What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!
The Houston Symphony announced today the details of its free, family-friendly Neighborhood Concerts and ExxonMobil Summer Symphony Nights. A summer tradition, these evening concerts are held in casual and accessible venues across Greater Houston, bringing the Houston Symphony to people of all ages and backgrounds.
The Houston Symphony and Composer-in-Residence Jimmy Lopez partner with the Rice Shepherd School, the University of Houston (UH) Moores School of Music, and Interfaith Ministries to celebrate the determination and hope of Houston's refugee communities in a project called Resilient Sounds.
The Houston Symphony closes out the 2018-2019 BBVA Compass Family Series with the enchanting Once Upon a Time 10 a.m. and 11:30 a.m. April 27, with special guests: the student dancers from the Kinder High School for the Performing and Visual Arts.
This wonderful story written in 1844 by Hans Christian Anderson is, in fact, his longest and most highly acclaimed story. Since 1913 it has been retold in operas, film, plays, musicals, dance productions, comic books, video games, and on television. It is even believed to be the basis for Disney's Frozen, which the studio began work on in 1943. It opened in 2013!
New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event. Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 20 to 68, perform deconstructed installments of Nijinsky's “Sacre” (1913), Graham's “Night Journey” (1947), Ailey's “Revelations” (1960), a mix of Cunningham works “Rainforest,” “Sounddance”, “Points in Space”, “Beach Birds”, and “Ocean” (1968-1990), dance numbers from the 1969 Fosse's film “Sweet Charity”, and a response to Balanchine's “Agon” (1957) that includes none of the original choreography.
This wonderful story written in 1844 by Hans Christian Anderson is, in fact, his longest and most highly acclaimed story. Since 1913 it has been retold in operas, film, plays, musicals, dance productions, comic books, video games, and on television. It is even believed to be the basis for Disney's Frozen, which the studio began work on in 1943. It opened in 2013!
Just in time for the start of Houston's rodeo season, the Houston Symphony saddles up with the Western-inspired family program Wild, Wild West at 10am and 11:30am on Saturday, Feb. 16 at Jones Hall, featuring students from the Theatre Under the Stars' (TUTS) Humphreys School of Musical Theatre and from TUTS' The River Performing and Visual Arts Center.
The Hanover Wind Symphony will perform a special concert entitled And the Trumpets Shall Sound at the Morris Museum on Sunday, February 10 at 2:00PM. The concert will feature the Hanover Wind Symphony's trumpet section, and guest soloist, Michael R. Baker. The concert is being held in conjunction with the museum's exhibition, Trumpets, Weird and Wonderful: Treasures from the National Music Museum, which is on view through Sunday, March 17, 2019.
The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.
The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.
For his fifth and final work with Shakespeare Theatre Company director Michael Khan, the playwright David Ives has not returned to rhyming couplet adaptations of French classics, as he did in 'The Liar,' 'The Heir Apparent,' 'The Metromaniacs' and 'the School for Lies.'
The Houston Symphony celebrates the holiday season with the festive, family-friendly program A Polar Express Christmas at 10 a.m. and 11:30 a.m. on Saturday, Dec. 8, featuring two local high school choirs: The Kinder High School for the Performing and Visual Arts Chorale and the Davis High School Choir, which makes its Houston Symphony debut.
On Her Shoulders is pleased to present staged readings of three plays by Irish dramatist Teresa Deevy, directed by Kristin Heckler on Tuesday, November 20, 2018. Doors open at 6:45pm for a 7:00pm start with The Play in Context by Melody Brooks, who situates the scripts in their historical time and place, followed by the readings and a post-performance Q&A with refreshments. Admission is by Donation ($10 suggested). The performance is at The New School: Starr Foundation Hall, University Center, 63 Fifth Avenue, Room UL102. R.S.V.P. to OnHerShouldersReservations@gmail.com.
