Fear 1913 - Articles Page 2

Meet Miss Baker has begun, with previews of The Price of Thomas Scott, directed by Mint Theater Artistic Director Jonathan Bank. Performances began January 24th and continue through March 23rd at Theatre Row (410 West 42nd Street). Opening Night is set for February 20th.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

Classic Stage Company devotes the beginning of 2019 to the timeless emotional and social resonance of August Strindberg, with new productions of two acclaimed adaptations-Yael Farber's Mies Julie and Conor McPherson's new version of The Dance of Death-presented in repertory.

So perhaps the fear and screaming is a good thing. The first step to feeling afraid and learning to cope with that. And I hope that once the screaming subsides, that these stories will be enjoyed, and that our audience finds in them a message of empowerment.  

Mint announced "Meet Miss Baker," Mint's latest effort in its ongoing commitment to create new life for neglected women playwrights. From Pulitzer-Prize winning plays by Zona Gale and Susan Glaspell, to forgotten works by Rachel Crothers, Cicely Hamilton, Githa Sowerby, Hazel Ellis, Maurine Dallas Watkins, Lillian Hellman, Rose Franken and Dawn Powell, Mint has long been a champion of neglected plays by women. Up next is English playwright Elizabeth Baker, who will receive three productions, each getting their American premiere, over the next two years.

Kirsty Housley directs a deliciously gruesome selection from Philip Pullman's Grimm Tales, in this acclaimed adaptation by Philip Wilson, re-told and re-worked for the whole family.

The National Theatre announces new information, and recaps its upcoming season.

n 1998 when Jason Robert Brown won a Tony Award for the score of this unusually provocative musical Parade, the opulent Broadway production closed to critical acclaim, but due to excessive costs, the show remained inaccessible until the Donmar Warehouse resurrected it and produced a tight - minus the frills - mounting at the Mark Taper Forum in 2009. 3-D Theatricals, who are becoming increasingly known for their superlative skill with producing big musicals, have decided to put back many of the frills of the original and double the cast to its original size - 36, in order to enhance and give the musical the big, full-voiced chorus sound it deserves. And, in my mind, this bigger hybrid version surpasses the Taper's for its grande musical elegance and the presence of a perfectly cast lead actor in the role of Leo Frank, Jeff Skowron.

Beautifully written, with minimal sets and moments that suggest the characters are aware of the parts they're playing, this is a wonderful and enduring work of dramatic art - and one that the Milwaukee Repertory Theater carries out with ease. 

Actors' Equity Association, the national labor union representing more than 51,000 actors and stage managers, is pleased to announce that Equity's National Council has approved the formation of a new committee, chaired by Equity President Kate Shindle and dedicated to preventing sexual harassment and workplace hostility in the theatre. 

The Black Maria Film + Video Festival The Black Maria Film Festival, now in its 37th year, features some of the best short films and videos being made today. Programs are custom curated for each site, featuring a rich international selection of narrative, documentary, animation and experimental works. Festival representatives are on hand to provide perspective and a post-viewing discussion. Selected trailers and clips from the films can be viewed on the Black Maria Website.The Madison lineup is listed below. Tickets are $10 and are available at the door. Student Discount $5 with valid ID Tickets can also be purchased in advance through Writers Theatre of New Jersey's online service. (a $2.00 processing charge per ticket applies) Tickets can be purchased online until 7 pm Saturday, February 17 Doors open at 7:30 pm for the 8:00 pm screening.

StoryCorps, the non-profit that collects, shares, and preserves the stories of people of all backgrounds, will celebrate the lives it has documented, and people and partners that have helped the organization to do so, in its annual gala, tonight, October 25, at Capitale in New York City.

Actors' Equity Association executive director Mary McColl released the following statement regarding media reports that multiple women have accused producer Harvey Weinstein of sexual harassment:

StoryCorps, the non-profit that collects, shares, and preserves the stories of people of all backgrounds, will celebrate the lives it has documented, and people and partners that have helped the organization to do so, in its annual gala, Wednesday, October 25, at Capitale in New York City.

It is nearly impossible not to be emotionally affected by the events depicted in PARADE, the stirring, Tony Award-winning 1998 musical inspired by shocking actual events surrounding the trial of a man accused of raping and murdering a 13-year-old girl. It's certainly a heavy, morose subject to wrap an entire musical around, which is probably why PARADE is so rarely produced, despite its high-caliber book by Alfred Uhry and gorgeous music by Jason Robert Brown. But when the material is executed with emotional heft and interesting staging---as it mostly is in Chance Theater's latest production---the results can be powerful, gut-wrenching, and, most importantly, thought-provoking.

Chance Theater, Anaheim's official resident theater company, is pleased to announce its production of PARADE, with book by Alfred Uhry, music and lyrics by Jason Robert Brown, direction by Kari Hayter, and musical direction by Robyn Manion. PARADE will preview from June 30 through July 7; regular performances will begin July 8 and continue through July 30 at Chance Theater @ Bette Aitken theater arts Center on the Cripe Stage.

Damien Ryan's adaptation of Edmond Rostand's classic romantic comedy, CYRANO DE BERGERAC returns to Sydney for an encore season, 4 years after it won the 2013 Sydney Theatre Award for Best Independent Production, Best Director and Best Actor. With a few cast changes due to availability, most notably Director and Adaptor Damien Ryan stepping into the central role, this fabulous work is set to delight audiences again.

Chance Theater, Anaheim's official resident theater company, is pleased to announce its production of PARADE, with book by Alfred Uhry, music and lyrics by Jason Robert Brown, direction by Kari Hayter, and musical direction by Robyn Manion. PARADE will preview from June 30 through July 7; regular performances will begin July 8 and continue through July 30 at Chance Theater @ Bette Aitken theater arts Center on the Cripe Stage.

To celebrate the 100th Anniversary of New York State signing of woman's suffrage into law, three years before the US passed the 19th Amendment, Hangar Theatre, Kitchen Theatre Company, Civic Ensemble and Cherry Arts are collaborating on a two-night theater event: Four Plays - 100 Years. Performances will be at Kitchen Theatre Company on Tuesday and Wednesday, May 16 and 17 at 7:30pm.

Under normal circumstances, it wouldn't be a bad problem to have. During rehearsals for the Douglas Anderson School of the Arts' production of the Jason Robert Brown and Alfred Uhry musical PARADE, director and Theatre Department Co-Chair David Loudermilk realized his student cast would need some hard lessons on embodying the intense negative feelings of prejudice. 'I think it's an interesting balance,' Loudermilk comments. 'With this generation being so open and accepting and understanding of things - especially here at DA - it's hard for the kids to go to the 'other side' of it. They're struggling with getting angry. They just don't know how.'

Jaap van Zweden will return to the New York Philharmonic to conduct Mozart's Piano Concerto No. 23, with Artist-in-Association Inon Barnatan as soloist; Britten's Sinfonia da Requiem; and Beethoven's Symphony No. 5. The performances take place tonight, October 29, 2015, at 7:30 p.m.; Friday, October 30 at 2:00 p.m.; and Saturday, October 31 at 8:00 p.m. 

Jaap van Zweden will return to the New York Philharmonic to conduct Mozart's Piano Concerto No. 23, with Artist-in-Association Inon Barnatan as soloist; Britten's Sinfonia da Requiem; and Beethoven's Symphony No. 5. The performances take place Thursday, October 29, 2015, at 7:30 p.m.; Friday, October 30 at 2:00 p.m.; and Saturday, October 31 at 8:00 p.m.