In the parking lot of The Hummingbird, a once-glamorous motel on New Orleans' infamous Airline Highway, a group of friends gather. A rag-tag collection of strippers, hustlers and philosophers have come together to celebrate the life of Miss Ruby, an iconic burlesque performer who has requested a funeral before she dies. The party rages through the night as old friends resurface to pay their respects. Airline Highway is a boisterous and moving ode to the outcasts that make life a little more interesting. MTC is proud to present this Steppenwolf production by the writer of the Pulitzer Prize-nominated Detroit, and helmed by the Tony-winning director of Take Me Out and Casa Valentina.
With all that potential, 'Highway' is a road to nowhere that's potholed with contrived storytelling and characters from Central Casting. The only part of this long, meandering byway you'll want to use is the exit ramp. Blame two companies: Manhattan Theatre Club and Chicago's Steppenwolf Theatre, where the show ran earlier this year. Yes, 'Airline Highway' is a nod to affectionate and human group portraits of everyday lives, such as Lanford Wilson's 'The Hot l Baltimore,' but D'Amour's tale of modern-day, down-and-out New Orleans is missing a clear point and satisfying takeaway.
With most of its stellar original cast from the Steppenwolf Theatrein Chicago intact, Lisa D'Amour's 'Airline Highway' moves to Broadway as...a gentle, even sentimental, portrait of those who keep New Orleans humming...D'Amour, whose previous works include another Steppenwolf premiere, 'Detroit,' has positioned herself as a chronicler of the souls of American towns and cities...But while much of this play, warmly directed both in Chicago and on Broadway by Joe Mantello, is about the lives of those who form a tight community in their cheap hotel, the other side of D'Amour's protective instincts involves the preservation of New Orleans' distinctively outre counterculture.
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