In February 2001, Cook returned to Carnegie Hall to perform Barbara Cook Sings Mostly Sondheim which was recorded live and released on CD.[35] Critically acclaimed from the start, Cook then took the concert to the West End Lyric Theatre in 2001. She garnered two Olivier Award nominations for Best Entertainment and Best Actress in a Musical for the concert. She went on to perform Sings Mostly Sondheim at Lincoln Center for a sold-out fourteen week run from December 2001 to January 2002, and again in June 2002 to August 2002. She was nominated for a Tony Award for Best Theatrical Event.
Michael Cerveris, Isaiah Johnson, Randy Newman, Laura Osnes, Vonda Shepard, Brooklyn Shuck, Tony Vincent and Broadway Inspirational Voices have been cast in Randy Newman's Faust: The Concert, which will be performed on July 1 as the second Encores! Off-Center presentation of the 2014 season. Faust will be directed by Thomas Kail and choreographed by Marcos Santana. Jeanine Tesori is the Encores! Off-Center artistic director; Chris Fenwick is its music director.
Today we continue the 2014 edition of our annual BroadwayWorld feature series spotlighting the very best Tony Awards-related moments of all time with a special focus on one of the biggest battles for Best Musical with THE PHANTOM OF THE OPERA versus INTO THE WOODS.
The schedule for this summer's Lincoln Center Out of Doors festival, which runs from July 20 to August 10, was announced today by Bill Bragin, Lincoln Center's Director of Public Programming. Nearly 100 free performances will take place across the plazas of Lincoln Center during three weeks. A special Memorial Concert for Pete and Toshi Seeger on July 20 will be followed by the official opening concert on July 23 with Larry Harlow's Hommy: A Latin Opera, the landmark work's first performance in 40 years. Complete festival details and a chronological listing of events follow.
Alley Theatre presents the world premiere of a new comedy by Theresa Rebeck, Fool. In Rebeck's new comedy, two kings get together and place a wager on their fools - a jester competition, and the funniest one gets to keep his head. Two evil minions have a lot to say about this, but not as much as the kitchen wench. And what's the queen been up to all night? A dramatical comical farcical tragical play about power, love and laughter, set in a medieval kitchen. Adult Language, Adult Situations, Beheadings.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the world premiere of a new comedy by Theresa Rebeck, Fool. In Rebeck's new comedy, two kings get together and place a wager on their fools - a jester competition, and the funniest one gets to keep his head. Two evil minions have a lot to say about this, but not as much as the kitchen wench. And what's the queen been up to all night? A dramatical comical farcical tragical play about power, love and laughter, set in a medieval kitchen. Adult Language, Adult Situations, Beheadings.
Today we are talking a phenomenally talented performer known for his decades treading the boards in a number of featured and lead roles, most recently wowing crowds with his turn as one of the title characters in THE GERSHWINS' PORGY & BESS - the engaging and golden-voiced Norm Lewis. Discussing many of his most celebrated roles as well as some more obscure, Lewis paints a vivid picture of his career trajectory thus far and shares compelling and candid stories of working on productions as varied and diverse as the original Broadway versions of THE WHO'S TOMMY, SIDE SHOW, THE WILD PARTY, AMOUR, THE LITTLE MERMAID and SONDHEIM ON SONDHEIM as well as his sensational work regionally in projects such as his recent essaying of Javert in LES MISERABLES at The Muny (to say nothing of the 25th Anniversary live at the 02) as well as turns in SWEENEY TODD and THE WIZARD & I: THE MUSIC OF STEPHEN SCHWARTZ among many others. Additionally, Lewis sheds some light on his recent onscreen work, clueing us in on how he became involved with hit nighttime soap SCANDAL and how he enjoyeds working with co-stars Kerry Washington and Tony Goldwyn on it - and if we will possibly see him in Season Three, perhaps. Plus, Lewis opens up about his upcoming solo gigs and performing plans - including first news on his starring part in the upcoming Public Theater musical version of THE TEMPEST - as well as touches upon a host of topics ranging from his appearances at spectacular special events - DREAMGIRLS: IN CONCERT, HAIR: IN CONCERT, TWO GENTLEMEN OF VERONA in the Park - to his appearance in SEX & THE CITY 2 (opposite Liza Minnelli) to recording studio work, dream projects, future goals, favorite workshop/reading experiences and much, much more!
