, they will go to any lengths for success and the race for the most ink is on!
Inspired by real events and a recent hit in London's West End, James Graham's electrifying new play comes to Broadway in the exhilarating Almeida Theatre production, directed by Rupert Goold. In its London run, The Guardian called it "riveting," and Time Out hailed it as "an incredibly brilliant stunner."
The urgency of this context is an inescapable part of a drama that is more impressive as a species of theatrical journalism than as a form of imaginative playwriting. Although it may seem hard to credit, the road to Brexit and Donald Trump was paved by what happened when Murdoch bought a lackluster broadsheet and turbocharged it into a leading tabloid.
Or as a populist mastermind who could see the cracks in the walls of the liberal elite's country clubs, who realized great storytelling always requires distinct heroes and villains, who knew one guy's fact always is another guy's fiction, and who figured out long before the other dumb media titans that user-generated content and 'Five hot things!' was far more profitable than the tortured copy and long sentences favored by pontificating columnists and critics? Well, as they like to say at Fox News, the new Broadway play 'Ink' mostly reports the facts. You decide, dear reader, you decide. At least you will have fun doing the deciding.
2017 | West End |
Duke of York's Theatre Revival West End |
2019 | Broadway |
Manhattan Theatre Club American Premiere Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2019 | Outer Critics Circle Awards | Outstanding Director of a Play | Rupert Goold |
2019 | Outer Critics Circle Awards | Outstanding Feature Actor in a Play | Bertie Carvel |
2019 | Outer Critics Circle Awards | Outstanding Lighting Design | Neil Austin |
2019 | Outer Critics Circle Awards | Outstanding New Broadway Play | Ink |
2019 | Outer Critics Circle Awards | Outstanding Scenic Design | Bunny Christie |
2019 | Tony Awards | Best Direction of a Play | Rupert Goold |
2019 | Tony Awards | Best Lighting Design of a Play | Neil Austin |
2019 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Bertie Carvel |
2019 | Tony Awards | Best Play | James Graham |
2019 | Tony Awards | Best Scenic Design of a Play | Bunny Christie |
2019 | Tony Awards | Best Sound Design of a Play | Adam Cork |
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