This is an eye-popping, slam dunk production, with a star turn by Giles Davies as Malvolio that leaves the audience in hysterics.
To celebrate the publication of The Untold Stories of Broadway, Volume 2 on November 18 by Dress Circle Publishing, Jennifer Ashley Tepper will be sharing three short excerpts about each of the Broadway theaters featured in the book-countdown style! Today: The Criterion Center Stage Right
Coming to the Durham Performing Arts Center from November 18th-23rd is the national touring production of Rodgers & Hammerstein's Cinderella features Andy Jones in the role of Prince Topher, a role originated on Broadway by Tony Nominee Santino Fontana.
How many times have we all seen "Twelfth Night"? It is one of Shakespeare's most accessible and arguably one of his best plays and therefore one of his most often trotted out pieces. Even Seattle Shakespeare Company admits this current production is the fifth time they've done it in their 24 year history. So I'll admit to a less than enthusiastic attitude when I was off to see it. I mean, what can they do with "Twelfth Night" really? Well, apparently, they can fill it with a stupendous cast, direct it with a kind of 1920's yet otherworldly vibe, liven up all the comedy and flourish it with some hauntingly melancholy original music and turn it into a feast for the senses making this war horse once again a glittering show pony.
This April, May and June at 54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54thStreet. For a detailed schedule of upcoming performances at 54 Below and to purchase tickets, visit www.54Below.com.
The world premiere production of the brand new musical comedy Bullets Over Broadway, written by Woody Allen and based on the screenplay by Allen and Douglas McGrath for the 1994 film, will begin preview performances tomorrow, March 11 and officially open Thursday, April 10, 2014 at The St. James Theatre (246 West 44th Street). The new musical will be directed and choreographed by five-time Tony Award winner Susan Stroman. Scroll down to learn more about the Bullets Over Broadway company, and watch interviews with the cast!
What a soothing, kind feeling the name of Liliom would bring to whoever hears such a name; surely the person who possesses it would not damn its beauty to the means of a harsh and indignant life. Alas, such a man who bears this name is apparently nothing more than a brute - a man whose soul is marred by his inability to express his true feelings because of the hubris ever-present in his heart. Yet, what authors, poets and the like have been telling their audiences for years on end is this brute of a man is not the monster he is depicted as. Beneath the exterior is a tortured being whose inner beauty is just as present as the fierceness from which he comes to define himself as a human being; unfortunately, though, it is not as prevalent and is thought not to exist at all. This tormented soul, hidden behind the appearance and demeanor of a fierce, angry man, is always so appealing because of its trials and tribulations; it is a person who is simultaneously allowed to live and be held back to the point of becoming a person that is hardly recognizable to the self. It is with this concept in mind that Beautiful Soup presents this gorgeous production of Liliom, a tale of one woman's undying love for a seemingly undeserving and hideous man whose reconciliation comes as a result of his wife's irrational yet beautifully inspiring sense of hope in the man that, beneath the rough and domineering exterior of the carousel barker, exists in the form of the gentle, loving Liliom who abandoned the man he was for the sake of loving, and being loved in return.
Historic adaptation of PORGY AND BESS returns to National Theater.
This holiday season, BroadwayWorld brings you a look at some of our favorite shows playing across the country. Take a break from the hustle and bustle and treat your family to some of our theatrical favorites, now playing nationwide.
Coming up this week, 54 BELOW, the performance venue located just below the legendary Studio 54 at 254 West 54th Street, presents some of the brightest stars from Broadway, cabaret, jazz and beyond:
The holidays are upon us with plenty to celebrate at the Kimmel Center's campus of events and performances.
The holidays are upon us with plenty to celebrate at the Kimmel Center's campus of events and performances.
Barrymore/by William Luce/directed by Janet Miller/Good People Theatre Company (GPTC)/Greenway Court Alliance Theatre/through December 1
Director Edward R. Fernandez and Irving Gonzalez present a brash, bawdy, bubbling production of the Frank Loesser classic that's nicely nicely performed
Producers Letty Aronson and Julian Schlossberg have announced initial casting, preview and opening dates for the world premiere production of BULLETS OVER BROADWAY, the new Broadway musical adaptation of Woody Allen's and Douglas McGrath's screenplay of the 1994 film.
The 2013-2014 Center Theatre Group/Ahmanson Theatre season was announced today by CTG Artistic Director Michael Ritchie.
Today we are talking to a talented writer and journalist who has penned the definitive book on the hottest UK crossover TV series of the new millennium, the early 20th century-set family period drama DOWNTON ABBEY, with her estimable new tome now available, THE CHRONICLES OF DOWNTON ABBEY: A NEW ERA - Jessica Fellowes. Discussing many of the most alluring aspects of the hit Brit series, especially insofar as an international audience is concerned, as well as adding even more historical, political and social insight into the proceedings on the show over the course of its run so far, Fellowes and I assess many of the most arresting aspects of the three seasons of the series as well as the comprehensive behind-the-scenes look that she provides (along with Matthew Sturgis) in THE CHRONICLES OF DOWNTON ABBEY: A NEW ERA. All of that, discussion of the third season of the series which premieres in the US on PBS January 6, first news on Jessica's uncle Julian's new historical series for NBC, THE GUILDED AGE and much, much more!
Silver Spring Stage presents These Shining Lives by Melanie Marnich, directed by Bob Benn and produced by Seth Ghitelman, the powerful true story of the strength and determination of women working in a 1920's clock factory exposed to toxic chemicals. Theirs is an inspirational story of survival and courage to save other workers from harm. These Shining Lives will perform weekends October 26 to November 17.
