The Triumph of Love 2003 - Articles Page 3

The 2019 Kennedy Center Arts Summit, The Human Journey: Creating the Story of US, explored, unpacked, layered, and spun questions like "How do more inclusive and diverse stories-stories beyond the dominant narrative-help build a more equitable society?", "How can radical listening foster empathy and 'stitch' together the tears in our social fabric", and "How can we use storytelling as an art, a tool, and a strategy for moving us forward?" The day-9am to 7pm-moved fluently through three parts: INSPIRATION, a morning filled with dynamic conversations, performances, and keynotes with artists and experts, EXPLORATION, deeper dive breakout sessions, and ACTION, performances by exceptional artists and performers including the Kennedy Center's brilliant 2018-2019 Citizen Artist Fellows.

BroadwayWorld has learned that The Muny announced today 25 principal cast members for the first season of its second century. Complete company casting will be announced throughout April and May. The 101st season opens on a brand new, state-of-the-art stage with Muny favorite Guys and Dolls followed by the U.S. regional premiere of Kinky Boots. The season continues with 1776, Rodgers + Hammerstein's Cinderella, Footloose and a newly-reimagined Lerner and Loewe's Paint Your Wagon. Season 101 closes with the highly-anticipated Muny debut of Roald Dahl's Matilda.

In an extraordinary concert-film event, only the second such screening ever in the United States, the blockbuster film Titanic will be shown on a vast LED outdoor screen with James Horner's epic score performed live by the New West Symphony's renowned orchestra on Saturday night, June 22, in Thousand Oaks.   The special showing will take place at the William Rolland Stadium on the campus of California Lutheran University.

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

The Colorado Music Festival today announced the appointment of conductor Peter Oundjian as its next Music Director. He is the fourth person to hold this title in the 42-year history of the festival, which is held for six weeks each year at the Colorado Chautauqua, a National Historic Landmark at the foot of the rugged Flatirons. Mr. Oundjian led the 2018 festival as Artistic Advisor, and his appointment as Music Director was announced along with the festival's 2019 season, which runs from June 27 to August 3 and explores the legacy of Beethoven.

Nicolas Talar for Enzo Products Ltd and Adam Blanshay Productions have announced the full casting for Notre Dame de Paris. Twenty years after its Parisian debut, and after receiving international acclaim in 23 countries worldwide, the French musical is set to be performed at London Coliseum. The original French production in London will be performed with English surtitles and a live orchestra from Wednesday 23 Sunday 27 January 2019, with a national press night on Wednesday 23 January 2019 at 7pm. The London run will culminate with the 5,000th performance of the worldwide hit show.

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

A prolific and versatile filmmaker who worked across a wide range of genres throughout his long career, Umetsugu Inoue(1923-2010) made his mark on Japanese cinema in the 1950s with a series of highly entertaining, genre-blending musical films that captured the explosive energy of Japan's jazz-fueled youth culture.

Jukebox musicals have been quite a trend lately. Owing its origin to Buddy - The Buddy Holly Story, which successfully ran on West End from 1989 to 2003, the genre's popularity has been boosted by many others that followed suit, such as Beautiful: The Carole King Musical, featuring the music and life of Carole King. Just recently, Manila had seen the staging of a tribute to one of the country's more enduring musical groups, The Apo Hiking Society, with the successful Eto na! Musikal nAPO! This mid-October, yet another jukebox musical, built around the iconic songs of major karaoke staples provider, Air Supply, beckons.

This November at Teatro alla Scala, conductor Markus Stenz leads the world premiere of the highly-anticipated world premiere performance of Fin de Partie, the first and only opera by the beloved, visionary composer Gyorgy Kurtag, composed at the age of 91.  Based on the famous Samuel Beckett play, commonly performed in English as Endgame, the operatic version, to be sung in French, has been more than seven years in the making. At 450 pages, Fin de Partie is by far the largest score ever composed by the reputed "master of the miniature," who has for several decades maintained the desire of writing a musical treatment for the sparse, sardonically existential work. This production is staged by internationally-acclaimed artistic and theater director, Pierre Audi.