Now in its 15th season, Lincoln Center's acclaimed series American Songbook celebrates the best in American singing and songwriting with a new chapter in the Songbook story: 'American Songbook in the Penthouse,' a series of weekend-only performances by performers and composers presented in the Stanley H. Kaplan Penthouse, an intimate yet elegant venue that brings artists closer to the audience in a cabaret-style setting. The second weekend of Kaplan Penthouse performances, the sixth week of American Songbook 2013, runs April 5-6, 2013. April 5th belongs to Cristin Milioti, who was nominated for a Tony Award in 2012 for her lead role in the musical Once.
Now in its 15th season, Lincoln Center's acclaimed series American Songbook celebrates the best in American singing and songwriting with a new chapter in the Songbook story: 'American Songbook in the Penthouse,' a series of weekend-only performances by performers and composers presented in the Stanley H. Kaplan Penthouse, an intimate yet elegant venue that brings artists closer to the audience in a cabaret-style setting. The second weekend of Kaplan Penthouse performances, the sixth week of American Songbook 2013, runs April 5-6, 2013. April 5th belongs to Cristin Milioti, who was nominated for a Tony Award in 2012 for her lead role in the musical Once.
New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Ades (b.1971) to a libretto by Philip Hensher (b. 1965).
Below, BroadwayWorld tributes the men behind the mask- the many who have taken on the title role at the Majestic Theatre since it opened in 1988. Check it out below!
New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Adès (b.1971) to a libretto by Philip Hensher (b. 1965).
Today we are talking to a breakout Broadway star who has made a name for himself with memorable turns in this century's revivals of Rodgers & Hammerstein's FLOWER DRUM SONG, Stephen Sondheim's PACIFIC OVERTURES and Stephen Schwartz's GODSPELL on Broadway as well as turns in Schwartz's WICKED and Jonathan Larson's RENT in addition to his lauded work on the brand new Broadway-bound tuner ALLEGIANCE, co-starring Lea Salonga and George Takei - and, of course, his easily identifiable uniform-outfitted Warbler on Fox's hit musical dramedy series GLEE - the passionate and gifted Telly Leung! Besides taking a look back at many of his best-loved and most well-remembered roles to date, in this career-spanning conversation Leung and I also dissect the finer points of his new solo album, I'LL COVER YOU, as we look ahead to the splashy release party on December 2 at 54 Below, and he outlines his initial inspiration for the creation of it and recounts the recording process for the unique genre-crossing release. Plus, Leung generously shares some truly thrilling backstage stories involving luminaries such as Stephen Sondheim, Stephen Schwartz, Neil Patrick Harris and more as well as shares his infectious enthusiasm for future endeavors, near and far - after a well-earned vacation in January, that is. All of that and much, much more awaits!
The 2013 Lincoln Center American Songbook series has just been announced via the New York Times.
This month, a modest production of this powerful but modest show is running on the weekends at Stage 773 in Lakeview, brought to us by a new production company, Another Production Company. The company was founded by Raymond K. Cleveland and Toma Tavares Langston, two men who cut their theatrical teeth in Chicago companies like Theo Ubique Cabaret Theatre, and who serve as co-producers and co-directors for "The Last Five Years." And the show is in The Cab, the smallest of 773's performance spaces, running through October 5, 2012.
When Stephen Sondheim and James Lapine's moralistic take on traditional European fairy tales, mostly penned by The Brothers Grimm, last hit town in a major production, it was April of 2002. The city was still very much rattled by the events of the past September, but a positive spirit was growing from our observances of acts of heroism surrounding us.
Today we are continuing the 2012 Tony Awards Clip Countdown with another pairing sure to instigate ample amounts of approbation and opprobrium - now, just as it did twenty-five years ago - the famous Tony Awards battle of THE PHANTOM OF THE OPERA versus INTO THE WOODS.
