Can-Can Revival 1988 - Articles Page 33

The newly reworked and fully re-imagined production of Carrie The Musical had its first preview last night at the Lucille Lortel Theatre. As part of the show's makeover, the show's original songwriters, Michael Gore and Dean Pitchford have written some new tunes, and scrapped some of the old. From the looks of it, it seems audiences can expect as much of a new score by almost half!

The Maxwell C. King Center for the Performing Arts opened its doors in 1988. Since that time, it has had a profound impact on the cultural and artistic landscape of Brevard County and Central Florida. The need for a performing arts center in Brevard County had been apparent for many years. Periodically, task forces were formed to try to garner the necessary funds, but each time the costs were deemed prohibitive and the idea was abandoned.

The Maxwell C. King Center for the Performing Arts opened its doors in 1988. Since that time, it has had a profound impact on the cultural and artistic landscape of Brevard County and Central Florida.

Criminals can run. But they can no longer hide as John Walsh's pioneering series, America's Most Wanted, television's top crime-fighting show, will return with all-new episodes for its 25th season on Friday, December 2, at 9:00pm ET/PT on Lifetime.

The Tony Award-winning Signature Theatre has announced that national radio host Robert Aubry Davis (WETA's 'Around Town' and Sirius/XM Radio) will be making his stage debut, playing the iconic role of Edna in its upcoming production of the celebrated musical Hairspray. Directed by Signature Artistic Director Eric Schaeffer, Hairspray will run from November 21st through January 29th. Based on the 1988 cult film directed by John Waters, Hairspray features music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, and a book by Mark O'Donnell and Thomas Meehan. The musical, which played on Broadway for 6 ½ years, took home eight 2003 Tony Awards, including 'Best Musical.'

The Broadway smash musical adaptation of John Waters' 1988 film, "Hairspray," has settled in for a four-week run at Seattle Musical Theatre. With book by Mark O'Donnell and legendary comedy writer Thomas Meehan and music and lyrics by Marc Shaiman and Scott Wittman, it has all the ingredients to be a toe-tapping, finger-snapping success.

Today, the UN Foundation's Nothing But Nets-a global, grassroots campaign to fight malaria in Africa-announced that Disney's The Lion King and the Nederlander Organization are joining the campaign as its newest partners in the movement to end malaria. The organizations will work together to raise awareness among millions of Broadway fans about how they can help stop malaria, a disease spread by a single mosquito bite that kills a child every 45 seconds in Africa.

Criminals can run. But they can no longer hide as John Walsh's pioneering series, America's Most Wanted, television's top crime-fighting show, will return with all-new episodes for its 25th season on Friday, December 2, at 9:00pm ET/PT on Lifetime.

Like it or not, Jane Fonda, as political activist, helped stop the Viet Nam War. Whether she thwarted our winning is of a lesser priority than her goal to stop the killing. Many vets remain purists and hate the fact that her intervention that led to her nickname 'Hanoi Jane' made them look bad, when they were there to fight and believed in what they had been trained to do. Before Fonda and Robert DeNiro were to start filming Stanley and Iris in Connecticut in 1988, 13 years after the war ended, a contingent of veterans opposed her working there, and in true renegade spirit Fonda met with them for what turned out to be an embittered discussion at an Episcopal Church in Waterbury on June 18 of that year. With fictional dialogue by Terry Jastrow and backed by actual screen footage of Fonda and news coverage of the period, Jastrow's play Jane Fonda in the Court of Public Opinion becomes riveting drama at the Edgemar Center for the Arts. Riveting due to tight direction from Terry Jastrow, his script that presents both sides of the argument evenly... and a dynamite ensemble of actors led by Anne Archer as Fonda.

Dan Elish, co-book writer of Jason Robert Brown's Broadway musical 13, today announced the re-release of his children's fantasy novel, The Worldwide Dessert Contest (originally published in 1988 by Orchard) as an e-book complete with a dozen original musical theater songs written to compliment the story included right in the text!

In honor of this Sunday's once-in-a-lifetime worldwide live movie theater showing of the 25th anniversary celebration of Andrew Lloyd Webber's PHANTOM OF THE OPERA by Fathom - the same company who recently brought us LES MISERABLES, Stephen Sondheim's COMPANY, and Shakespeare's Globe Series, among others - today we are going to take a look at many of the various aspects of the world's most successful entertainment as it swings like a wonton chandelier into cinemas worldwide direct from the Royal Albert Hall for the next two weeks. By going back and revisiting the hallowed origins of the haunting operatic musical - Hal Prince, Michael Crawford and Sarah Brightman included - as well as a look at the various iterations of the show since its inception - such as the 2004 film version, PHANTOM VEGAS and the musical sequel, LOVE NEVER DIES - perhaps we, too, can bring back the music and memories and magical moments of so many years ago - 25 to be exact - with this special spotlight of illumination on all aspects of what makes PHANTOM a sensation, now and forever.