TheatreWorks Silicon Valley brings an enchanted bestseller to life for the holidays with the regional premiere of Tuck Everlasting. Set in the 1890s, free-spirited Winnie Foster searches for adventure, finding the Tucks, a close-knit family that has discovered the secret to everlasting life.

The Metropolitan Opera presents the North American premiere of Marnie, an original Met commission by composer Nico Muhly and librettist Nicholas Wright, on October 19, 2018, with performances continuing until November 10. Based on Winston Graham's haunting novel, which also inspired the classic Alfred Hitchcock film, Marnie is conducted by Robert Spano in his Met debut and directed by Michael Mayer, who created the staging for the opera's world premiere at English National Opera in 2017. The November 10 matinee will be transmitted live to movie theaters throughout the world as part of the Met's Live in HD series.

R.E.M. grew up with the BBC, and this historic relationship is lovingly celebrated across an incredible collection that beautifully illustrates the career trajectory of one of modern music's greatest bands. The collection-available as a super-deluxe edition 8-CD/1-DVD box set, as well as 2-CD, 2-LP and digital formats-comprises a treasure trove of rare and unreleased live and studio recordings culled from the BBC and band archives. This is a must-have collection for R.E.M. fans and an authoritative introduction for newcomers.

Houston Ballet is back in full force to rehearse for the upcoming season and celebrate its triumphant return home to the Wortham Theater Center.

Roundabout Theatre Company's premiere of Theresa Rebeck's Bernhardt/Hamlet begins previews today. Get to know the cast as they begin Broadway performances!

After 144 performances of seven different productions presented over 55 days, Pennsylvania Shakespeare Festival concluded the 27th season with its rotating repertory of Shakespeare in Love and King Richard II; and its "Extreme Shakespeare," production of All's Well That Ends Well.

After a successful run in Central Park, playing to over 4,000 people, performances resume on Wednesday, June 27 in Rockefeller Park/Battery Park City for New York Classical Theatre's critically acclaimed production of Romeo and Juliet, directed by the company's Founding Artistic Director Stephen Burdman. The production will play this week through June 30, before continuing on to The Battery, Carl Schurz Park, and Brooklyn Bridge Park for performances through July 29. There is no ticketing, and all performances are free and open to the public. Performance schedule can be found at newyorkclassical.org.   

The tone for Mona Mansour's three-plays is set with two words projected onto a spinning set piece: “It's complicated.” It is. It's very complicated. But sometimes complicated can be a beautiful thing.

Hulu releases June Highlights: The Bold Type: Season 2 Pre-Premiere (Freeform) (6/5) (Watch The Bold Type season 2 premiere episode early exclusively on Hulu!):

New York Classical Theatre (Stephen Burdman, Artistic Director), New York City's only all-free professional Off-Broadway theatre company, is pleased to announce a new production of William Shakespeare's Romeo and Juliet to celebrate its 19th Anniversary Season. The production, directed by Mr. Burdman, is the company's first staging of Shakespeare's tale of star-crossed lovers, and will be presented in five New York City parks - Central Park, Rockefeller Park/Battery Park City, The Battery, Carl Schurz Park and Brooklyn Bridge Park - with performances from June 5 through July 29 at 7:00 PM. There is no ticketing, and all performances are free and open to the public. New York Classical Theatre also invites audiences to experience unique behind-the-scenes access to open rehearsals on selected dates for each of the five park stagings. 

A soulful retelling of L. Frank Baum's beloved The Wonderful Wizard of Oz, The Wiz combines fairy-tale glamour with street smarts to make a classic fantasy sparkle for today.  And our directors and choreographer will bring a blast of New Orleans Creole magic to this production!  Winner of seven Tony Awards, including Best Musical and Best Score, The Wiz ingeniously mixes rock, gospel, soul, and jazz, and features hits like 'Ease on Down the Road,' 'A Brand New Day,' and 'Home.'

Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). Offering a rare new American production of Demon by Anton Rubinstein as its operatic centerpiece, this year's immersion in “Rimsky-Korsakov and His World” is no exception.

The Living Libretto: Opera in Eden gives audiences a first glimpse at three new one-act operas being written by first year resident artists in American Lyric Theater's Composer Librettist Development Program (CLDP)