The Theatre Group at SBCC is excited to announce the upcoming 2015-2016 season which be our 70th Anniversary.
Charged with momentum from the launch of BCMF Spring, the festival's first spring series of two concerts, the 32nd season of Long Island's longest-running classical music festival presents 11 concerts July 29 - August 23, 2015.
Next spring, Tony Award winners Audra McDonald, George C. Wolfe, and Savion Glover will team up to collaborate on SHUFFLE ALONG, Or, The Making of the Musical Sensation of 1921 and All That Followed, a musical about the events that led to the creation of the groundbreaking Eubie Blake-Noble Sissle musical Shuffle Along. Starring Audra McDonald as the 1920's star Lottie Gee, directed by George C. Wolfe -- with a book written by Wolfe -- and choreographed by Savion Glover, the musical marks the first time that the writer/director and choreographer will have worked together since their 1996 hit Bring in 'da Noise, Bring in 'da Funk. Previews will begin Monday, March 14, 2016. Opening night is Thursday, April 21, 2016 at the Music Box Theatre (239 West 45th Street).
The Finborough Theatre's acclaimed Celebrating British Music Theatre series continues with the first professional London production in over twenty years of Gilbert and Sullivan's Princess Ida opening at the Finborough Theatre for a four week limited season on Tuesday, 24 March 2015 (Press Night: Thursday, 26 March 2015 at 7.30pm).
The Guthrie Theater and The Acting Company (TAC) reunite for a seventh year to present A Connecticut Yankee in King Arthur's Court - a satirical story adapted by acclaimed local playwright Jeffrey Hatcher from the novel by Mark Twain - in repertory with Macbeth, Shakespeare's dark and powerful tragedy.
The Guthrie Theater and The Acting Company (TAC) reunite for a seventh year to present A Connecticut Yankee in King Arthur's Court - a satirical story adapted by acclaimed local playwright Jeffrey Hatcher from the novel by Mark Twain - in repertory with Macbeth, Shakespeare's dark and powerful tragedy.
'Forgive me,' asks the bearded, finely dressed older man appearing on stage. He rests on a red velvet seat in a train compartment during the late 1800's and empties his pockets one by one and mentions, 'A white silk handkerchief brushed with red lips has not been washed in over a year...' Thus begins the one man performance by iconic Milwaukee actor James Pickering in Renaissance Theaterwork's adaptation of Leo Tolstoy's The Kruetzer Sonata on stage in the Studio Theater. Written by Tolstoy as a novella in 1889 when the story was often banned and unpublished, Nancy Harris reinterpreted Tolstoy's text from the original Russian. She focuses on the philosophical and psychological drama the main character, Pozdynyshev agonizes over when he has recently been acquitted for murder after a year in prison.
The Sandra Feinstein-Gamm Theatre (The Gamm) is pleased to stage a new adaptation of Henrik Ibsen's Hedda Gabler. The Norwegian playwright's 19th-century antiheroine--and one of the famous enigmas of the stage--is the newly married, beautiful and inscrutable wife of an academic for whom the bourgeois life is simply not good enough. Gamm Artistic Director Tony Estrella, who authored this adaptation of Ibsen's masterpiece, directs Marianna Bassham (Joan in Far Away, Charlotte in The Real Thing) in the title role.
The national tour of ANYTHING GOES, the new Broadway revival of Cole Porter's timeless classic musical theatre masterpiece, will make its Houston premiere today, October 14-19 as part of the 2014-2015 Season of Broadway at the Hobby Center.
The Sandra Feinstein-Gamm Theatre (The Gamm) is pleased to stage a new adaptation of Henrik Ibsen's Hedda Gabler. The Norwegian playwright's 19th-century antiheroine--and one of the famous enigmas of the stage--is the newly married, beautiful and inscrutable wife of an academic for whom the bourgeois life is simply not good enough. Gamm Artistic Director Tony Estrella, who authored this adaptation of Ibsen's masterpiece, directs Marianna Bassham (Joan in Far Away, Charlotte in The Real Thing) in the title role.
The Milwaukee Symphony Orchestra and Music Director Edo de Waart present Alisa Weilerstein Plays Elgar this weekend, September 19-20, 2014 at the Marcus Center for the Performing Arts.
Ever been in one of those situations where you run into someone you knew from years ago, and suddenly you learn that they're best friends with your sister's brother-in-law's cousin? That's basically what tonight's episode of INTRUDERS was like. That plus some good, old-fashioned action, peppered with just the right amount of paranormal mystery. You wanted connections? You've got connections. We're at the half way mark in the series, and the previously blurry puzzle of Qui Reverti relationships is finally becoming clearer.
MILWAUKEE, WIS. 08/28/2014 – The Milwaukee Symphony Orchestra and Music Director Edo de Waart present Alisa Weilerstein Plays Elgar on September 19-20, 2014 at the Marcus Center for the Performing Arts. The concerts feature Ms. Weilerstein performing Elgar's Cello Concerto in E minor along with Britten's “Four Sea Interludes” from Peter Grimes and Dvorák's Symphony No. 8.
The national tour of ANYTHING GOES, the new Broadway revival of Cole Porter's timeless classic musical theatre masterpiece, will make its Houston premiere October 14-19 as part of the 2014-2015 Season of Broadway at the Hobby Center. Individual tickets will be on sale beginning Sunday, August 24 at 10:00 a.m.