The Old Globe's 2012-13 Season will feature the World Premieres of two new musicals: Allegiance - A New American Musical by Jay Kuo and Lorenzo Thione and A Gentleman's Guide to Love and Murder by Robert L. Freedman and Steven Lutvak. The season also includes George Bernard Shaw's Pygmalion in celebration of the classic play's 100th anniversary and the World Premiere of a new adaptation of Henrik Ibsen's A Doll's House by Anne-Charlotte Hanes Harvey and Kirsten Brandt. Two recent Broadway hits will make their San Diego debuts at the Globe: David Lindsay-Abaire's Good People and Jon Robin Baitz's Other Desert Cities. Rounding out the season are the West Coast Premiere of Bekah Brunstetter's Be a Good Little Widow and the Southern California Premiere of Tarell Alvin McCraney's The Brothers Size.
Noted performer and music historian, Benjamin Sears has an unprecedented familiarity with both Irving Berlin's work and the writings about him, much of which he has brought together in the new, The Irving Berlin Reader, part of the Readers on American Music Series from Oxford University Press, available in stores on April 6, 2012.
On Friday, I had the enviable privilege of talking to ROCK OF AGES Tony Award nominee and AMERICAN IDOL star Constantine Maroulis all about the new musical he is starring in at the Alley Theater in Houston as it eyes Broadway, THE TOXIC AVENGER. In addition to discussing all aspects of the science fiction-themed musical spoof and its creators, David Bryan and Joe DiPietro - of MEMPHIS fame - Maroulis and I also take a look back at his career onstage thus far and his essaying of roles in RENT, JESUS CHRIST SUPERSTAR, THE WEDDING SINGER and JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS and ROCK OF AGES, as well as what we can expect from him in the future, near and far. Additionally, he shares his reflections on appearing on AMERICAN IDOL Season 4 and being mentored by fellow InDepth InterView participant Simon Cowell, as well as the immense impact that that entertainment entity, along with GLEE, has had on a whole new generation of theatregoers in the 21st century. Plus, Constantine clues us in to the exciting expansions that have been made to ROCK OF AGES for the forthcoming feature film version that he makes an appearance in, directed by HAIRSPRAY's Adam Shankman, and also shares his experiences recording the ASTEP benefit album A NEW YORK CITY CHRISTMAS, his new role as a dad and much, much more!
The Old Globe will open its 2012-13 Winter Season with the World Premiere of Allegiance - A New American Musical. Created by Jay Kuo and Lorenzo Thione with music and lyrics by Kuo, the original musical tells the story of a Japanese American family forced into an internment camp during World War II.
The Old Globe will open its 2012-13 Winter Season with the World Premiere of Allegiance - A New American Musical. Created by Jay Kuo and Lorenzo Thione with music and lyrics by Kuo, the original musical tells the story of a Japanese American family forced into an internment camp during World War II. Directed by Stafford Arima (Carrie, Altar Boyz, West End premiere of Ragtime), the production features musical direction and arrangements by Lynne Shankel (Cry-Baby, Company) and choreography by Christopher Gattelli (Newsies, Godspell, South Pacific). Tony Award-winning actress Lea Salonga (Miss Saigon, Les Miserables), television and film icon George Takei ("Star Trek," "Heroes") and Telly Leung (Godspell, Rent) will star.
He's a new dad but an old hand at Broadway ensemble work as well as principal roles on other stages.
Modern-day master of musical theatre Stephen Sondheim is about to release the second book of his complete collected lyrics - covering mostly everything written in the last three decades and in this one so far - titled after a line from what may very well be his ultimate masterpiece, the Pulitzer Prize-winning SUNDAY IN THE PARK WITH GEORGE - LOOK, I MADE A HAT; Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. So, today, we are going to be taking a look at a litany of the finest moments from Sondheim's post-SWEENEY TODD musicals that are highlighted in LOOK, I MADE A HAT and perhaps discover a few of the many reasons why Sondheim's musicals - whether late-period or early on- are the best of the best Broadway has to offer - now or ever. And, what an absolutely mind-blowing list it is - and what a masterpiece of a book!
Cover charges vary by performer. Most shows range from $15 to $35, with some exceptions. Each show's cover charge is listed in the show information on the calendar page. Feel free to call the Metropolitan Room with any questions regarding cover charges.
Cover charges vary by performer. Most shows range from $15 to $35, with some exceptions. Each show's cover charge is listed in the show information on the calendar page. Feel free to call the Metropolitan Room with any questions regarding cover charges.
| 2002 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2002 | Drama Desk Awards | Outstanding Solo Performance | Barbara Cook |
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