Two Women 1910 - Articles Page 5

Filmmaker Pamela Tom (A Tribute to Sir Sidney Poitier, Two Lies) corrects a historical wrong by spotlighting this seminal, but heretofore under-credited, figure in American Masters: Tyrus, premiering nationwide Today, September 8 at 9 p.m. on PBS

Filmmaker Pamela Tom (A Tribute to Sir Sidney Poitier, Two Lies) corrects a historical wrong by spotlighting this seminal, but heretofore under-credited, figure in American Masters: Tyrus, premiering nationwide Friday, September 8 at 9 p.m. on PBS

Last summer, a group form the Ohio Humanities Council visited Piqua to consider it as one of their Ohio Chautauqua sites for 2017.  Unfortunately, they were not selected, but they did encourage the group to develop their own Chautauqua event.  Well, give folks from Piqua a challenge and they deliver.  So a dedicated committee officially began working on Piqua Chautauqua! The dates for this event will be September 19, 20 & 21, 2017 from 6 to 8 p.m. and will take place at Hance Pavilion, located in Fountain Park in Piqua.

Daphne A. Brooks, professor of African American Studies, Theater Studies, American Studies, and Women's, Gender & Sexuality Studies at Yale University, will be guest speaker at Westport Country Playhouse's Sunday Symposium following the Sunday, August 20, 3 p.m. matinee performance of "Appropriate," an Obie Award-winning play about family secrets by Branden Jacobs-Jenkins. The Playhouse Sunday Symposium program is free and open to the public.

In collaboration with Soldiers & Sailors Memorial Hall & Museum, the Pittsburgh Symphony Orchestra offers a free performance in honor of American service men and woman. "In Honor of Service - An Americana Concert" is Today, June 30 at 7 p.m. at Soldiers & Sailors Memorial Hall in Oakland.

In collaboration with Soldiers & Sailors Memorial Hall & Museum, the Pittsburgh Symphony Orchestra offers a free performance in honor of American service men and woman. "In Honor of Service - An Americana Concert" is Friday, June 30 at 7 p.m. at Soldiers & Sailors Memorial Hall in Oakland.

1914 is not a year that should conjure much nostalgia for those who survived it. Among smaller aggravations, the year marked the assassination of the Archduke Franz Ferdinand and resulted in a half decade war, the likes of which the world had not seen. The year also marked the premiere of Fokine's 'The Golden Cockerel' by The Ballets Russes. Fokine, their first choreographer, was no stranger to '(Description) (Bird)' pieces whether it be 'The Dying Swan,' 'The Firebird,' or 'The Gold Cockerel.' 'The Golden Cockerel' was in his established career and it, unlike the previous year's infamous 'Rite of Spring,' was a jewel box escape from the hostile international climate. The warmth of this piece served a Parisian audience in search of the early 1910's glow, which was probably a distant memory by then. Today, scrupulously mounted by ABT under the direction of Ratmansky and with designs by Richard Hudson (off of the Natalia Goncharova originals,) 'The Golden Cockerel' is a charming aesthetic study even as it has waned as a satisfying evening of dance.

Gingold Theatrical Group's Project Shaw, under the leadership of Artistic Director David Staller, continued its 12th Season with its 123rd concert presentation, Shaw's two one-act comedies Press Cuttings and Dark Lady of the Sonnets, last night, May 22, at Symphony Space's Leonard Nimoy Thalia Theatre (2537 Broadway at 95th Street). BroadwayWorld has photos from the show below!

Gingold Theatrical Group's Project Shaw, under the leadership of Artistic Director David Staller, continues its 12th Season when it presents its 123rd concert presentation with Shaw's two one-act comedies Press Cuttings and Dark Lady of the Sonnets on Monday, May 22 at 7pm, at Symphony Space's Leonard Nimoy Thalia Theatre (2537 Broadway at 95th Street).

Merrimack Repertory Theatre (MRT) has announced its 2017-18 Season, the third under Artistic Director Sean Daniels.

When German playwright Carl Sternheim set out to write his 1910 work, DIE HOSE, he intended to reflect a focus he knew all too well, the struggle to express and assert oneself within German bourgeois society. The result was the work being initially prevented from opening then later DIE HOSE, and his other works, were completely banned when the Nazis rose to power. All this because of Sternheim's indelicate views on German society. 

When German playwright Carl Sternheim set out to write his 1910 work, DIE HOSE, he intended to reflect a focus he knew all too well, the struggle to express and assert oneself within German bourgeois society. The result was the work being initially prevented from opening then later DIE HOSE, and his other works, were completely banned when the Nazis rose to power. All this because of Sternheim's indelicate views on German society. 

Love Broadway? In need of a good book? Well you're in luck, because BroadwayWorld has teamed up with the New York Public Library to bring you Broadway Bookshelf- an expert opinion on what theatre fans can and should add to their personal libraries. Read on as Gwen Glazer, (Librarian, Readers Services) and Doug Reside (Curator for the Billy Rose Theatre Division) share their selections for your very own Broadway bookshelf!

Shakespeare's Globe is delighted to announce Emma Rice's 2017 summer season, the Summer of Love, marking the 50th anniversary of the summer of 1967.

