Deaf West's production of SPRING AWAKENING floored the critics when it premiered in California, prompting the Los Angeles Times to write, "It's hard to enumerate all the ways in which Deaf West's SPRING AWAKENING is so very, very good." Now this unapologetically brilliant new production is coming to New York.
When it debuted on Broadway, SPRING AWAKENING's raw and honest portrayal of youth in revolt shattered expectations of what a musical could do, earning it 8 Tony Awards, including Best Musical, Best Book (for writer, Steven Sater) and Best Score (for composer, Duncan Sheik). Deaf West's innovative new production takes this already revolutionary musical to electrifying new heights by choreographing sign language into the production, intensifying the rift between the lost and the longing teenagers and the adults who refuse to hear them. Directed by Michael Arden, Deaf West's SPRING AWAKENING is full of knockout performances, explosive music and soul-stirring emotion.
The use of sign language (which functions as a kind of gestural choreography) reflects how the teens are unable to meaningfully talk with their parents or teachers, while the adults cannot hear them. Standouts among the cast include Krysta Rodriguez as the sad but fierce runaway Ilse and the spirited Ali Stroker, who may be the first wheelchair-bound actress to appear on Broadway. Oscar winner Marlee Matlin makes a cameo as one of the adults, alongside Camryn Manheim ('The Practice') and the crisp-voiced Patrick Page.
It's an admirable undertaking and I wish I could get behind it. But arriving on Broadway so soon after Michael Mayer's viscerally impactful premiere production won the 2007 Tony Award for best musical, this underpowered, unexceptionally sung post-Glee version seems more of a special presentation than a wholesale reinvention.
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