Acclaimed actors Chris Noth and Fritz Weaver join the cast of Lincoln's Favorite Shakespeare with John Douglas Thompson and Kathleen Chalfant. Tonight, August 14 at 4pm at the Fitzpatrick Main Stage, this noted quartet of actors are donating their performances to the event and will present scenes and soliloquies known and loved by Abraham Lincoln from the canon of Shakespeare with a reception immediately following at Chesterwood.
Acclaimed actors Chris Noth and Fritz Weaver join the cast of Lincoln's Favorite Shakespeare with John Douglas Thompson and Kathleen Chalfant. On August 14 at 4pm at the Fitzpatrick Main Stage, this noted quartet of actors are donating their performances to the event and will present scenes and soliloquies known and loved by Abraham Lincoln from the canon of Shakespeare with a reception immediately following at Chesterwood.
August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast today, April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village).
An author's spiritual downfall and redemption presents many mysteries in one of Strindberg's greatest plays, reset into Harlem, 1962. August Strindberg Repertory presents a new adaptation of 'TO DAMASCUS, PART 1' by August Strindberg, directed by Robert Greer and running April 18 to May 11, 2014.
August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village). It is the first part of a trilogy (called 'The Road to Damascus' in earlier translations) that has been described as 'Strindberg's most complex plays' and as 'his greatest plays,' due to their synthesis of a wide variety of myths, symbols and ideas with a profound spiritual analysis in a new dramatic form. August Strindberg Rep will present Part 2 in March, 2015 and Part 3 in 2016. It will be the first time the trilogy will have been presented complete in any language in 99 years.
Tony Estrella, artistic director of The Sandra Feinstein-Gamm Theatre (The Gamm), has announced the theater's 30th anniversary season. A combination of classic and contemporary works, set over hundreds of years of world history, the 2014-2015 Season is an entertaining and evocative line-up that speaks as a whole to American society today.
SEATTLE, WA-Pacific Northwest Ballet's 2013-2014 season continues with the perfect Valentine and a happily-ever-after experience for all ages, Ronald Hynd's The Sleeping Beauty. From fairies that really fly to the Prince's wakening kiss and an imperial wedding celebration, each moment of The Sleeping Beauty faithfully portrays the beloved fairy tale with grand storytelling, Tchaikovsky's beloved score, magnificent sets and costumes, and over 30 leading roles. Long regarded as the ideal classical ballet, The Sleeping Beauty's fairytale world was crafted to mirror the splendor of the Imperial Czars, its first patrons. Although this production is as discernibly English as its choreographer, the ballet remains true to Marius Petipa's 1890 original and each act - from the evil fairy Carabosse's flying entrance in the Prologue to the Rose Adagio's spectacular balances to Act III's celebrated Bluebird pas de deux - offers rich opportunities for dancers to demonstrate technique and artistry, and take star-turns. Ultimately, however, the pivotal brilliance of Beauty rests with Princess Aurora; she must captivate as a teenager, inspire a Prince's love as a vision, and awaken a queen, all while mastering some of the most technically grueling choreography in classical ballet's cannon - a genuine mark of distinction for a great ballerina. The Sleeping Beauty runs for nine performances only, January 31 to February 9, 2014 at Seattle Center's Marion Oliver McCaw Hall, 321 Mercer Street. Tickets may be purchased by calling the PNB Box Office at 206.441.2424, online at pnb.org, or in person at 301 Mercer Street.
SEATTLE, WA-Pacific Northwest Ballet's 2013-2014 season continues with the perfect Valentine and a happily-ever-after experience for all ages, Ronald Hynd's The Sleeping Beauty. From fairies that really fly to the Prince's wakening kiss and an imperial wedding celebration, each moment of The Sleeping Beauty faithfully portrays the beloved fairy tale with grand storytelling, Tchaikovsky's beloved score, magnificent sets and costumes, and over 30 leading roles. Long regarded as the ideal classical ballet, The Sleeping Beauty's fairytale world was crafted to mirror the splendor of the Imperial Czars, its first patrons. Although this production is as discernibly English as its choreographer, the ballet remains true to Marius Petipa's 1890 original and each act - from the evil fairy Carabosse's flying entrance in the Prologue to the Rose Adagio's spectacular balances to Act III's celebrated Bluebird pas de deux - offers rich opportunities for dancers to demonstrate technique and artistry, and take star-turns. Ultimately, however, the pivotal brilliance of Beauty rests with Princess Aurora; she must captivate as a teenager, inspire a Prince's love as a vision, and awaken a queen, all while mastering some of the most technically grueling choreography in classical ballet's cannon - a genuine mark of distinction for a great ballerina. The Sleeping Beauty runs for nine performances only, January 31 to February 9, 2014 at Seattle Center's Marion Oliver McCaw Hall, 321 Mercer Street. Tickets may be purchased by calling the PNB Box Office at 206.441.2424, online at pnb.org, or in person at 301 Mercer Street.
The National Historic Landmark Auditorium Theatre of Roosevelt University, led by Executive Director Brett Batterson and Board Chairman Melvin L. Katten, celebrates the milestone 125th Anniversary and announces programming for 2014 - 15 Season.
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