Voices 1916 - Articles Page 4

Nakkiah Lui latest offering BLACKIE BLACKIE BROWN: THE TRADITIONAL OWNER OF DEATH is a hilarious superhero story all of Australia needs to see.

Premiere Stages at Kean University has announced the winner of the 2018 Premiere Play Festival, its annual competition for unproduced scripts written by playwrights affiliated with the greater metropolitan area. The theatre has named Linger by Glen Ridge resident Craig Garcia this year's winner, and will present the play's first professional production this summer as part of the theatre's 14th season in residence at Kean University. The season, which runs June-October, will also feature full productions of Brick City by Ridgewood resident Nicole Pandolfo and Black Tom Island by Jersey City resident Martin Casella, as well as a developmental workshop of this year's runner-up for the Premiere Play Festival, Baton by Brooklyn resident Deneen Reynolds-Knott. 

Semyon Bychkov will return to the New York Philharmonic to conduct two weeks of programs, including the 50th anniversary of a Philharmonic commission, artist debuts, and symphonic cornerstones. In the first week, Mr. Bychkov will conduct Mendelssohn's Piano Concerto No. 1, with soloist Bertrand Chamayou in his Philharmonic debut; Shostakovich's Symphony No. 5; and Brahms's Tragic Overture, Thursday, May 17, 2018, at 7:30 p.m.; Friday, May 18 at 8:00 p.m.; Saturday, May 19 at 8:00 p.m.; and Tuesday, May 22 at 7:30 p.m. 

Vangeline Theater, with renowned Japanese composer and musician Yuka C. Honda (Japan) and butoh dancer Vangeline, perform the World Premiere of Elsewhere from May 24 - 26, 2018 at 8 pm at Gibney Dance: Agnes Varis Performing Arts Center, 280 Broadway (Entrance at 53A Chambers Street). Tickets are $15 in advance ($20 at the door) and can be purchased at https://gibneydance.org/performance/pop/vangeline-and-yuka-c-honda-elsewhere/ or by calling (646) 837-6809.

Vangeline Theater, with renowned Japanese composer and musician Yuka C. Honda (Japan) and butoh dancer Vangeline, perform the World Premiere ofElsewhere from May 24 - 26, 2018 at 8 pm at Gibney Dance: Agnes Varis Performing Arts Center, 280 Broadway (Entrance at 53A Chambers Street). Tickets are $15 in advance ($20 at the door) and can be purchased athttps://gibneydance.org/performance/pop/vangeline-and-yuka-c-honda-elsewhere/ or by calling (646) 837-6809.

Vangeline Theater Presents ELSEWHERE 5/24-5/26

Irish Arts Center (IAC) has reached a critical milestone in its plans to build a new permanent home in New York for the evolving arts and culture of contemporary Ireland and Irish America. In the City on the eve of St. Patrick's Day, Ireland's Prime Minister, Leo Varadkar, today announced $2.5 million in support for the New Irish Arts Center, bringing Irish government funding for the facility to $8.3 million and the Center's Almost Home capital campaign over the $60 million mark (to $60.5 million). The New Irish Arts Center comprises two buildings: a state-of-the-art new facility that will be constructed at 726 11th Avenue, and a renovation of the Center's intimate current home, adjoining the new building, at 553 West 51st Street. Phase I of construction, the new building on 11th Avenue, is now completely funded and ready to begin. IAC continues to raise an additional $15 million for the second phase of the project—transformation of the 51st Street venue—and to create a long-term programming fund and endowment, securing the future of the organization. 

Today the Lyric Hammersmith announces their 2018 Season comprising a new adaptation, an innovative Shakespeare staging, a major festival production, a stunning revival, an award-winning contemporary opera and a brand new dance production

The Drama League today announced the 2017-2018 Board of Directors Executive Committee. Longtime board members assuming new leadership roles are Stan Ponte, named President, along with Bonnie Comley, 1st Vice President, Kathy Henderson, 2nd Vice President, Susan Lang, 3rd Vice President, Anna May Feige, Secretary and Ken Wirth, Treasurer.

The 2017 International Centre for Women Playwrights (ICWP) 50/50 Applause Awards celebrates gender parity for women playwrights at 58 theatres throughout The United States, Canada, Australia, Germany, United Kingdom, Singapore, and Tasmania.

The Drama League opened its applications to the public for the 2017 Artist Residency Programs, which support theatre directors to develop new plays, musicals, performance pieces, hybrid works, and devised theatre projects.

A performance by Early Music New York (EM/NY) is an aural depiction of a time and place seemingly far removed from the present day, though arguably as near as the mind's ear.

