Can-Can Revival 00/00/0000 - Articles Page 29

But there are deeper and more troubling dimensions to Norman: an irritability that hints of the total dessication of soul, a wildness that mingles a strong self-defeating quality with a degree of menace. You can never tell what Norman will do next, which makes him fascinating to watch.

Perhaps not content with merely being the best comic actress on the New York stage, Jan Maxwell follows her hilarious turns in last season's revivals of The Royal Family and Lend Me A Tenor by refreshing her dramatic chops a with a riveting, edge of your seat performance in John Doyle's senses-tingling production of Arthur Kopit's 1978 drama, Wings.

70's nostalgia is no slouch market. But I couldn't help feeling like Platinum (the newly revised 1978 musical) at the Fringe didn't really capitalize on that.

Heaven Can Wait by Harry Segall runs April 16 - May 30, 2010 with performances: Fridays & Saturdays at 8 p.m. and Sundays at 3 p.m. Heaven Can Wait' is produced by special arrangement with Dramatists Play Service, Inc.

Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of Le Grand Macabre, the absurdist opera by György Ligeti, in a staged production directed and designed by Douglas Fitch and produced by Edouard Getaz, Thursday, May 27, 2010, at 7:30 p.m., and Friday, May 28, and Saturday, May 29, at 8:00 p.m. Single tickets for the performances are $31 to $112 and can be purchased online at nyphil.org or by calling (212) 875-5656, Tickets may also be purchased at the Avery Fisher Hall Box Office or the Alice Tully Hall Box Office at Lincoln Center, Broadway at 65th Street. On Tuesday, May 11 at 6:30 PM Alan Gilbert and Douglas Fitch will participate in an Insights Series Event, Conversation About Le Grand Macabre, at the Stanley H. Kaplan Penthouse. Tickets are $20.

Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of Le Grand Macabre, the absurdist opera by György Ligeti, in a staged production directed and designed by Douglas Fitch and produced by Edouard Getaz, Thursday, May 27, 2010, at 7:30 p.m., and Friday, May 28, and Saturday, May 29, at 8:00 p.m. Single tickets for the performances are $31 to $112 and can be purchased online at nyphil.org or by calling (212) 875-5656, Tickets may also be purchased at the Avery Fisher Hall Box Office or the Alice Tully Hall Box Office at Lincoln Center, Broadway at 65th Street. On Tuesday, May 11 at 6:30 PM Alan Gilbert and Douglas Fitch will participate in an Insights Series Event, Conversation About Le Grand Macabre, at the Stanley H. Kaplan Penthouse. Tickets are $20.

As an annual gift to the city, Symphony Space has been presenting its signature music marathons since it opened in 1978. This year Symphony Space's Associate Artistic Director Laura Kaminsky curates a program that includes world and U.S. premieres along with rare works by world-renowned and emerging composers alike from the Soviet Union and Communist-era Eastern Europe.

Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of Le Grand Macabre, the absurdist opera by György Ligeti, in a staged production directed and designed by Douglas Fitch and produced by Edouard Getaz, Thursday, May 27, 2010, at 7:30 p.m., and Friday, May 28, and Saturday, May 29, at 8:00 p.m. Single tickets for the performances are $31 to $112 and can be purchased online at nyphil.org or by calling (212) 875-5656, Tickets may also be purchased at the Avery Fisher Hall Box Office or the Alice Tully Hall Box Office at Lincoln Center, Broadway at 65th Street. On Tuesday, May 11 at 6:30 PM Alan Gilbert and Douglas Fitch will participate in an Insights Series Event, Conversation About Le Grand Macabre, at the Stanley H. Kaplan Penthouse. Tickets are $20.

As an annual gift to the city, Symphony Space has been presenting its signature music marathons since it opened in 1978. This year Symphony Space's Associate Artistic Director Laura Kaminsky curates a program that includes world and U.S. premieres along with rare works by world-renowned and emerging composers alike from the Soviet Union and Communist-era Eastern Europe.

Heaven Can Wait by Harry Segall runs April 16 - May 30, 2010 with performances: Fridays & Saturdays at 8 p.m. and Sundays at 3 p.m. Heaven Can Wait' is produced by special arrangement with Dramatists Play Service, Inc.

Heaven Can Wait by Harry Segall runs April 16 - May 30, 2010 with performances: Fridays & Saturdays at 8 p.m. and Sundays at 3 p.m. Heaven Can Wait' is produced by special arrangement with Dramatists Play Service, Inc.

Heaven Can Wait by Harry Segall runs April 16 - May 30, 2010 with performances: Fridays & Saturdays at 8 p.m. and Sundays at 3 p.m. Heaven Can Wait' is produced by special arrangement with Dramatists Play Service, Inc.

In 1978, Thomas Babe's A Prayer for My Daughter impacted audiences who were living through the post-Vietnam syndrome. Casual use of drugs, crime and police brutality were rampant. We were in a state of moral decay. In retrospect, it has all gotten progressively worse. So, the intense drama is like holding a mirror up to nature as it'were in 2010, and Crown City Theatre has a surefire audience grabber.

If you're going to open your play with the two main characters discussing their preference of either muffins or coffee cake with their morning brew, your dialogue had better be sparkling. It's not. In fact the biggest problem with Michael Jacobs' Impressionism is that its main characters can't seem to express themselves as cleverly as the author seems to believe they are. Pseudo-sophisticated urban shorthand abounds in this ninety minute pounding into the brain of the notion that, like an impressionist painting, life is so much clearer when observed from a distance.