The Eighth Annual Bickford Benefit Concert featuring an all-star ensemble of outstanding jazz artists from the Tri-State area comes to the Bickford Theatre at the Morris Museum for one night only on Monday, November 12, 2018 at 7:30 PM. The ensemble includes trumpeter/vocalist Bria Skonberg, cornetist Warren Vache, trombonist Mariel Bildsten, clarinetist Dan Levinson, pianist Rossano Sportiello, guitarist/vocalist Molly Ryan, bassist Rob Adkins, and drummer Mark McLean. All of the ticket sales from this concert will go to support programming at the Bickford Theatre.
Segerstrom Center for the Arts launches its 2018-2019 Chamber Series with the acclaimed Escher String Quartet on November 1, 2018 at 8:00 p.m. in Samueli Theater. Since its founding in 2005, the quartet has quickly garnered the reputation as one of the finest young string ensembles performing today. Their instrumental interplay, which combines technical precision with warmth and vitality, has reaped accolades nationally and abroad, and elicited invitations from Itzhak Perlman and Pinchas Zukerman to be the quartet-in-residence at their respective summer festivals. In a review, The Strad wrote, "…a level of individual technical precision and a collective musical purpose that is endlessly compelling … Sheer brilliance." Quartet members include Adam Barnett-Hart and Danbi Um, violins; Pierre Lapointe, viola; and Brook Speltz, cello.
The Bickford Theatre at the Morris Museum is pleased to present the NJ Young Filmmakers Festival on Wednesday, October 17 at 7:30PM.
The Houston Symphony is joined by members of the Dawson High School Choir at 10 a.m. and 11:30 a.m. on Saturday, Oct. 6 for the 2018-19 Family Series opener Peter and The Wolf, a family-friendly program for all-ages.
After an absence of five years and under the auspices of the Cherry Orchard Festival, Israel's acclaimed Gesher Theatre returns to New York in early October with its two leading productions The Dybbuk and In the Tunnel. On Today, October 2, just prior to the performances, Gesher Artistic Director Yevgeny Arye and company members invite the public to join them for a free screening on the making of Dibukim, a 60-minute film by Ram Loevy, winner of the honorable mention at the Haifa International Film Festival, which documents the production process of The Dybbuk and follows the creative team and actors during rehearsals. The screening will be followed by a 30-minute question and answer session with Yevgeny Arye and members of the company. This film is in Hebrew with English subtitles. More info & trailer.
The Chicago-based Blue Violet Duo of violinist Kate Carter and pianist Louise Chan makes its recording debut with American Souvenirs, an album of jazz, blues, and dance-influenced classical works from the mid-to-late 20th century by American composers Norman Dello Joio, William Bolcom, John Adams, and Paul Schoenfeld.
After an absence of five years and under the auspices of the Cherry Orchard Festival, Israel's acclaimed Gesher Theatre returns to New York in early October with its two leading productions The Dybbuk and In the Tunnel. On Tuesday, October 2, just prior to the performances, Gesher Artistic Director Yevgeny Arye and company members invite the public to join them for a free screening on the making of Dibukim, a 60-minute film by Ram Loevy, winner of the honorable mention at the Haifa International Film Festival, which documents the production process of The Dybbuk and follows the creative team and actors during rehearsals. The screening will be followed by a 30-minute question and answer session with Yevgeny Arye and members of the company. This film is in Hebrew with English subtitles. More info & trailer.
The Sylvan Winds announce the final concert of the 2018 Spring Season celebrating music, art and history. Performing in important cultural and historic New York City buildings, the ensemble creates programs that reflect the environs of these distinguished venues. Winds & Harp, FRIDAY, MAY 11, 2018 at 7:00 PM, The Kosciuszko Foundation, 15 East 65th Street.
Thomas Hampson, America's foremost baritone and a champion of the art of classic song, makes his Cedille Records debut with an album of songs by early mid-twentieth-century composers from Chicago.
Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.
Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.
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