In 1916, no one knew the booming town of Treadwell-home to the largest gold mine in the world-was on the brink of its ultimate destruction. In one momentous year, as infrastructure crumbles, fires rage, and war looms, young engineer George Barnett arrives in the territory of Alaska with "guts and genius," not expecting to fall in love or carry the safety of the miners and the town on his shoulders. Treadwell Gold is written by Rachel Atkins and inspired by the book of historical nonfiction by Sheila Kelly. The play is based on real people and events. Treadwell Gold takes us to a time when science and engineering were looked to with faith that progress was always an option and engineering could always make our lives better. Treadwell Gold runs in limited engagement at Perseverance Theatre, June 22 - July 3.

JAPAN CUTS, North America's premiere showcase for new Japanese cinema, returns for its 11th installment July 13-23 to serve up a slice of the best and boldest films from Japan never before seen in NYC with special guest filmmakers and stars, post-screening Q&As, parties and more. Boasting a thrilling slate of epic blockbusters, shoestring independents, radical documentaries, mind-bending avant-garde, newly-restored classics and breathtaking animation, Japan Society's renowned summer film festival promises a bounty of cinematic discoveries for film fans and pop culture enthusiasts alike.

In 1916, no one knew the booming town of Treadwell-home to the largest gold mine in the world-was on the brink of its ultimate destruction. In one momentous year, as infrastructure crumbles, fires rage, and war looms, young engineer George Barnett arrives in the territory of Alaska with "guts and genius," not expecting to fall in love or carry the safety of the miners and the town on his shoulders. Treadwell Gold is written by Rachel Atkins and inspired by the book of historical nonfiction by Sheila Kelly. The play is based on real people and events. Treadwell Gold takes us to a time when science and engineering were looked to with faith that progress was always an option and engineering could always make our lives better. Treadwell Gold runs in limited engagement at Perseverance Theatre, June 22 - July 3.

This Spring, during the centenary of the First World War, composer Verity Standen creates a new immersive, choral experience at three sites of historic significance in the stories of conscientious objection.

Hailed as “one of the great amateur choruses of our time (New York Today) for its “full-bodied sound and suppleness (The New York Times),” The Dessoff Choirs completes its 92nd season with an unforgettable concert dedicated to utopian visions.

Scottsdale Center for the Performing Arts has announced its lineup for March events. See the full schedule below!

Directed by Aimee Todoroff and Tonya Pinkins and now in performances at the Gloria Maddox Theatre, Visionary Voices begins with Susan Glaspell's Trifles, followed by Marita Bonner's Exit: An Illusion and ending with Glaspell's The People - three wonderful plays that are more engaging and poignant in their single acts than many full length shows ever have the opportunity of being. All three plays take place at or near the start of the twentieth century, craftily combining themes as relevant today as they were then - collaborating with suspenseful plots, troubled characters and questionable motives that, when put together, show just how clever Todoroff and Pinkins are. In both the structure of this show as a whole and the effect it has on the audience, the truth here is that Visionary Voices is more than a statement - it is definitely a production worth your time.

American Bard Theater Company presents Visionary Voices, three poignant, tantalizing plays by two pioneering women playwrights, exploring gender roles, race, and death in America's early twentieth century.

American Bard Theater Company presents Visionary Voices, three poignant, tantalizing plays by two pioneering women playwrights, exploring gender roles, race, and death in America's early twentieth century. Aimee Todoroff and Tonya Pinkins direct. The evening of one-act works include Trifles by Susan Glaspell (1916), Exit: An Illusion by Marita Bonner (1929), and The People by Susan Glaspell (1918). Performances will be staged at the Gloria Maddox Theatre, 151 West 26th Street, 7th Floor, New York, NY 10001 from February 15-March 5, 2017.

American Bard Theater Company presents Visionary Voices, three poignant, tantalizing plays by two pioneering women playwrights, exploring gender roles, race, and death in America's early twentieth century.

Hailed as "one of the great amateur choruses of our time (New York Today) for its "full-bodied sound and suppleness (The New York Times)," The Dessoff Choirs turns the church into a petit Paris with an all-French program that puts the spotlight on the brilliant French Impressionists of music: Marcel Dupre, Claude Debussy, Lili Boulanger, Reynaldo Hahn, Jean Langlais, and Francis Poulenc. Joined by accompanist Steven Ryan (celebrating his 20th anniversary season with Dessoff) and Dr. Raymond Nagem, Associate Organist at the Cathedral of St John the Divine, Dessoff presents a magnifique tribute to French composers and to the majeste of the organ. 

The Public Theater presents the 13th annual UNDER THE RADAR FESTIVAL, running today, January 4, through January 15, 2017.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) begins performances for the 13th annual UNDER THE RADAR FESTIVAL on Wednesday, January 4.