Good news! The Broadway blockbuster WICKED will welcome several new cast members to the Gershwin Theatre next month.
Five moments when Broadway songwriters risked shocking and angering patrons with discomforting truths.
AMERICAN SHOWSTOPPERS - featuring Fred Barton & His Orchestra and starring a cast of today's best Broadway performers - will present "An Evening with Cole Porter" at Pace University's Schimmel Center in New York on Friday, March 4 at 7:30 PM and then Kingsborough Community College's Goldstein Center in Brooklyn on Saturday, March 5 at 8:00 PM. The cast of outstanding Broadway performers includes Beth Leavel (Tony Award winner for The Drowsy Chaperone), Sean McGibbon, Paula Leggett Chase, Damon Kirsche, Karen Murphy and Jesse Luttrell in addition to the Scott Thompson Dancers. The show is produced, orchestrated, conducted and hosted by Fred Barton with direction and choreography by Scott Thompson.
From the cobblestone streets of London and the islands off the Irish coast, to the halls of Harvard and clamor of the second Continental Congress, Artistic Director, Mark Abram-Copenhaver, is proud to announce the 2016 season at the South Bend Civic Theatre.
Nevada Ballet Theatre (NBT) is proud to present A Balanchine Celebrationas the Company's opening performance at The Smith Center for the Performing Arts for its 2015-2016 season. Each piece will be accompanied by a full orchestra featuring members of the Las Vegas Philharmonic, under the direction of guest conductor, Leif Bjaland. Performances will take place tonight, November 7 at 7:30 p.m. and Sunday, November 8 at 2 p.m. with tickets starting at $29. Tickets can be ordered by calling The Smith Center Box Office at (702) 749-2000 or by visiting www.nevadaballet.org.
The Colorado Springs Fine Arts Center (FAC) presents Irving Berlin's White Christmas Dec 10 through Jan 3, 2016. Based on the beloved, timeless film, this heartwarming musical adaptation features seventeen Irving Berlin songs.
In a one-of-a-kind concert created especially for Valley Performing Arts Center (VPAC), the world's most seasoned Gershwin interpreter, Peter Nero, will perform Gershwin's timeless works from Broadway and film on Saturday, November 14 at 8pm. This two-part program will be a special evening dedicated to the work Gershwin composed in Los Angeles after relocating from New York.
Nevada Ballet Theatre (NBT) is proud to present A Balanchine Celebrationas the Company's opening performance at The Smith Center for the Performing Arts for its 2015-2016 season. Each piece will be accompanied by a full orchestra featuring members of the Las Vegas Philharmonic, under the direction of guest conductor, Leif Bjaland. Performances will take place on Saturday, November 7 at 7:30 p.m. and Sunday, November 8 at 2 p.m. with tickets starting at $29. Tickets can be ordered by calling The Smith Center Box Office at (702) 749-2000 or by visiting www.nevadaballet.org.
Tonight, October 9, noted orchestrator and conductor Fred Barton will bring the music of Broadway and the American Songbook to the Schimmel Center at Pace University, in American Showstoppers: An Evening of Johnny Mercer. In his seventh concert at Pace, Fred Barton now brings the power of Mercer's music and lyrics front and center, with a 14-piece orchestra and a cast of 16 Broadway singers and dancers, with direction and choreography by Scott Thompson. The cast is headlined by Damon Kirsch, Tony nominee Lee Roy Reams, two time Tony nominee Vivian Reed, Nick Spangler, Tony Nominee Lauren Worsham, and Tony Award winner Karen Ziemba. The cast also features Jesse Luttrell, Sean McGibbon and Molly Pope.
Musical Theatre Factory (MTF), under the leadership of founding Artistic Director Shakina Nayfack, has announced its fall 2015 season which will support the development of over 15 new shows.
Musical Theatre Factory (MTF), under the leadership of founding Artistic Director Shakina Nayfack, has announced its fall 2015 season which will support the development of over 15 new shows.
On Friday, October 9, noted orchestrator and conductor Fred Barton will bring the music of Broadway and the American Songbook to the Schimmel Center at Pace University, in American Showstoppers: An Evening of Johnny Mercer. In his seventh concert at Pace, Fred Barton now brings the power of Mercer's music and lyrics front and center, with a 14-piece orchestra and a cast of 16 Broadway singers and dancers, with direction and choreography by Scott Thompson. The cast is headlined by Damon Kirsch, Tony nominee Lee Roy Reams, two time Tony nominee Vivian Reed, Nick Spangler, Tony Nominee Lauren Worsham, and Tony Award winner Karen Ziemba. The cast also features Jesse Luttrell, Sean McGibbon and Molly Pope.
Commissioned by the Finborough Theatre, Horniman's Choice brings together four plays by the leading figures of the 'Manchester School' of playwrights - Harold Brighouse, Stanley Houghton and Allan Monkhouse, all originally championed by Annie Horniman, owner of Gaiety Theatre, Manchester, the first regional repertory theatre in Britain. Horniman's Choice runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 27 September 2015 (Press Night: Monday, 28 September 2015 at 7.30pm).
