Today it is too easy to get down on our frail featherless friends. We are birds of a unique ability to fly. It is easy to dis, but deserves much more that's not to missed from our fellow monkeys who have elevated our canopy to reach closer to our internal gods above and inside. I will celebrate the best of humankind and try to write a pictorial story with no direction in sight. It will be an image game.
This production of THE SECRET GARDEN excels in nearly every way.
The Rhode Island Philharmonic Orchestra's music director Larry Rachleff takes the podium on Today, November 12 with violinist Alexander Kerr playing Samuel Barber's Violin Concerto. The Orchestra will also perform Dvorak's Sixth Symphony and Dreamtime Ancestors, a 2015 composition by Christopher Theofanidis. The concert is Today, November 12 at 8:00pm, with an Open Rehearsal Friday, November 11 at 5:30pm.
This December, the acclaimed Off-Broadway Axis Theatre Company will present the 15th annual production of its beloved family holiday show, Seven in One Blow, or the Brave Little Kid.
In partnership with Big Brothers/Big Sisters Grand Rapids, AIGA West Michigan's Design For Good and the Grand Rapids Art Museum are collaborating to throw The Seriously Most Amazing Halloween Party of All Time!, an inaugural Halloween bash on October 29th benefitting West Michigan kids.
Pacific Symphony's upcoming concert presents Spain's pre-eminent pianist Joaquin Achucarro, performing Grieg's sweepingly dramatic Piano Concerto. Sir Simon Rattle said: "There is something special with Joaquin Achucarro. Very few musicians can extract this kind of sound from the piano," while Zubin Mehta remarked, "I have only heard this sound from Rubinstein." This not-to-be-missed Symphony debut by one of today's most talented pianists is part of a program that includes selections from Grieg's ever-popular "Peer Gynt," fairy-tale music from Stravinsky's iconic "Firebird" ballet, and a magical, mystical concerto by Rautavaara infused with bird songs. On the podium is the highly acclaimed, dynamic young Norwegian guest conductor, Rune Bergmann.
Pacific Symphony's upcoming concert presents Spain's pre-eminent pianist Joaquin Achucarro, performing Grieg's sweepingly dramatic Piano Concerto. Sir Simon Rattle said: "There is something special with Joaquin Achucarro. Very few musicians can extract this kind of sound from the piano," while Zubin Mehta remarked, "I have only heard this sound from Rubinstein." This not-to-be-missed Symphony debut by one of today's most talented pianists is part of a program that includes selections from Grieg's ever-popular "Peer Gynt," fairy-tale music from Stravinsky's iconic "Firebird" ballet, and a magical, mystical concerto by Rautavaara infused with bird songs. On the podium is the highly acclaimed, dynamic young Norwegian guest conductor, Rune Bergmann.
Edgar Oliver, the singular storyteller and beloved downtown NYC theater artist, returns to Axis Theatre to perform the world premiere of Attorney Street, the final installment in a trilogy of solo shows, directed by Randy Sharp, charting Oliver's life in New York City.
The Rhode Island Philharmonic Orchestra's music director Larry Rachleff takes the podium on Saturday, November 12 with violinist Alexander Kerr playing Samuel Barber's Violin Concerto. The Orchestra will also perform Dvorak's Sixth Symphony and Dreamtime Ancestors, a 2015 composition by Christopher Theofanidis. The concert is Saturday, November 12 at 8:00pm, with an Open Rehearsal Friday, November 11 at 5:30pm.
**Bonus** Nominations are NOW OPEN for the 2016 BroadwayWorld Regional Awards! Click on your region below and nominate your favorites thru October 31st only!
Two men enclosed in a boxing ring--one black and one white-vie for the World Heavyweight Boxing Championship and a transformative match that might knock out race relations for decades to come. Milwaukee Repertory Theaer imports Marco Ramiriez's The Royale to the Stiemke Studio in sophisticated style starring David St. Louis playing the African American boxing champion Jay 'the Sport' Jackson. Jay Jackson represents the actual heavyweight champion Jack Johnson who defeated the previous World Heavyweight champion, Jim Jeffries, a white man, on July 4, 2010 to win freedom for the black boxer. In the stunning Rep production, Ramirez's script loosely retells the story that changed the course of boxing history where Jackson became the first African American Heavyweight Champion in an era when the Klu Klux Klan lynched black men for merely the color of their skin.
Teatro Paraguas presents Revolution, a play about Fernando Reyes' journey involving Love, Self, and Tierra y Libertad, by Alix Hudson, directed by Malcolm Morgan, and running September 29 - October 16.
In partnership with Big Brothers/Big Sisters Grand Rapids, AIGA West Michigan's Design For Good and the Grand Rapids Art Museum are collaborating to throw The Seriously Most Amazing Halloween Party of All Time!, an inaugural Halloween bash on October 29th benefitting West Michigan kids.
