The comedy revolves around a group of New York theatre-folk who attend the opening of their new play in Boston. The lead actress, the backer, and several others, are in seventh heaven at the prospect of a tremendous success which they hope for in the work of a young unknown writer. Gathered in a hotel room, these people go through their paces with tremendous gusto and many exhibitions of temperament. The opening of the play, which is a very earnest and experimental work, is such as to lead the cast, director and backer to believe it a flop. Instantly they turn against themselves, the production, the author and savagely proceed in what looks like an attempt to destroy themselves and all their former hopes. It turns out, however, that in spite of the curious reception by the first night audience, the play has made a deep impression, and when news spreads that the reviews are on the whole favorable, the tables are turned. But the playwright who has suffered both from the enthusiasm and pessimism of his associates has decided that he is through with the theater, and he is captured by the backer only at the moment he is about to take a plane back home. He is persuaded to play ball with his associates, but he is so disgusted with the temperamental shenanigans of those who were presumably his friends that he turns on them and lays down the law to them.
Steve Ross and Karen Oberlin's recent duo effort at 54 Below, Cheek to Cheek, was a show oozing charm, class, charisma, and chemistry, but most of all they conveyed their love for these legendary performers and the classic tunes associated with them.
Performance-only tickets are now on sale to the general public for ACT TWO: A SWELL PARTY WITH MOSS HART AND FRIENDS, An Evening of Songs Sketches, Scenes and More Celebrating the Genius of Moss Hart, Monday April 21 at 8pm at the Vivian Beaumont Theater (150 West 65 Street). Performers scheduled to appear in the entertainment, which will serve as the centerpiece of Lincoln Center Theater's Annual Benefit and which will be directed by Bartlett Sher, are Victoria Clark, Stephen Colbert, David Garrison, Malcolm Gets, Renee Elise Goldsberry, Byron Jennings, Kelli O'Hara, Steven Pasquale, and Lewis J. Stadlen.
Driving Miss Daisy, Alfred Uhry's 1998 Pulitzer Prize winner for Drama, will grace the stage of Dundalk Community Theatre. The story is a warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken black man. The show runs from tonight, February 21 to March 2.
Driving Miss Daisy, Alfred Uhry's 1998 Pulitzer Prize winner for Drama, will grace the stage of Dundalk Community Theatre. The story is a warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken black man. The show runs from February 21 to March 2.
Are you ready for some hearty laughter? Then head over to Theatre 40 and enjoy the witty repartee in Moss Hart's LIGHT UP THE SKY! There's nothing quite like the hours before the opening night of a theater production, and I am sure anyone ever involved in the production of a play will not be able to stop laughing as each character will no doubt remind you of some colorful characters you have known up close and personal.
Good Theater has announced the New England premiere of A.R. Gurney's charming and funny THE GRAND MANNER directed by Brian P. Allen, playing November 6-24. Good Theater is the professional theater company in residence at the St. Lawrence Arts Center, 76 Congress Street, Portland. For tickets and information contact Good Theater at 207-885-5883 or go to www.goodtheater.com. Performance schedule: Wednesdays* 7:00 ($20), Thursdays 7:00 ($20), Fridays 7:30 ($25), Saturdays 3:00* ($25) & 7:30 ($28) and Sundays 2:00 ($28). Wednesdays 11/6 & 11/13; Saturday matinees at 3:00 11/16 & 11/23.
Known for high-quality productions and successful collaboration with Kansas City theatre companies, UMKC Theatre announces its 2013-2014 season.
Tony Award winner Richard Easton, Liz Larsen, Steve Vinovich, and Glory Crampton are set to star in The Peccadillo Theater Company's upcoming staged reading of Moss Hart's 1948 play LIGHT UP THE SKY tonight, July 29th at 7 PM at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.) The evening will be directed and hosted by Christopher Hart, the son of playwright Moss Hart and actress Kitty Carlisle Hart. Featured in the cast of LIGHT UP THE SKY are Peter Cormican (Follies, The Rivalry), Charles E. Gerber ("Royal Pains," "Third Watch"), Lucy Martin (Children of a Lesser God, The Sister Rosensweig), Michael Quinlan ("Blue Bloods," Death of a Salesman w/Dustin Hoffman), Bruch Reed (Lombardi), Tony Triano (The Man Who Came to Dinner), Marisa Vitale ("Bored to Death"), and John Wernke (The Lyons, The Royal Family).
