It's hard to believe that Jonathan Larson's epic rock musical masterpiece, Rent, debuted on Broadway, making headlines around the world, winning the Pulitzer Prize and bringing a whole new generation of audiences to the theater 20 years ago. Larson who died just prior to the show's 1996 off-Broadway opening didn't live to see the acclaim with which his musical - based upon Puccini's La Boheme - was greeted, but if we believe in such things, we may rest assured that since his untimely demise he has watched over Rent's evolution, which includes the 20th Anniversary production now touring the country in an astounding revival which reaffirms its place among the very best of American musical theater.
If you like your Halloween entertainment a little on the wacky-creepy side, you will love Broadway in Detroit's “A GENTLEMAN'S GUIDE TO LOVE AND MURDER” now on stage at the beautiful Fisher Theatre. A musical about a serial killer could never be more funny. This show won four Tonys at the 68th Tony Awards in June 2014, including Best Musical. It is based on the 1907 novel Israel Rank: The Autobiography of a Criminal by Roy Horniman and its screen adaptation, the 1949 British film Kind Hearts and Coronets. Characters in the play are penned after real-life English aristocrats, primarily a frivolous British Prime Minister.
Maury Yeston, the composer and lyricist best-known for Nine and Titanic, visited the West End a few months before the West End opening of his new musical, Death Takes a Holiday. Based on a film (which was based on a play) this story tells of how Death changed his perspective. He used to not quite understand why everyone he came to collect was quite so aggrieved to die, until he met a particular woman who allowed him to realise quite what makes life worth clinging to. The side effect of Death's occupation being, though, that he can't collect anyone else while he's so distracted - Death the person and death the concept take a break! Maury was kind enough to discuss his musical background, some of his better-known works and his latest venture for the stage.
Camden People'sTheatre 's brand new festival All the Right Notes brings together trailblazing work from the place where theatre and live music meet: it's a festival featuring not only theatre-makers whose work is driven by live music, but music acts whose work is audaciously theatrical, programmed in partnership with DJ and journalist Joe Muggs. They meet in the middle, splicing for your delight the hothouse thrill of live music and the buzz of inventive contemporary theatre.
Count Dracula must leave Transylvania for England, where, as he says, there are more "opportunities."
Bill Canfield, Jr., a college student played by Buster Keaton, would rather play his ukulele than be captain of a steamboat, much to his father's disappointment.
To celebrate the life of Victoria Woodhull and promote ONWARD VICTORIA, the team created a hashtag: #34DaysOfVictoriaWoodhull. The first female Presidential candidate was only 34 when she ran for President in 1872. For 34 days, facts from her remarkable life were shared. BroadwayWorld has exclusive access to all 34 below!
A distinguished creative team has hit it big with a rousing, new, heart-warming version of ANASTASIA, premiering currently at the Hartford Stage Company. This show has appeal for romantics and history buffs and musical comedy fans and dance aficionados and features no fewer than four strong female figures for audiences to identify with; in short, it's a potential blockbuster, for all kinds of worthy reasons.
This June, FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.
In THE SECRET LIFE OF THE AMERICAN MUSICAL, Jack Viertel takes about musicals, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love with the art form all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next-by design or by accident, by emulation or by rebellion from OKLAHOMA! to HAMILTON and onward.
Obie Award winning Metropolitan Playhouse revives Arthur Richman's never-published hit comedy from 1921: THE AWFUL TRUTH. Directed by 2-time NYIT Award nominee Michael Hardart at the Playhouse: 220 E 4th Street, New York City
Obie Award winning Metropolitan Playhouse revives Arthur Richman's never-published hit comedy from 1921: THE AWFUL TRUTH. Directed by 2-time NYIT Award nominee Michael Hardart at the Playhouse: 220 E 4th Street, New York City
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening around us that it's difficult to keep track of it all. Thus, we are happy to present a new feature: The Nashville Theater Calendar, which is a comprehensive listing of theatrical openings,that will be updated each week, for the 2015/16 season.
Broadway Palm has announced its 23rd Season which includes eight main stage productions, five productions in The Off Broadway Palm, four Children's Theatre productions, and six concerts. Individual tickets go on sale June 1, 2015.
Looking for something fun to do in Nashville - say, in the next few days or so? That doesn't involve running in the Country Music Marathon? Have no fear, gentle BWW Nashville readers, our team of writers have done the necessary legwork - we're all about saving you time, keeping you out of the marathon traffic and helping you make informed decisions about how to spend your entertainment dollar, after all - and we are delighted to present you with our very first, official Critic's Choice column, filled to the veritable brim with suggestions for great stuff going on around our fair state.
In this interview, Alley Theatre Artistic Director, Gregory Boyd and I discuss the deep roots and broad influence of DRACULA, the genius and uniqueness of Edward Gorey, and, just for kicks, what it's like to work with David Hyde Pierce.
One constant in Washington-area theater for which we should all be grateful, is that the wonderful creative minds and souls at Signature Theatre in Arlington, VA, can be counted on to bring us fresh, innovative and carefully crafted productions of shows that may be new to many of us. This season, Signature is giving us three world premier productions of new musicals (Sheryl Crow's Diner; John Kander's Kid Victory and DC-native Nick Blaemire's Soon), but also a revival of a musical version of the story of Elmer Gantry, a traveling salesman turned preacher, who brings a religious revival a possibly dangerous spark in his pursuit of love. Almost 90 years ago, Sinclair Lewis brought Elmer Gantry to the page and Signature's Artistic Director Eric Schaeffer, is bringing him to the Signature stage for 2014 audiences.
PBS' Masterpiece Mystery raises the curtain on the final episodes of their adaptations of Agatha Christie's Hercule Poirot adventures, starring David Suchet, with their 90 minute version of THE BIG FOUR, based on a novel originally penned by Christie in 1927. However, anyone familiar with the novel should be prepared for significant plot changes and a sentimentally-tinged (but underused) cast of characters in this production, which is indeed theatrically over the top. And for one key SPOILER ALERT: despite the episode's initial framing, Poirot does not die, though anyone worth their Christie salt should be able to see through this from the outset.
Today, Krass speaks exclusively with BWW about designing costumes for this unique production and shares why the experience was 'the best job I've ever had!'
Susan Dibble is a remarkable dancer, choreographer, and teacher. She has been for decades, and I had the fortune to work with and around her for some years in Massachusetts.
Education Dramaturg Ted Sod met with composer John Kander to discuss his work on Cabaret.
To celebrate the publication of The Untold Stories of Broadway on November 12 by Dress Circle Publishing, Jennifer Ashley Tepper will be sharing three short excerpts about each of the Broadway theaters featured in the book-countdown style! Today: The Winter Garden Theatre!
After being closed for what feels like an eternity due to intense damage from Hurricane Katrina, the historic Saenger Theater is once again opening its doors to the greatest city on Earth.
Back on April 1, when he posted his third compilation of delayed cabaret reviews from shows staged during the winter, BroadwayWorld.com's lead New York cabaret reviewer promised Number 4 would come with arrival of summer. Okay, so he missed his self-imposed deadline by a couple of weeks. but here's yet another catch-up column with critiques of a half dozen spring shows performed by Bryan Batt, Dawn Derow, Lynly Forrest, Dennis McNeil, Anastasia Barzee, and Nina Hennessey.
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