Among them, the company can claim 18 Tony Awards, 4 Pulitzer Prizes, 6 Pulitzer finalist distinctions, 3 Emmy Awards, and 2 Academy Awards; to list all their honors would take several pages.
Due to popular demand and great reviews when it played in San Francisco in March, BREAKING THE CODE - THE ALAN TURING STORY by Hugh Whitemore is coming back for a return engagement for 20 performances only -- tonight, Aug. 5, through Aug. 29, 2015 (Wed. - Sat. - 8:00 pm / Sat. Matinees - 3:00 pm) in this exclusive Theatre Rhinoceros production in San Francisco.
Barbara Walsh and six other actors bring Helen Keller to life in an inventive production that uses her own words.
Two brothers, Earl and Ray, travel to Bernalillo New Mexico upon the mysterious death of their estranged father, Henry. Over a bottle of bourbon and a box of old photographs, they try to reconcile their very different childhood memories. Earl's version of Henry's death doesn't add up; so Ray determines to find the truth. As Ray plays detective we encounter Henry's bizarre collection of friends as the story of his last days is uncovered. Family tensions are blown apart as Ray discovers more than he'd bargained for…
The BroadwayWorld community is nothing if not vocal and yesterday's critical column revealing my top picks for the most important gay musicals of all time inspired many reactions in the feedback, on Facebook and on social media, ranging from 'I LOVE LOVE LOVE COCO' to 'No FUN HOME?' to 'Where's THE FAGGOT?' and far beyond. As with any list such as this, historical perspective is an essential element and a musical such as FUN HOME that has only been on Broadway mere months is obviously too new to truly assess insofar as its historical influence and impact on the overall legacy of gay musicals on Broadway in toto - going as far back as 1969's COCO and covering all the way up to 2013's KINKY BOOTS, as yesterday's list did. So, as a result, we are giving you more of what you asked for and sharing 10 more musicals that have been important to the gay movement, all of which cited in yesterday's column but not included on the actual top ten. What follows are my personal choices, so what are yours? Let us know and perhaps we will even need to do another list to shine a light on even more LGBT touchstones.
The Muny presents Hairspray, winner of the 2003 Tony Award for Best Musical, featuring music by Marc Shaiman & Scott Wittman with a book by Mark O'Donnell & Thomas Meehan. The Muny's production of Hairspray is directed and choreographed by Dan Knechtges and music directed by Charlie Alterman.
While watching THE GOSPEL AT COLONUS, the African-American version of Sophocles' OEDIPUS AT COLONUS as created by Lee Breuer (with music by Bob Telson), I was reminded of the reimagining of the Old Testament by Marc Connelly in the 1930 Pulitzer Prize-winning THE GREEN PASTURES. Like GOSPEL, THE GREEN PASTURES serves up time-honored material by transposing it to a religious setting;. PASTURES relates the Old Testament as envisioned by a young Afro-American boy; thus, Heaven is one big fish fry. When I first saw the 1936 film version (which Connelly, a white man, scripted for Warners' director William Keighley), I found it a special experience -- a wonderful all-black cast was an anomaly for a young viewer in the late 1950's and early i60's; now, with the passage of time (and legislation), I can understand why modern audiences would find it politically incorrect (though that cast is still peopled with some amazing talent). Interestingly, Mr. Breuer eschews following Connelly's suit, and though he utilizes a Black minister and church service to tell his tale, he focuses instead on an ancient Greek tragedy rather than the Old -- or New -- Testament.
Due to popular demand and great reviews when it played in San Francisco in March, BREAKING THE CODE - THE ALAN TURING STORY by Hugh Whitemore is coming back for a return engagement for 20 performances only -- Aug. 5 - 29, 2015 (Wed. - Sat. - 8:00 pm / Sat. Matinees - 3:00 pm) in this exclusive Theatre Rhinoceros production in San Francisco.
The Muny announced today the cast for its production ofHairspray. Winner of the 2003 Tony® Award for Best Musical, it features music by Marc Shaiman & Scott Wittman with a book by Mark O'Donnell & Thomas Meehan. The Muny's production of Hairspray is directed and choreographed by Dan Knechtges and music directed by Charlie Alterman.
Casting for the first two weeks of American Ballet Theatre's 2015 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
Only a brave community theater would take on The House of Bernarda Alba, Federico Garcia Lorca's last play. Written by a closeted gay playwright at the very outset of the Francisco Franco's conservative fascist rule and savagely attacking that era's repression of female freedom, both social and sexual (and by implication other freedoms), it inevitably betrays an air of extreme avant-gardeism. Ibsen and Strindberg and Wedekind may have gone into the same territory, but as of 1936 not too many others. And Lorca drives home his message as if no one had ever conveyed it before - which was more or less true in his time and place.
In two days, boxing hits Barclays Center in Brooklyn, N.Y., for NBC's Saturday, April 11 primetime telecast of Premier Boxing Champions (PBC).
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