The Globe has announced that Emma Rice will be stepping down as Artistic Director in April 2018, two years after her tenure began. In a statement, CEO Neil Constable said: 'Emma's mould-breaking work has brought our theatre new and diverse audiences, won huge creative and critical acclaim, and achieved exceptionally strong box office returns. In breaking the mould, this latest season has generated productive debate concerning the purpose and theatrical practice of the Globe, in relation to the use of sound and lighting technology within our theatre spaces. Following much deliberation and discussion, the Globe Board has concluded that from April 2018, the theatre programming should be structured around 'shared light' productions without designed sound and light rigging, which characterised a large body of The Globe's work prior to Emma's appointment. 

Two men enclosed in a boxing ring--one black and one white-vie for the World Heavyweight Boxing Championship and a transformative match that might knock out race relations for decades to come. Milwaukee Repertory Theaer imports Marco Ramiriez's The Royale to the Stiemke Studio in sophisticated style starring David St. Louis playing the African American boxing champion Jay 'the Sport' Jackson. Jay Jackson represents the actual heavyweight champion Jack Johnson who defeated the previous World Heavyweight champion, Jim Jeffries, a white man, on July 4, 2010 to win freedom for the black boxer. In the stunning Rep production, Ramirez's script loosely retells the story that changed the course of boxing history where Jackson became the first African American Heavyweight Champion in an era when the Klu Klux Klan lynched black men for merely the color of their skin.

ONSTAGE in Bedford Artistic Director Michael B. Winters announced tonight via Facebook the theater's 32nd season, which will be performed at the Trinity Arts Theater in the historic Bedford Boys Ranch. The new season will begin in January, 2017, with a mix of classic plays and newer works, including a regional premiere and three area premiere productions, as well as a new program the theater is calling 'SpotON',  a spotlight series featuring new works, staged readings and more.

Teatro Paraguas presents Revolution, a play about Fernando Reyes' journey involving Love, Self, and Tierra y Libertad, by Alix Hudson, directed by Malcolm Morgan, and running September 29 - October 16.

The Tony-nominated director Eleanor Reissa is set to helm New Yiddish Rep's contemporary staging of Sholem Asch's notorious drama 'God of Vengeance' at La MaMa this winter. The Yiddish language production's Off-Broadway opening is on Christmas Day, Sunday December 25 at 7:30pm with previews beginning Thursday December 22.  It will run for five weeks and 33 performances through Sunday January 22.

Maury Yeston, the composer and lyricist best-known for Nine and Titanic, visited the West End a few months before the West End opening of his new musical, Death Takes a Holiday. Based on a film (which was based on a play) this story tells of how Death changed his perspective. He used to not quite understand why everyone he came to collect was quite so aggrieved to die, until he met a particular woman who allowed him to realise quite what makes life worth clinging to. The side effect of Death's occupation being, though, that he can't collect anyone else while he's so distracted - Death the person and death the concept take a break!  Maury was kind enough to discuss his musical background, some of his better-known works and his latest venture for the stage.

Teatro Paraguas presents Revolution, a play about Fernando Reyes' journey involving Love, Self, and Tierra y Libertad, by Alix Hudson, directed by Malcolm Morgan, and running September 29 - October 16.

This fall, the Museum of Arts and Design (MAD) presents MAD Transformations, a series of six exhibitions showcasing artists who have transformed and continue to reshape the public perception of traditional craft mediums. Building upon the exhibition Voulkos: The Breakthrough Years, which celebrates the work of an artist known for drastically changing the way clay is categorized as an art material and discipline, the series considers fiber, clay, and jewelry and metals-disciplines that have composed the bedrock of MAD's founding mission and collection, and that continue to morph in the hands of contemporary artists today.

The Warner Theatre has announced its 2016-2017 Warner Stage Company season. The Main Stage season opens in November with Disney's BEAUTY & THE BEAST and follows with The Who's TOMMY, FOLLIES, and MARY POPPINS. The Nancy Marine Studio season opens in September with EVIL DEAD - THE MUSICAL and follows with the FIFTH ANNUAL INTERNATIONAL PLAYWRIGHT FESTIVAL, A CHARLIE BROWN CHRISTMAS, CALENDAR GIRLS and PETER AND THE STARCATCHER. Season Subscriptions are now available. Subscribers get the best seats in the house at the best prices! Tickets go on sale to the General Public in July. Call the Warner Box Office at (860) 489-7180.

A production commissioned by the Finborough Theatre to commemorate the centenary of Dublin's Easter Rising of 1916, Margaretta D'Arcy and John Arden's epic retelling of the life story of Easter Rising leader James Connolly, The Non-Stop Connolly Show runs at the Finborough Theatre, playing Sunday and Monday evenings from Monday, 4 April 2016 (Press Night: Monday, 4 April 2016 at 7.00pm), culminating in two all-day 'come and go as you please' performances of the entire play cycle on the anniversary of the Easter Rising itself - Saturday, 23 April and Sunday, 24 April.

?The Cathedral of St. John the Divine, in collaboration with the Manhattan School of Music and Oratorio Society of New York, presents the world premiere of a transcription for organ, vocal soloists, and choruses, of Gustav Mahler's Symphony No. 8, on Thursday, April 7th, at 7:30 p.m. at the Cathedral of St. John the Divine, 1047 Amsterdam Avenue (at 112th Street), Manhattan. This event follows the two performances of the symphony in its original orchestration at the Cathedral on February 24th and 25th.