Lovely Katherine Hopkins Nicholas performed her nostalgic solo evening @ Sterling's Upstairs @ Vitello's on Sunday, September 20 to exciting audience acclaim. What a memorable and exhilarating walk down memory lane with this singular beauty who sings, taps and entertains as well as she did in 1978! It was '78 when Mrs. Nicholas, married to the late great dancing MGM star Fayard Nicholas of The Nicholas Brothers fame, costarred with Ann Miller and Mickey Rooney in Sugar Babies. Nicholas has talent to spare and is a real charmer. When she started her set with 'Make Someone Happy', she instantly warmed the intimate crowd.

A celebration of the music and style of the fabulous fifties, Grease exploded onto the big screen in 1978 as a re-imagining of the hit Broadway show, bringing back the classic Hollywood movie musical with a contemporary rock-and-roll twist.

A celebration of the music and style of the fabulous fifties, Grease exploded onto the big screen in 1978 as a re-imagining of the hit Broadway show, bringing back the classic Hollywood movie musical with a contemporary rock-and-roll twist.

When times are tough, the tough sell their Tony Awards. That is Jane Gaynor's plan, anyway. Gaynor, a producer of the 1978 original Broadway production of 'Ain't Misbehavin', is selling the Tony Award, and a slew of other theatrical artifacts, to the highest bidder in an effort to raise funds for those close to her.

Is Sadie Hawkins Day a women's project? This is 2009, right? Well, it is a Women's Project project, especially when its goal is to raise money to support women theatre artists. So, in keeping with the dictum that anything a man can do, a woman can do just as well, but backwards and in heels, Women's Project's spring fund-raiser is a Sadie Hawkins Dance Spectacular Wednesday, April 29, from 9:00 pm at Touch Nightclub, 240 West 52nd Street.

One month after their classic songs debut as part of the score of the new hit musical comedy, ROCK OF AGES, two unparalleled rock stars - Tommy Shaw from STYX and Kevin Cronin from REO Speedwagon - will make their Broadway debuts as they perform their new single, 'Can't Stop Rockin', immediately following the evening performance on Monday, April 27, 2009 at the Brooks Atkinson Theatre, 256 W. 47th Street). The performance of the new song, co-written by Cronin and Shaw, celebrates the rockers recently announced CAN'T STOP ROCKIN' 2009 Tour, which kicks off on May 12th, presented by VH1 Classic and Rock Band.

Is Sadie Hawkins Day a women's project? This is 2009, right? Well, it is a Women's Project project, especially when its goal is to raise money to support women theatre artists. So, in keeping with the dictum that anything a man can do, a woman can do just as well, but backwards and in heels, Women's Project's spring fund-raiser is a Sadie Hawkins Dance Spectacular Wednesday, April 29, from 9:00 pm at Touch Nightclub, 240 West 52nd Street.

One month after their classic songs debut as part of the score of the new hit musical comedy, ROCK OF AGES, two unparalleled rock stars - Tommy Shaw from STYX and Kevin Cronin from REO Speedwagon - will make their Broadway debuts as they perform their new single, 'Can't Stop Rockin', immediately following the evening performance on Monday, April 27, 2009 at the Brooks Atkinson Theatre, 256 W. 47th Street). The performance of the new song, co-written by Cronin and Shaw, celebrates the rockers recently announced CAN'T STOP ROCKIN' 2009 Tour, which kicks off on May 12th, presented by VH1 Classic and Rock Band.

2nd Story Theatre announces two classic Pulitzer Prize-winning comedies for its 2009 summer series, from July 8 - September 6. The snappy 'You Can't Take It with You' by Kaufman and Hart breaks out on July 8 and runs through August 2, followed by the magical 'Harvey' by Mary Chase, from August 12 through September 6.

Complete casting has been announced for the brand new production of GREASE, starring American Idol winner Taylor Hicks, playing the Golden Gate Theatre beginning Tuesday, March 24 through Sunday, April 19. Taylor Hicks made his debut on Broadway in the role of 'Teen Angel' this past summer. This brand new production of GREASE will feature songs from the smash hit 1978 motion picture performed for the first time ever in a Broadway production. GREASE is presented as a part of the 2008-2009 Citibank Best of Broadway series season under the direction of Carole Shorenstein Hays. Tickets on sale now. Taylor Hicks achieved widespread fame in 2006 as a contestant on the hugely successful FOX singing competition 'American Idol.' On May 24, 2006, Hicks was named the winner of the fifth season of 'Idol' with over 63.4 million votes in total. Winning the title over Katharine McPhee, the announcement was made during the live finale episode which aired to a worldwide audience of over 200 million viewers. Born in Birmingham, Alabama, Taylor Hicks' passion for music began at an early age. He toured the Southeastern Unites States during his teenage years and released two independent albums. Known for his energetic performances with influences derived from classic soul, blues and R&B music, he quickly grew a large fan base among the millions of viewers and voters who tuned in to 'Idol' each week. His fans ultimately dubbed themselves the 'Soul Patrol.'

Tickets for the brand new production of GREASE, starring American Idol winner Taylor Hicks, go on sale Wednesday, December 17. Taylor Hicks made his debut on Broadway in the role of 'Teen Angel' this past summer. GREASE will play the Golden Gate Theatre beginning Tuesday, March 24 through Sunday, April 19. This brand new production of GREASE will feature songs from the smash hit 1978 motion picture performed for the first time ever on stage. GREASE is presented as a part of the 2008-2009 Citibank Best of Broadway series season under the direction of Carole Shorenstein Hays.