Maury Yeston, the composer and lyricist best-known for Nine and Titanic, visited the West End a few months before the West End opening of his new musical, Death Takes a Holiday. Based on a film (which was based on a play) this story tells of how Death changed his perspective. He used to not quite understand why everyone he came to collect was quite so aggrieved to die, until he met a particular woman who allowed him to realise quite what makes life worth clinging to. The side effect of Death's occupation being, though, that he can't collect anyone else while he's so distracted - Death the person and death the concept take a break! Maury was kind enough to discuss his musical background, some of his better-known works and his latest venture for the stage.
Edgar Oliver, the singular storyteller and beloved downtown NYC theater artist, returns to Axis Theatre to perform the world premiere of Attorney Street, the final installment in a trilogy of solo shows, directed by Randy Sharp, charting Oliver's life in New York City.
Don't mistake Yeston and Kopit's PHANTOM for the show on Broadway. It's smaller, smarter, and in this production, better. You'll get your boat, your chandelier, and some real human depth.
Teatro Paraguas presents Revolution, a play about Fernando Reyes' journey involving Love, Self, and Tierra y Libertad, by Alix Hudson, directed by Malcolm Morgan, and running September 29 - October 16.
Does a comic opera from 1910 resonate with contemporary audiences? The answer would be with certainty, yes. Third Avenue Playhouse's Madame Sherry with original book/lyrics by Otto Harbach and music by Karl L. Hoschna, would be completely entertaining in the under James Valcq's impressive adaptation and direction along with a talented acting troupe who possess triple threats---they act, dance and sing. Valcq adapted the vintage comic opera from a found script and stage manager's notes discovered in New York's Public library and produces this effervescent theater experience on stage in Sturgeon Bay. With more than 20 songs, romantic smooching and clever choreography, Madame Sherry rings in summer entertainment and chases away any cloudy skies appearing on the horizon, literally or figuratively.
Piecing together a new mythology is an audacious undertaking, and yet it is an act that is at the very heart of theatre-making: the building of a new world, with its own origins and order, that only becomes fully realised when an audience believes in it. THE FIREBIRD attempts just that, telling a post-apartheid South African story against the backdrop of a created mythology.
Initial casting is announced today (26 May 2016) for Qdos Entertainment's London Palladium production of Cinderella. The 32 strong cast will be led byPaul O'Grady as The Wicked Stepmother, Julian Clary as Dandini, Lee Mead as Prince Charming, Paul Zerdin as Buttons, Nigel Havers as Lord Chamberlain and Count Arthur Strong as Baron Hardup. The roles of Cinderella, the Fairy Godmother and the Ugly Sisters will be announced soon.
What is the FUSION forum? A 'cultural collider,' as Dennis Gromelski (Executive Director of FUSION, New Mexico's longest-running professional theater company) explains: Similar to the goals of the particle collider in CERN, the Fusion Forum will bring charged artists together to unfold the secrets of the universe.
How often do you see an American western onstage? Especially one that was a famous John Ford film in 1952 The Man Who Shot Liberty Valance. Both the film and the stage play are adapted from a short story by Dorothy Johnson about the American west in 1890-1910. The names of the characters in the film are slightly different from those in the play, but the plot is basically the same. What seem to matter more than plot are the historical, cultural, political themes that the story exudes. Now onstage at the Rubicon Theatre in Ventura, in its American premiere, The Man Who Shot Liberty Valance is helmed by uber skilled director Jenny Sullivan and boasts a stellar cast, but you only have one more week to catch it, through March 20.
?The Cathedral of St. John the Divine, in collaboration with the Manhattan School of Music and Oratorio Society of New York, presents the world premiere of a transcription for organ, vocal soloists, and choruses, of Gustav Mahler's Symphony No. 8, on Thursday, April 7th, at 7:30 p.m. at the Cathedral of St. John the Divine, 1047 Amsterdam Avenue (at 112th Street), Manhattan. This event follows the two performances of the symphony in its original orchestration at the Cathedral on February 24th and 25th.
The full cast is announced for the final production in the Coronet's spring season, DEATHWATCH, from April 11 to May 7. This new Print Room production of Jean Genet's powerful and provocative first play, in a translation by David Rudkin, marks its first major revival in almost 30 years. Deathwatch stars Danny Lee Wynter, Joseph Quinn, Tom Varey and Emma Naomi, and is directed by Geraldine Alexander, who received critical acclaim for the direction of her own play, Amygdala, at The Print Room's former space in 2013. The Coronet is also working with playwright David Rudkin on complementary activity around the production.
Welcome Home, Captain Fox!, Anthony Weigh's new version of Jean Anouilh's hit 1937 comedy Le Voyageur Sans Bagage, will begin previews at The Donmar Warehouse from Thursday 18 February . The production is directed by Blanche McIntyre, and a cast that includes Michelle Asante, Barnaby Kay, Rory Keenan, Katherine Kingsley, Trevor Laird, Sian Thomas, Danny Webb, Fenella Woolgar and Daniel York.
| 1910 | Broadway |
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| 1939 | Broadway |
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