Today we are talking to Patricia Kelly, the widow of one of the most iconic and influential performers in entertainment history, Gene Kelly, all about her husband's incomparable career on Broadway and in Hollywood, in honor of his centennial. Tracing Gene Kelly's journey from his theatre roots starring in Cole Porter's LEAVE IT TO ME!, Rodgers & Hart's PAL JOEY and William Saroyan's Pulitzer Prize-winning THE TIME OF YOUR LIFE on Broadway to his unforgettable screen appearances in many of the greatest movie musicals ever made - COVER GIRL, SINGIN' IN THE RAIN, THE PIRATE, AN AMERICAN IN PARIS and many more included - Mrs. Kelly gives us a look into the life of one of the most important artists of the twentieth century. In addition to behind-the-scenes stories involving Kelly's frequent collaborators - such as esteemed director Vincente Minnelli, songwriter and producer Arthur Freed, arranger Saul Chaplin and others - Mrs. Kelly also shares candid anecdotes involving her husband's involvement with directing Rodgers & Hammerstein's FLOWER DRUM SONG on Broadway, helming the feature film adaptation of HELLO, DOLLY! starring Barbra Streisand, as well as his appearing in two idiosyncratic movie musicals later in his life, LES DEMOISELLES DE ROCHEFORT (THE YOUNG GIRLS OF ROCHEFORT) for Jacques Demy, as well as his au revoir to movie musicals in form of the Olivia Newton-John roller disco starrer XANADU. Additionally, Mrs. Kelly fills us in on all the details about this weekend's two-night Gene Kelly retrospective celebration, which she leads and narrates, as part of GENE KELLY @ 100 and her future plans for the multimedia presentation - each evening titled AN EVENING OF GENE KELLY and CHANGING THE LOOK OF DANCE ON FILM, respective - as she begins to tour the show across the country. Plus, reflections on SINGIN' IN THE RAIN's 60th anniversary and the recent Fathom HD premiere presentation in theaters, the impact of Kelly's work behind the camera, his choreographic legacy, what a legend is like at home, memories of attending the opening night of THE PHANTOM OF THE OPERA (starring HELLO, DOLLY! lead Michael Crawford), what the master would say about GLEE, SMASH, BUNHEADS and today's movie musical renaissance, as well as much, much more!
Earlier today I had the extreme privilege of speaking to one of the biggest Broadway stars of the new millennium all about her new ABC Family original series BUNHEADS - two-time Tony Award-winning triple-threat dynamo Sutton Foster. Candidly recalling her professional beginnings, auditioning for the national tour of THE WILL ROGERS FOLLIES at only 17 for director/choreographer Jeff Calhoun - our recent 2012 Tony Awards special chat available here - and starring in GREASE on Broadway under his direction shortly thereafter, Foster also shares her post-Tony Awards night memories from ten years ago today, when she first won a trophy for her star-making turn in THOROUGHLY MODERN MILLIE. Clearly, Foster has remained busy since her Tony-winning Reno Sweeney in the hit revival of ANYTHING GOES last season, as well, with the fantastic new Amy Sherman-Palladino-penned BUNHEADS proving to be the ideal opportunity for her to bring her considerable stage chops to the small screen and show off her serious skills as a comedienne, dancer, singer and actress to a whole new audience in a major way. Of course, Broadway babies have known for over a decade that Sutton Foster is the rare star that comes along once a generation and BUNHEADS now gives her the national stage so that she may give the world everything she's got to give - and that's a whole lot. In addition to an analysis of the central character on BUNHEADS, Michelle, and a look ahead to what we can expect in the ensuing season that kicks off tonight at 9 PM on ABC Family with the enchanting and hilarious pilot episode, Sutton and I also shine a light on the many musical theatre associations in the BUNHEADS universe, current and future - such as the razzle dazzle Las Vegas opening number of the pilot, penned by songwriters Marc Shaiman and Scott Wittman, which was originally performed on Broadway in CATCH ME IF YOU CAN; BUNHEADS series regular and A CHORUS LINE original cast standout Kelly Bishop as Michelle's domineering ballet instructor mother-in-law; Michelle's determination to land a lead role in CHICAGO someday; and, we even discuss some possibilities for musical numbers and song sequences on BUNHEADS in the future ("At The Ballet", perhaps?). Plus, Sutton shares her thoughts on SMASH, expresses her interest in exploring a revival of THE UNSINKABLE MOLLY BROWN onstage soon and much, much more!
Today we are continuing BroadwayWorld's exclusive multi-part InDepth InterView series focusing on the New York Pops 29th Birthday Gala concert celebrating the music and musicals of Lynn Ahrens & Stephen Flaherty, JOURNEY ON, that will take place at Carnegie Hall on April 30 at 7 PM, by talking to the musical half of the Tony Award-winning songwriting team, Stephen Flaherty.
NICE WORK IF YOU CAN GET IT, featuring music and lyrics by George Gershwin and Ira Gershwin and a book by two-time Tony Award-winner Joe DiPietro, began previews at the Imperial Thetare on March 29 and officially opens tonight, April 24, 2012. We highlight the star-studded production's road to Broadway below!
Jessie Mueller is currently making her Broadway debut in ON A CLEAR DAY YOU CAN SEE FOREVER alongside Grammy and Emmy Award winner and multi-platinum recording artist Harry Connick, Jr. The production opened on December 11, 2011at the St. James Theater.
Berwick's Hackmatack Playhouse's production of 'Singin' In the Rain' (one of Hackmatack's most Popular Productions in 1996) will close on Saturday Aug 13.
Berwick's Hackmatack Playhouse continues their 40th anniversary summer with 'Singin' In the Rain' (one of Hackmatack's most popular productions in 1996) opening Wednesday, July 27 through Saturday Aug 13.
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