by BWW News Desk - Jan 1, 2001
The Muny announced today the directors, choreographers and music directors for the Muny's 2016 Season, which opens on June 13 with The Wizard of Oz.
by Anna Bencivengo - Jan 1, 2001
After breaking box office records in 2012, WICKED, Broadway's biggest blockbuster, will return to Seattle's Paramount Theatre from July 8 – August 2. Tickets for the return engagement go on sale Monday, April 13th at 10am and will be available on-line at stgpresents.org and tickets.com, by calling 877-STG-4TIX (784-4849) or in person at select Ticketmaster locations and at The Paramount Theatre Box Office (Monday through Friday, 10am to 6pm).
by Pat Cerasaro - Jan 1, 2001
Spotify. Apple Music. Amazon Prime Music. Pandora. YouTube. The world of music has changed considerably over the course of the last century, let alone in just this century so far. With the millennium kicking off with the height of Napster and internet music leading headstrong into the MP3 era eventually dominated by Apple with the iPod and eventually the iPhone, iPad, iWatch and far beyond. Yet, what has altered even more than the most popular methods utilized by record companies of all different shapes and sizes in releasing music to the world is how we actually receive that music. And, more importantly how - and if - we pay for it. Indeed, the prime target of attention and equal parts appreciation and condemnation in the music industry now is the advent and increasing awareness afforded to streaming music services. Whereas iTunes or Amazon allows users to purchase music by the track or by the album, often with a 30-second preview or even a free track or bonus track incentive provided to the purchaser, streaming services are much less structured and offer a preponderance of product - often over millions of tracks available to listen to for free. Of course, free listeners are inundated with advertisements littered across the pages of the sites and occasional commercial interruptions may crop up in their listening, but for a small fee - many as less as $9.99 - users may even avoid the advertisements and commercials in order to enjoy an even more serene listening experience, all for a fraction of the cost of purchasing an entire music library. Frankly, a monthly subscription to most music services costs even less than purchasing a single digital album by many of the most popular artists - or, for that matter the most popular Broadway recordings. So, how does the streaming music service revolution effect the boutique musical theatre recording industry? Over the last several months, I have sought to find out the answer to that precise question by speaking to many of the most important and influential individuals in the field about precisely that.
by BWW Special Coverage - Jan 1, 2001
As the summer days near, BroadwayWorld rounded up our worldwide community - from China to South Africa, California and beyond! - to bring you our top picks for the best of summer theater in each of our main markets! Looking for the best of the summer venue and production offerings in your area? Let's hear from a sampling of the BroadwayWorld experts!
by BWW News Desk - Jan 1, 2001
Prospect Theater Company has announced that its 2015 annual gala, a Concert Evening Celebrating Women Making Musicals, will be hosted by company alum Nehal Joshi (Broadway's LES MISERABLES, THREEPENNY OPERA), a Drama Desk Award Winner for Prospect's 2012 production of Working. 
by BWW News Desk - Jan 1, 2001
by - Jan 1, 2000
For generations, musical theatre writers have come to New York City to change the world. "Once Upon A Time In New York City" is a concert series about the people who have changed THEM. After a sold-out first edition, the series returned to Joe's Pub yesterday, February 3, and you can check out highlights below!
by Stage Tube - Jan 1, 2000
Apartment 40C, a new musical conceived, written and workshopped at London Theatre Workshop, will get its world premiere at the new bijou theatre above the Eel Brook in Fulham in a season running from Wednesday 3 December to Saturday 20 December.
by Jennifer Broski - Jan 1, 2000