From Vienna 1939 - Articles Page 1.8

Saxophone master James Carter has released his Blue Note Records debut James Carter Organ Trio: Live From Newport Jazz, a thrilling live performance of Carter's imaginative soul jazz reinvention of Django Reinhardt that was captured at the 2018 Newport Jazz Festival. Joining Carter are two fellow Detroit sons: Hammond B-3 virtuoso Gerard Gibbs and versatile young drummer Alexander White. Carter's first new release since 2011 is a soulfully robust dispatch from America's most storied jazz festival that is a follow-up of sorts to Chasin' the Gypsy, an Atlantic release from 2000 that The New Yorker called “an alternately reverent and audacious tribute to the Belgian swing-guitar legend Django Reinhardt. It may be the rambunctious saxophone player's recorded masterpiece.”

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

Something old, something new…there's still plenty going on for fans of opera and classical vocal music in the Northeast now that summer is upon us. Here's a taste of what to look for.

Live from Here with Chris Thile's latest episode debuted on Saturday, May 25 at Powell Symphony Hall in St. Louis. The show featured guest performances from Anaïs Mitchell,Rachael Price, Gabriel Kahane and St. Louis Symphony Orchestra.

In this solo concert, RESONANCE III, Miki Orihara will be dancing Martha Graham's 'Lamentation (1930)', Doris Humphrey's 'Two Ecstatic Themes (1931)', Seiko Takata's work 'Mother (1938)' Konami Ishii's 'Moon Desert (early 1930's)' and Yuriko's 'Cry (1963)'.

Music Director Leon Botstein leads The Orchestra Now (T N) in a special all-Rathaus concert as part of the Karol Rathaus Festival organized by the Aaron Copland School of Music, in honor of Queens College's first professor of composition. Including public lectures, master classes, and a chamber music concert, the Festival culminates with its only orchestral performance, given by T N on February 24, 2019.

A longtime advocate for music suppressed by the Nazi regime, Polish-Canadian pianist Daniel Wnukowski (vnoo-koff'-skee) makes his New York debut this February as part of a festival dedicated to the music of Galician-Jewish composer Karol Rathaus (1895-1954). Little-known today, Rathaus was a protege of Franz Schreker and built a successful career in Berlin before fleeing in 1932 due to the deteriorating political situation in Germany. He first migrated to Paris, then to London in 1934. He settled in New York in 1938 and joined the music faculty of Queens College two years later as its first professor of composition.

The Gish Prize Trust today announced that the inspired Music and Artistic Director of the Los Angeles Philharmonic, Gustavo Dudamel, has been selected to receive the 25th annual Dorothy and Lillian Gish Prize in recognition of his ongoing achievements as a conductor and an advocate for music education. Established in 1994 through the will of legendary stage and screen actress Lillian Gish, known as the First Lady of Cinema, the Dorothy and Lillian Gish Prize is one of the most prestigious honors given to artists in the United States and bears one of the largest cash awards, currently valued at approximately $250,000.

Monday evening, November 12, 2018, 8 p.m., The New York Choral Society and Orchestra (NYCHORAL) will present its first program of the season, MY SHADOW AND MY LIGHT, under the baton of Music Director David Hayes at the Stern Auditorium/Perelman Stage at Carnegie Hall. In honor of Veterans Day and in commemoration of the 100th anniversary of the end of the First World War and the 80th anniversary of Kristallnacht, Maestro Hayes has chosen a program that explores how three early 20th-century composers, two British and one American, created works expressing their deeply personal reactions to these profound moments in human history.

Bang on a Can and the Jewish Museum's 2018-2019 concert season, pairing innovative music with the Museum's exhibitions and showcasing leading female performers and composers, continues on Thursday, November 15, 2018 at 7:30pm.

Named for the groundbreaking African American contralto, the Marian Anderson Vocal Award recognizes a young American singer in opera, oratorio, or recital repertoire with outstanding promise for a significant career. Washington National Opera (WNO) named bass-baritone Ryan Speedo Green as the 2018 recipient earlier this year and is pleased to present him in concert today, October 4 at 7:30 p.m. in the Kennedy Center Terrace Theater. Tickets are $39.

Juraj Val?uha will return to the New York Philharmonic to conduct a program of works from the first half of the 20th century: Barber's Violin Concerto with Concertmaster Frank Huang as soloist, Korngold's Much Ado About Nothing Suite, and Rachmaninoff's Symphonic Dances. The concerts will take place Wednesday, October 31, 2018, at 7:30 p.m.; Thursday, November 1 at 7:30 p.m.; and Saturday, November 3 at 8:00 p.m.

Folks Operetta is proud to announce its upcoming concert Forbidden Opera: Reclaiming the lost operas of the Second World War, directed by Folks Operetta Artistic Director Gerald Frantzen and written by Frantzen and Hersh Glagov, at the Illinois Holocaust Museum, 9603 Woods Dr. Skokie, IL.