The Maxwell C. King Center for the Performing Arts opened its doors in 1988. Since that time, it has had a profound impact on the cultural and artistic landscape of Brevard County and Central Florida. The need for a performing arts center in Brevard County had been apparent for many years. Periodically, task forces were formed to try to garner the necessary funds, but each time the costs were deemed prohibitive and the idea was abandoned.

The Maxwell C. King Center for the Performing Arts opened its doors in 1988. Since that time, it has had a profound impact on the cultural and artistic landscape of Brevard County and Central Florida.

Today we are kicking off Broadway World's multi-part series of interviews with the stars of the 2011 Kennedy Center produced and Eric Schaeffer directed production of Stephen Sondheim & James Goldman's seminal showbiz musical, FOLLIES, currently in previews on Broadway at the Marquis Theater. Suave leading man Ron Raines sheds light on the central, pivotal role of Benjamin Stone and how he sees the character - in his youth, in his marriage, in the present and, also, in the future, post-Loveland and, even post-FOLLIES - as well as illuminates his interactions with the colorful array of stars he shares the stage with eight nights a week - chief among them: Bernadette Peters, Elaine Paige and Jan Maxwell! Additionally, we discuss what has changed in the transfer from Washington, D.C. to NYC, as well as examine the underlying message and story told in Ben's stunning musical triptych of 'The Road You Didn't Take', 'Too Many Mornings' and 'Live, Laugh, Love'. As if all that were not enough, Raines and I cast a glance back at his previous stage and screen work and discuss his solo albums, upcoming concert appearances and much, much more! Plus, first news of his essaying of the title role in SWEENEY TODD with Karen Ziemba in St. Louis next summer, directed by the helmer of the original Christopher Bond play that inspired Sondheim to compose the musical adaptation in the first place back in 1969.

The Tony Award-winning Signature Theatre has announced that national radio host Robert Aubry Davis (WETA's 'Around Town' and Sirius/XM Radio) will be making his stage debut, playing the iconic role of Edna in its upcoming production of the celebrated musical Hairspray. Directed by Signature Artistic Director Eric Schaeffer, Hairspray will run from November 21st through January 29th. Based on the 1988 cult film directed by John Waters, Hairspray features music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, and a book by Mark O'Donnell and Thomas Meehan. The musical, which played on Broadway for 6 ½ years, took home eight 2003 Tony Awards, including 'Best Musical.'

After thousands of auditions by some of the strongest dancers ever, the judges of SO YOU THINK YOU CAN DANCE tonight announced the 20 finalists who will compete to be named America's Favorite Dancer.

An actor's actor Gary Cole, who made a big splash as Dr. Jeffrey MacDonald in TV's Mow Fatal Vision in 1984 and has never stopped working since, will soon open at the Geffen in Tracy Letts' new play Superior Donuts. Whether it be drama like In the Line of Fire on screen, the TV series Midnight Caller (1988-91) or Letts' August Osage County on stage, or comedy as in the theatrical film The Brady Bunch, Cole is comfortable in every medium and makes the work look easy. Usually cast as a psycho or abusive husband, in Donuts he plays the aging Chicago shop owner, a role which brings him closer to his roots there. He was an original member of the Steppenwolf Theatre, along with John Malkovich, Laurie Metcalf and Gary Sinise. In our chat, Cole talks about the play, his favorite roles and the process of acting.

Writer Roberto Aguirre-Sacasa has been brought on board to rework two new projects: CARRIE - no, not the 1988 legendary flop musical, but a film remake under Screen Gems that's intended to stick more closely to the novel; he's also set to take on GLEE as a writer and co-producer.

The Pollard Theatre presents the Broadway hit musical Dirty Rotten Scoundrels, based on the popular 1988 film. The production will close on May 8, 2011.

Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.

Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.

The Boston College Theatre Department and Robsham Theater Arts Center will present the hit musical Dirty Rotten Scoundrels April 27 - May 1, 2011 on the Robsham Main Stage. Adapted from the 1988 feature film comedy starring Steve Martin and Michael Caine, the musical, with music and lyrics by David Yazbek (The Full Monty) and a book by Jeffrey Lane, tells the story of two con artists battling head-to-head in an effort to swindle an heiress out of her riches.

The Boston College Theatre Department and Robsham Theater Arts Center will present the hit musical Dirty Rotten Scoundrels April 27 - May 1, 2011 on the Robsham Main Stage. Adapted from the 1988 feature film comedy starring Steve Martin and Michael Caine, the musical, with music and lyrics by David Yazbek (The Full Monty) and a book by Jeffrey Lane, tells the story of two con artists battling head-to-head in an effort to swindle an heiress out of her riches.

The Maxwell C. King Center for the Performing Arts opened its doors in 1988.

The Boston College Theatre Department and Robsham Theater Arts Center will present the hit musical Dirty Rotten Scoundrels April 27 - May 1, 2011 on the Robsham Main Stage. Adapted from the 1988 feature film comedy starring Steve Martin and Michael Caine, the musical, with music and lyrics by David Yazbek (The Full Monty) and a book by Jeffrey Lane, tells the story of two con artists battling head-to-head in an effort to swindle an heiress out of her riches.