The Show Off Revival 1967 - Articles Page 9

Today, Luther Burbank Center for the Arts (LBC) announced five new shows that will join its diverse 2018-19 season. Tony Bennett, 19-time Grammy Award-winning musician, will perform at LBC Tuesday, December 11, 2018; the popular comedy show Whose Live Anyway returns on Sunday, February 17, 2019; American folk legend Arlo Guthrie performs in Santa Rosa as part of The Alice Restaurant's 50th Anniversary Tour on Thursday, March 28, 2019; Friends! The Musical Parody also returns to LBC on Tuesday, April 30, 2019; and American roots musician Keb' Mo' plays at the Center on Thursday, May 16, 2019. 

Roundabout Theatre Company's premiere of Theresa Rebeck's Bernhardt/Hamlet begins previews today. Get to know the cast as they begin Broadway performances!

The Public Theater has announced the Public Forum and Public Shakespeare Initiative fall line-up that will explore the intersection of art, ideas, and action. Highlights of the upcoming season include the return of the monthly Civic Salon gatherings and Election Night Hootenanny, a closer look at Shakespeare's famous tyrants and the Mobile Unit's A Midsummer Night's Dream, our post-show Speaker Series following performances of Eve's Song and Wild Goose Dreams, and a collaboration with Jazz at Lincoln Center on the intersection of Shakespeare and the work of Duke Ellington.

Beat the drums because Thoroughly Modern Millie is a hit! As the nightcap to Pittsburgh CLO's 2018 summer season, Millieis nothing short of a flapper girl's dream and a theatergoer's desire.

La Mirada Theatre For The Performing Arts & Mccoy Rigby Entertainment in association with T&D Productions, LLC present Mary Bridget Davies, Broadway's original 'Janis' starring in her Tony nominated performance A NIGHT WITH JANIS JOPLIN, with choreography by Patricia Wilcox, musical direction by Brent Crayon, and created, written & directed by Randy Johnson. A NIGHT WITH JANIS JOPLIN will preview on Friday, September 14, 2018 (with a press opening on Saturday, September 15 at 8pm) and runs through Sunday, October 7, 2018 at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd in La Mirada.

In 1967, an enigmatic singer, songwriter and producer named Bobbie Gentry rose out of the Mississippi delta and enchanted audiences around the world with her beautiful, captivating voice and her "Ode To Billie Joe." An unconventional, beguiling song with simple acoustic guitar and sparse production, and notably without a discernible chorus, the song introduced Gentry and her style of storytelling that was very different to the confessional song writing of other emerging female singers. The song caused a lot of commotion as it shot to number one in America and knocked The Beatles' "All You Need Is Love" off the top spot. When the album Ode To Billie Joe was released the following month, it topped the charts and was the only record to displace Sgt. Pepper's Lonely Hearts Club Band from its 15-week reign. Over the next several years, Gentry, whose birthday was this past Friday, July 27, released seven studio albums and broke ground in numerous ways as one of the first female musicians to write, produce and even publish her own music. She also produced her elaborate stage shows via her own production company and was the first female singer songwriter to be afforded her own BBC TV series in the UK where she was wildly popular. She became one of the most iconic and influential artists of the 1960s and 70s, and then in the early '80s she made her final appearance and disappeared from the public eye completely, never to return.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) and the Onassis Foundation USA announced today six free performances of THE GOSPEL AT COLONUS, the groundbreaking re-telling of Sophocles' classic, for a limited engagement, September 4-9 at the Delacorte Theater in Central Park. With book, original lyrics, and direction by Lee Breuer and original music, adapted lyrics, and music direction by Bob Telson, the iconic musical returns to New York City for the first time since 2004 to celebrate the 35th Anniversary of the original production at the Brooklyn Academy of Music and to honor visionary director Lee Breuer for his lifetime of excellence and historic collaboration with The Public Theater.

Like its locomotive namesake, On the 20th Century reaches out to transport you to a different destination. Although, instead of Chicago or New York, you'll be going to a place of laughter, awe and all-consuming fun. This operetta opened on Broadway in 1978, winning 5 Tony Awards, and was revived in 2015 with Kristin Chenoweth as the glamorous Lily Garland. Now it makes its way to the 9th season of the Davis Shakespeare Festival for those lucky enough to get on board.

On Thursday, June 16th, 1904 a young man and his new belle spent their first day together wandering the streets of Dublin. The experience had such a profound impact on him that over the following 2 decades he commemorated the milestone by writing a fictional account about the lives of a group of Dubliners on that eventful day. The young man was James Joyce, that day is now universally known as Bloomsday, and his immortal novel, is Ulysses.

The Last O.G. continues to be a breakout success since the series' debut on the #1 comedy network that set a new record as cable's biggest comedy premiere since 2015. Additionally, the network's newest original became 2018's #1 cable comedy show among all cable comedies this year, reaching a multiplatform audience of more than 42 million viewers across TBS' linear, digital, mobile and on-demand platforms. In the backdrop of both its audience and critical acclaim and ongoing ratings success, the network also quietly won big with The Last O.G., by pioneering a new direct-to-consumer marketing model with 'social good' driven initiatives. The innovative campaign, initially kicked off in November 2017, spanned the entire on-air run of the series and 'gave back' directly to local communities, while setting another record as TBS' biggest 'pro-social' marketing campaign for a scripted series.