Tony Award winner Richard Easton, Liz Larsen, Steve Vinovich, and Glory Crampton are set to star in The Peccadillo Theater Company's upcoming staged reading of Moss Hart's 1948 play LIGHT UP THE SKY tonight, July 29th at 7 PM at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.)
Tony Award winner Richard Easton, Liz Larsen, Steve Vinovich, and Glory Crampton are set to star in The Peccadillo Theater Company's upcoming staged reading of Moss Hart's 1948 play LIGHT UP THE SKY this Monday, July 29th at 7 PM at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.) The evening will be hosted and directed by Christopher Hart, the son of playwright Moss Hart and actress Kitty Carlisle Hart. Featured in the cast of LIGHT UP THE SKY are Peter Cormican (Follies, The Rivalry), Charles E. Gerber ("Royal Pains," "Third Watch"), Lucy Martin (Children of a Lesser God, The Sister Rosensweig), Michael Quinlan ("Blue Bloods," Death of a Salesman w/Dustin Hoffman), Bruch Reed (Lombardi), Tony Triano (The Man Who Came to Dinner), Marisa Vitale ("Bored to Death"), and John Wernke (The Lyons, The Royal Family).
Tony Award winner Richard Easton, Liz Larsen, Steve Vinovich, and Glory Crampton are set to star in The Peccadillo Theater Company's upcoming staged reading of Moss Hart's 1948 play LIGHT UP THE SKY Monday, July 29th at 7 PM at Theatre at St. Clement's, 423 West 46th Street (between Ninth & Tenth Ave.)
Tony Award winner Richard Easton, Liz Larsen, Steve Vinovich, and Glory Crampton are set to star in The Peccadillo Theater Company's upcoming staged reading of Moss Hart's 1948 play LIGHT UP THE SKY, under the direction of Christopher Hart, Monday, July 29 at 7 PM at Theatre at St. Clement's, 423 West 46 Street (between Ninth & Tenth Ave.) The entire cast will be announced early next week.
The theatre programme for the Manchester International Festival 2013 has been announced. MIF13 commissions include: The Machine, The Old Woman, Macbeth, The Masque of Anarchy and The Rite of Spring.
Berkeley Playhouse continues its fifth season with the Tony Award-winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays tonight, March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley.
The theatre programme for the Manchester International Festival 2013 has been announced. MIF13 commissions include: The Machine, The Old Woman, Macbeth, The Masque of Anarchy and The Rite of Spring.
Berkeley Playhouse continues its fifth season with the Tony Award-winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351.
People's Light & Theatre presents August Wilson's Seven Guitars, running tonight, September 12-October 7, 2012 on the Main Stage. Jade King Carroll directs.
People's Light & Theatre presents August Wilson's Seven Guitars,running September 12-October 7, 2012 on the Main Stage. Jade King Carroll directs.
The Pittsburgh Cultural Trust's Education and Community Engagement Department will present the 'Distinctively Dutch' Gallery Crawl on Friday, April 27, 2012, from 5:30-9 p.m.
The Colony Theatre is thrilled to present the fourth production of its 37th season of shows - the Los Angeles Premiere of TRAVELS WITH MY AUNT, written by Graham Greene, adapted for the stage by Giles Havergal, and directed by David Dean Bottrell.
The Colony Theatre is thrilled to present the fourth production of its 37th season of shows - the Los Angeles Premiere of TRAVELS WITH MY AUNT, written by Graham Greene, adapted for the stage by Giles Havergal, and directed by David Dean Bottrell.
The Colony Theatre is thrilled to present the fourth production of its 37th season of shows - the Los Angeles Premiere of TRAVELS WITH MY AUNT, written by Graham Greene, adapted for the stage by Giles Havergal, and directed by David Dean Bottrell.
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
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