The Public Theater's new Tony-winning production of HAIR is the most electric celebration on Broadway! This exuberant musical about a group of young Americans searching for peace and love in a turbulent time has struck a resonant chord with audiences young and old. HAIR features an extraordinary cast and dozens of unforgettable songs, including "Aquarius," "Let the Sun Shine In," "Good Morning, Starshine" and "Easy To Be Hard." Its relevance is UNDENIABLE. Its energy is UNBRIDLED. Its truth is UNWAVERING. It's HAIR, and IT'S TIME.
December 2010 Concerts @ the RRazz room at Hotel Nikko San Francisco
Happy Holidays everyone! Come visit our Nation's Capital during the holiday season. It's such a beautiful time of the year here, with so many lights shimmering on the monuments, The Mall, and on The White House. As we await the first snow flakes, DC area theatres are chocked full of productions for the whole family filled with elves, reindeers, Santas, and Scrooges.
A season full of entertainment and cultural enrichment for the entire family will be presented by South Florida's award-winning theatre for young audiences. In its 2010-2011 season, Actors' Playhouse Musical Theatre for Young Audiences presents a unique line-up of shows related to classic children's literary works.
The 2009 Tony® Award-winning Best Musical Revival HAIR: The American Tribal Love-Rock Musical, will play the Orange County Performing Arts Center for a limited engagement beginning January 25, 2011.
Spanish singer Shaila Durcal presents new Braun Satin-Hair 5 on November 25, 2010 in Madrid, Spain.
The producers of the Public Theater's Tony Award-winning production of HAIR: The American Tribal Love-Rock Musical are pleased to announce casting for the National Tour, which is coming to the Marcus Center on February 22 and runs through February 27, 2011. This Milwaukee engagement is presented by Broadway Across America-Milwaukee and the Marcus Center as part of the Time Warner Cable Broadway at the Marcus Center Series. Tickets go on sale at NOON on Sunday, December 5, 2010.
Burning Coal's 2010/2011 season will include: TO KILL A MOCKINGBIRD by Christopher Sergel from the novel by Harper Lee directed by Randolph Curtis Rand (September 9 - 26, 2010), ST. NICHOLAS by Conor McPherson, directed by Randolph Curtis Rand (November 4 - 21, 2010), CROWNS by Regina Taylor, directed by Rebecca Holderness (December 2 - 19, 2010), BLUE by Kelly Doyle, directed by Mark Sutch (January 13 - 30, 2011) and THE SHAPE OF THE TABLE by David Edgar, directed by Jerome Davis (April 7 - 24, 2011).
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
A season full of entertainment and cultural enrichment for the entire family will be presented by South Florida's award-winning theatre for young audiences. In its 2010-2011 season, Actors' Playhouse Musical Theatre for Young Audiences presents a unique line-up of shows related to classic children's literary works.
Arena Stage begins a new life in its renovated home at the Mead Center for American Theater in Southwest D.C., opening its inaugural season with a classic American musical that similarly embraces life on a new frontier. Rodgers and Hammerstein's Oklahoma! is the first production at the Mead Center and features an all-star cast under the direction of Artistic Director Molly Smith. Rodgers and Hammerstein's Oklahoma! runs October 22-December 26, 2010 in the Fichandler Stage. There is already buzz of a Broadway transfer surrounding the show. Click below to see Oklahoma! onstage at Arena.
Hennepin Theatre Trust announced today that individual tickets for HAIR, the 2009 Tony Award-winning musical revival playing the Orpheum Theatre March 1-6, 2011, will go on sale at 9 a.m. on Friday, Nov. 19. From 9 a.m. to 10 a.m., tickets will only be available in person at the State Theatre Box Office.
From the beginning of the design process for UM Theatre & Dance's December 2010 production of the Noël Coward classic Hay Fever, director John Deboer and costume designer Rebecca Coleman have discussed women's hairstyles. The play takes place in 1925 England, and the coiffure fashion of the day was short. Very short.
December 2010 Concerts @ the RRazz room at Hotel Nikko San Francisco
Arena Stage begins a new life in its renovated home at the Mead Center for American Theater in Southwest D.C., opening its inaugural season with a classic American musical that similarly embraces life on a new frontier. Rodgers and Hammerstein's Oklahoma! is the first production at the Mead Center and features an all-star cast under the direction of Artistic Director Molly Smith. Rodgers and Hammerstein's Oklahoma! runs October 22-December 26, 2010 in the Fichandler Stage. See below for a look at the production!