Florida Studio Theatre (FST) is pleased to announce a special event that has just been added to the 10th Anniversary Sarasota Improv Festival lineup-That's My Song: An Intimate Evening with Dick Smothers, a celebration of comedy legends Tommy and Dick Smothers, more commonly known as The Smothers Brothers. Remembered today as popular American comedians and musicians, The Smothers Brothers were among the first to perform improvised material onstage as part of their musical comedy performances. At this special event, Florida Studio Theatre will recognize the group's artistic contributions to improv at its milestone Improv Festival. FST's Managing Director Rebecca Hopkins will lead an in-depth interview with the one and only Dick Smothers, followed by a fully improvised hip-hop homage to the Brothers' groundbreaking work performed by North Coast, New York City's premier hip-hop comedy team. Single tickets are $20 each for non-Festival pass-holders, or just $10 for Festival pass-holders. Tickets are now on sale at (941) 366-9000 or www.floridastudiotheatre.org.

The Public Theater will present the Annual Gala performance of the groundbreaking and thought-provoking musical RUNAWAYS by Elizabeth Swados on Monday, June 11 at the Delacorte Theater. There will also be a free added public performance of the musical on Tuesday, June 12, open to all.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) will begin previews for the 2018 Free Shakespeare in the Park production of OTHELLO beginning Tuesday, May 29 at the Delacorte Theater, continuing a 57-year tradition of free theater in Central Park. Directed by Tony Award winnerRuben Santiago-Hudson, OTHELLO will officially open on Monday, June 18 and will run through Sunday, June 24.

A coin flip turns up heads 90 times in a row. This probability-defying act joyously starts off Tom Stoppard's modern classic Rosencrantz & Guildenstern Are Dead, playing at The Contemporary Theater Company April 27 - May 19.

The Old Globe's 2017-2018 Season continues with today's announcement of the complete cast and creative team for the Southern California debut of A Thousand Splendid Suns, Ursula Rani Sarma's sweeping and deeply moving theatrical production based on the best-selling book by Khaled Hosseini (The Kite Runner). Directed by Carey Perloff and presented in association with American Conservatory Theater, A Thousand Splendid Suns will run May 12 - June 17, 2018 on the Donald and Darlene Shiley Stage, Old Globe Theatre, Conrad Prebys Theatre Center. Tickets start at $30.00 and are on sale to the general public now. Previews run May 12-16. Opening night is Thursday, May 17 at 8:00 p.m.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the 2018 Free Shakespeare in the Park production of OTHELLO beginning Tuesday, May 29 at the Delacorte Theater, continuing a 56-year tradition of free theater in Central Park. Directed by Tony Award winner Ruben Santiago-Hudson, OTHELLO will officially open on Monday, June 18 and will run through Sunday, June 24.

A coin flip turns up heads 90 times in a row. This probability-defying act joyously starts off Tom Stoppard's modern classic Rosencrantz & Guildenstern Are Dead, playing at The Contemporary Theater Company April 27 - May 19.

The Segal Centre for Performing Arts announced today an exquisite lineup of programming for its 2018-2019 season and a new name for its mainstage theatre.

From 1948 to 1971, TV's longest-running prime time variety program, CBS' 'The Ed Sullivan Show,' beamed the world's biggest stars into the homes of nearly every American household live every Sunday evening. For musicians of all stripes, performing on the show was the pinnacle of television opportunities, with singular star-making potential. Among the artists vaulted to new heights of stardom via history-making appearances were The Beatles, Elvis Presley, The Temptations, and The Supremes, all of whom returned to 'The Ed Sullivan Show' several times after electrifying debut performances on the program.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced today that The Public's Annual Galawill be a performance of the groundbreaking and thought-provoking musical RUNAWAYS by Elizabeth Swados on Monday, June 11 at the Delacorte Theater. Directed by Sam Pinkleton with choreography by Ani Taj, and creative advisement by Jeanine Tesori, the highly-anticipated summer gala under the stars will celebrate the 40th anniversary of this milestone production that first premiered at The Public in 1978 and continues to be a definitive moment in Public Theater history.

A coin flip turns up heads 90 times in a row. This probability-defying act joyously starts off Tom Stoppard's modern classic Rosencrantz & Guildenstern Are Dead, playing at The Contemporary Theater Company April 27 - May 19.

Ben's character may be a phony pastiche, and Elaine's a confusing cypher, but in Elaine's mother Mrs. Robinson, novelist Charles Webb struck gold. Bored, lecherous, alcoholic, deeply dishonest, vengeful, and possessed of a twisted motherly loyalty, she is real and vital and scary as hell. Dyana Neal's Mrs. Robinson is pretty much perfect. She has the intimidating stare, the commanding manner, the resolute lack of curiosity about any aspect of the world aside from sex, tobacco, and alcohol, the maternal protectiveness, all down pat. If Anne Bancroft is looking down from heaven, she probably approves.

Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Father Comes Home From the Wars, Parts 1, 2 & 3 by Suzan-Lori Parks, directed by Liz Diamond, March 16-April 7, at the University Theatre (222 York Street). Opening Night is Thursday, March 22. Father Comes Home From the Wars, Parts 1, 2 & 3 is a co-production with San Francisco's American Conservatory Theater, where it will play April 25-May 20.

The Public Theater begin previews of Black Light, starring Jomama Jones, the alter ego of Daniel Alexander Jones, on Monday, February 12 in Joe's Pub at The Public. Black Light is a moving, music-laden work - a revival of sorts - for turbulent times. Created by Jones, the show features original music by Jomama, Laura Jean Anderson, Bobby Halvorson, Dylan Meek and Josh Quat with music direction by Samora Abayomi Pinderhughes. Performances begin Monday, February 12 and run through Sunday, March 25, with an official press opening on Sunday, February 25.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the New York premiere of MISS YOU LIKE HELL. With book and lyrics by Quiara Alegr a Hudes and music and lyrics by Erin McKeown, the new musical is directed by Public Theater Resident Director and Founder of Public Works Lear deBessonet, with choreography by Danny Mefford. The musical will begin previews in The Public's Newman Theater on Tuesday, March 20 and run through Sunday, May 6, with an official press opening on Tuesday, April 10.