Named for the groundbreaking African American contralto, the Marian Anderson Vocal Award recognizes a young American singer in opera, oratorio, or recital repertoire with outstanding promise for a significant career. Washington National Opera (WNO) named bass-baritone Ryan Speedo Green as the 2018 recipient earlier this year and is pleased to present him in concert on Thursday, October 4 at 7:30 p.m. in the Kennedy Center Terrace Theater. Tickets are $39.

Ryan Landry mines the Old West and Old Hollywood for his new Gold Dust Orphans springtime musical. It's a fast ride on a runaway train with more kicks than a buckin' bronco. Old Orphans and new rally around Director Robin JaVonne Smith, stepping into the big boots of the late, beloved Larry Coen, and she hits the bullseye. Don't let a team of wild horses keep you from BROKELAHOMO!

The Juilliard School today announced that alumnus Wynton Marsalis, trumpeter, director of Juilliard Jazz Studies, and artistic director of Jazz at Lincoln Center, will address the graduates at the school's 113th commencement ceremony, which takes place Friday, May 18, 2018, at 11am in Alice Tully Hall, Lincoln Center. Mr. Marsalis received an honorary doctor of music degree from Juilliard in 2006. This will be the final commencement for Juilliard President Joseph W. Polisi, who has had a long association with Mr. Marsalis and asked that he be the commencement speaker. In July, Damian Woetzel will begin as the school's seventh president.

Folks Operetta is proud to announce its 2018 season and a new fundraising campaign, The Korngold Initiative. All of these projects are part of their new Reclaimed Voices Series, which focuses on recovering and reviving the lost music of the Jewish composers of the Second World War. 

Sarasota Opera is pleased to announce the line-up for the 2018 season of 'HD at the Opera House' and "Classic Movies at the Opera House".  This weekly series of filmed performances has allowed Sarasota Opera to expand its programming from the fall and winter season to year-around. The 2018 "HD at the Opera House" series will open on Sunday, May 20th and run through September 30th and will include presentations of Ballet and Theater from some of the world's most famous venues and companies including the Royal Opera House; Teatro alla Scala in Milan; Royal Shakespeare Company; Vienna State Opera; and the Royal Ballet. Each presentation will begin at 1:30pm.

National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, announces five NNPN Rolling World Premieres (RWP): Ready Steady Yeti Go by David Jacobi, Ripe Frenzy by Jennifer Barclay, Apples in Winter by Jennifer Fawcett, The Mermaid Hour by David Valdes Greenwood, and Heartland by Gabriel Jason Dean. The five plays will receive a total of 17 NNPN RWP productions, with each play seeing at least three distinct productions in a 12-month period.

On Tuesday, February 27 at 8:00 p.m., the Louisiana Philharmonic Orchestra makes its Carnegie Hall debut in a performance led by Music Director and Conductor Carlos Miguel Prieto in Stern Auditorium/Perelman Stage. The exciting program-part of a season-long celebration of the music of composer Philip Glass-features works inspired by a variety of Latin American locations, including Glass' Days and Nights in Rocinha-the composer's colorfully scored, evocative tribute to a Rio de Janeiro favela, known for its samba school, and La noche de los Mayas-a suite drawn from a now-lost 1939 film score by Mexican composer Silvestre Revueltas. The evening will conclude with Glass' Concerto Fantasy for Two Timpanists and Orchestra, a virtuosic showcase for the evening's two soloists-Jim Atwood and Paul Yancich--who play nine timpani between them.

Broad Stage's 2018 Celebrity Opera Series continues with Elina Garanca, mezzo-soprano with orchestra conducted by Karel Mark Chichon, in An Homage to Spain.

THE TRAP DOOR THEATRE is proud to present The Locketeer Adapted from The Numbered by Elias Canetti, Adapted and Directed by Catherine Sullivan

THE TRAP DOOR THEATRE is proud to present The Locketeer Adapted from The Numbered by Elias Canetti, Adapted and Directed by Catherine Sullivan

The Locketeer is an adaptation of Elias Canetti's play from 1956, The Numbered wherein a nameless future state claims its power by imposing life spans on its citizens. This competition for status causes social paranoia and a tragicomic refusal of facts. The adaptation will be devised with the ensemble.

Returning for its annual Kennedy Center engagement, American Ballet Theatre (ABT) brings two different programs to the Opera House stage,January 30 February 4. Whipped Cream, the acclaimed all-new, evening-length work from world-renowned choreographer and ABT Artist-in-Residence Alexei Ratmansky, makes its D.C. premiere February 1 4, while a program of repertory works, January 30 and 31, includes the D.C. premieres of Ratmansky's Serenade after Plato's Symposium and Benjamin Millepied's I Feel the Earth Move.