Houston, Texas – From September 10 – 20, 2015, Houston Ballet launches its 46th season with a revival of the epic love story Manon, choreographed by Sir Kenneth MacMillan and featuring scenery and costumes by the acclaimed British designer Peter Farmer. Houston Ballet will give six performances of Manon at Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713 227 2787 or by visiting www.houstonballet.org.
Oasis (298 11th Street), San Francisco's hottest new nightclub and cabaret theater, kicks off the summer season with a diverse lineup of new and returning musical acts, comedy shows, dance parties, and drag performances.
Art & culture are vital to our existence and Seattle Theatre Group's 2015-2016 season features ample offerings of live performance experiences from arts provocateurs, global masters, cultural icons, and contemporary legends.
THE MUSIC MAN involves Harold Hill, a con man swindling good, kind-hearted people by promising to provide services he can't provide and that never materialize. It's true, the cherished musical is as American as apple pie.
The Fugard Theatre's production of CABARET begins with a perfectly realised moment of theatre. Before long, the magic of that moment wears off, and this production of the classic John Kander, Fred Ebb and Joe Masteroff musical begins to flounder in Matthew Wild's directionless staging of the piece.
National Recording Registry To “Ac-Cent-Tchu-Ate the Positive”. Joan Baez, Sly Stone, Steve Martin Recordings Named American Treasures
Hitting perhaps too close to home for some and harkening back to memories best left unrecalled, while challenging audiences to examine their own lives, Arthur Miller's Death of a Salesman remains an emotional, visceral theatrical masterpiece. Now, through March 28, it is vividly recaptured, like so much lightening in a bottle, in a deeply affecting production from Nashville Rep, directed with finesse by Rene D. Copeland and acted by an all-star cast of Nashville performers who together create a stunningly specific place in time that somehow is timeless and universal.
In a two-reviews-in-one column critiquing shows from last March, my esteemed editor, Stephen Hanks quoted the poet Robert Browning: “A man's reach should exceed his grasp. Or what's a heaven for?” Hanks pointed out that Browning's famous line is about setting goals, striving, and ambition, all of which are commendable desires. But, alas, in this particular review he felt the two singers in question “fell short.” One of those singers was Shana Farr and the show she has been performing throughout the past year, In The Still of the Night: Music of Noel Coward and Cole Porter. So here we are a year later, immersed in the revelry of the 2015 award season celebrating excellence in cabaret, and Farr's uniquely theatrical homage to Coward and Porter has recently won her the 2015 Bistro Award for “Outstanding Concept Show.” In spite of my editor's previous reservations about this show, he was open to hearing another perspective—whether positive or negative—so off to the Laurie Beechman Theatre I ventured on the last day of February to find out for myself whether Shana's show was truly award-worthy. Sorry, oh editor of mine, but you might have missed the boat on this one.
The Kings Theatre announced today programming for its inaugural 2015 year, as the newly revitalized entertainment palace reopens this month.
The Kings Theatre announced today programming for its inaugural 2015 year, as the newly revitalized entertainment palace reopens in February.
Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).
From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.
Studio 54 was known for two things before Roundabout purchased this historic theatre: being a famous club and being a cursed theatre, with shows sometimes opening and closing in the same night. However, Roundabout turned Studio 54's luck around with successful productions likeSunday in the Park with George, The Mystery of Edwin Drood, and, of course, Cabaret.
Zurich Meets New York: A Festival of Swiss Ingenuity presents Collegium Novum Zurich: Live Music & Silent Films tonight, May 16, 7 p.m. at the David Rubenstein Atrium at Lincoln Center. Featuring music by Carola Baukholt, Hanns Eisler, Erik Satie, and Iris ter Schiphorst.
It's been rumored, talked about, discussed and we've been reporting on it for what feels like forever -- and now, it's official! Roundabout Theatre Company has announced that it will present Tony & Emmy Award winner Kristin Chenoweth as 'Lily Garland' and Golden Globe & SAG Award winner & Tony nominee Peter Gallagher as 'Oscar Jaffe' in a new Broadway production of the classic musical ON THE TWENTIETH CENTURY, directed by Scott Ellis and choreographed by Warren Carlyle. ON THE TWENTIETH CENTURY features music by Cy Coleman and book & lyrics by Betty Comden & Adolph Green.
When Mark Nadler last performed a solo show at 54 Below, it was a very personal musical exploration of Germany's Weimar Republic of the 1920s, a place and an atmosphere that was dark, dangerous and decadent. I'm a Stranger Here Myself was such a compelling tour de force that it was expanded into a highly praised off-Broadway piece that Nadler staged at the York Theatre last Spring. Nadler's new 54 Below effort, Runnin' Wild: Songs & Scandals of the Roaring Twenties, (which opened last Sunday, ran last night, and will also play on May 7 at 9:30pm and May 14 at 7pm) is like a playful and debauched sequel to Stranger, only in this show—which would be more aptly titled “Reckless Abandon”--Nadler is clearly a gleeful member of the club. To this passionate piano man, America's big cities in the pre-Depression era 1920s were happy, hungry, and hedonistic. There was always a party filled with sex, drugs and booze looking for a place to happen. And goodness knows, Mark Nadler wishes he'd been invited to every one of them. But since he was born too late, all he can do is serve as congenial host in re-creating the speakeasy ambiance and in this show he manages to accomplish that--only without the sex and drugs. Damn!
Zurich Meets New York: A Festival of Swiss Ingenuity presents Collegium Novum Zurich: Live Music & Silent Films on Friday, May 16, 7 p.m. at the David Rubenstein Atrium at Lincoln Center. Featuring music by Carola Baukholt, Hanns Eisler, Erik Satie, and Iris ter Schiphorst.
Producer David Binder officially announces Academy Award nominee and Golden Globe winner James Franco & Chris O'Dowd will make their Broadway debuts in Of Mice and Men, a new production directed by Tony Award winner Anna D. Shapiro. Of Mice and Men, one of the greatest and most enduring American classics, has not been seen on Broadway in 40 years.
A few months ago author/professor David Gilmour rattled and shocked the literary world with his bombastic declaration that he refuses to teach books written by women. The only female writer he was willing to bend his misogynistic rule for? Virginia Woolf. In the weeks that have followed these statements, prestigious highbrow literary awards have been handed to Eleanor Catton, Lynn Coady, and Alice Munro. It is thus with exquisite timing that the Bloomsbury Collective brings to Toronto an exclusive run of A Room of One's Own, a re-enactment and Patrick Garland's adaptation of Virginia Woolf's landmark speech from 1928.
Coming up this week, 54 BELOW, the performance venue located just below the legendary Studio 54 at 254 West 54th Street, presents some of the brightest stars from Broadway, cabaret, jazz and beyond:
Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.
Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.
Charles C. McPeek, Sr. was born on April 3, 1929 in the small town of Rogersville, Tennessee. His childhood was cut short and quickly progressed to an adult lifestyle. At the age of 13, Charles left home to work in the highly illegal field of moonshine whiskey.
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'The Jungle Book' opens, Audra and Sondheim visit, Stephen Wallem's St. Louis 'Shrek,' Make Music Chicago, 'The Land Of Smiles,' the Auditorium's cabaret series, Idina in Aurora and more!
FLASHDANCE-THE MUSICAL, the stage adaptation of the 1983 hit film that defined a generation, will perform at the Majestic Theatre for eight performances tonight, June 18-23. Tickets will go on sale at 10 a.m., Friday, March 1.
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