O que poderia escrever um crítico de arte estando cara a cara com a MONALISA no Museu do Louvre? E um crítico literário analisando os defeitos e as qualidades de OS MAIAS de Eça de Queiroz? Um crítico de música teria como criticar a NONA de Bethoven? Pois é. Seria muita pretensão. Essas divagações associadas à crítica de um espetaculo de Teatro Musical, ou melhor de um musical da Broadway de 40 anos de idade, montado e interpretado por brasileiros em 2010, pode parecer uma GRANDE E DESPROPORCIONAL tolice. Mas não é. O HAIR de Claudio Botelho e Charles Möeller só estreou há dois dias mas, podem acreditar, já entrou para a História. História de uma manifestação teatral ou de uma 'preferencia', vamos assim definir o musical, que no Brasil teve uma penosa trajetória para os que faziam de suas vidas uma sacrificada 'defesa' (no sentido jurídico da palavra) do genero, argumentando, tentando explicar ao pai, a mãe, aos vizinhos (numa era que INTERNET bem poderia ser o nome esquisito de um inferninho em Copacabana) o 'porque' de se amar uma coisa tão descabida, esquisita e 'suspeita'.Eu, por exemplo, não tenho pejo em dizer, saía muitas vezes da minha casa em Laranjeiras, às quatro da manhã das terças feiras, para esperar ansioso na Banca da General Osório a kombi que trazia, de uma 'tacada', o VARIETY e o NEW YORK TIMES de domingo, que ia, num gesto de desmedida alienação todo para o lixo, com excessão é claro do suplemento ARTS & LEISURE que era folheado e refolheado durante por toda a semana. Isso até a proxima madrugada de terça feira chegar. E os Lps? Biblioteca do IBEU!!!! Quantas vezes THE MUSIC MAN, BYE BYE BIRDIE e OLIVER sumiam do grande arquivo cheio de gavetões e as multas à uma simpática bibliotecária, chegavam a abalar o orçamento doméstico. Depois veio a 'portinha' de uma loja chamada MODERN SOUND, que era mesmo moderna: vendia,acreditem ou não, musicais da Broadway!!! Nesta época o CD poderia tambem ser o título de uma ópera rock, pois simplesmente não existia em nenhum dicionário (e desconfio, materialmente, no mundo). Tempos mágicos para nós eram aqueles, que seríamos bem capazes de esbofetear uma bisavó se ela ousasse falar mal de MINHA QUERIDA LADY ou de IRMA LA DOUCE.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
PNC Broadway Across America - Pittsburgh - presented by The Pittsburgh Cultural Trust, The Pittsburgh Symphony Orchestra, and Broadway Across America - today unveiled its 'practically perfect' 2010/2011 season. One of the city's premier entertainment series, PNC Broadway Across America - Pittsburgh is generously sponsored by The PNC Foundation. The 2010/2011 season presents an array of must-see musical theater productions presented on the Cultural District's world-class stages.
As the leaves are turning into a rainbow of colors, and we await the first snowflakes to fall, DC theatergoers are anticipating Arena Stage's first two productions in their new Mead Center, while Harry Connick, Jr. introduces children to a friendly elf, and Snow White and a red rose and a guy named Fred make a stop at The Kennedy Center. That red-haired orphan brings Sandy and a bitchy Ms. Hannigan and a pooch named Sandy to Olney, MD. Synetic Theater Artistic Director and his wife/choreographer reunite on the stage, a Ziegfeld Folly stars in a one-woman show, and doughnuts are served at The Studio Theatre.
The John F. Kennedy Center for the Performing Arts has announced its calendar of events for the months of September and October, 2010. All events are subject to change without notice. Free performances are held each evening at 6 p.m. on the Kennedy Center Millennium Stage.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
From the beginning of the design process for UM Theatre & Dance's December 2010 production of the Noël Coward classic Hay Fever, director John Deboer and costume designer Rebecca Coleman have discussed women's hairstyles. The play takes place in 1925 England, and the coiffure fashion of the day was short. Very short.
The Evening Standard Theatre Awards, established in 1955, are presented annually for outstanding achievements in London Theatre. Sponsored by the Evening Standard newspaper, the 2010 Awards will be presented at the Savory on November 28, 2010. The short list of the 2010 nominees will be released one week prior to the ceremony.
The Tony Award-winning revival of HAIR: The American Tribal Love-Rock Musical will kick off its National Tour in our nation's capital this Fall, following a special sneak-peek engagement in New Haven, CT.
HAIR: The American Tribal Love-Rock Musical, will play the San Diego Civic Theatre for a limited engagement, Tuesday October 18 through Sunday October 23, 2011; as a Broadway/San Diego ~ A Nederlander Presentation. Tickets for HAIR are available now only as part of a Broadway/San Diego 2010-2011 Season subscription package or through the group sales office.
A season full of entertainment and cultural enrichment for the entire family will be presented by South Florida's award-winning theatre for young audiences. In its 2010-2011 season, Actors' Playhouse Musical Theatre for Young Audiences presents a unique line-up of shows related to classic children's literary works.
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