In 1968 Promises, Promises, based on 1960's hit film The Apartment, opened on Broadway to great critical and popular acclaim. It was the first collaboration between Burt Bacharach and Hal David, and the resultant score was - and still is - regarded as one of the most gloriously upbeat musicals to grace a stage. Throw in Neil Simon, who wrote the book, and how can you miss having a hit? Promises2 was nominated for 8 Tony Awards and won 2 for Jerry Orbach and Marion Mercer. The show was successfully revived in 2010 in New York starring Sean Hayes and Kristin Chenoweth, but did not receive nearly the same praise from audience or critics.
Berkeley Repertory Theatre today announced the world premiere production of The Last Tiger in Haiti by playwright Jeff Augustin and directed by Joshua Kahan Brody. A co-production with La Jolla Playhouse, where the play had its world premiere in June, The Last Tiger in Haiti begins previews Friday, October 14 and the show runs through Sunday, November 27. Individual tickets start at $29 and can be purchased online at berkeleyrep.org or by phone, 510 647-2949. Press night will be on Friday, October 21.
Amas Musical Theatre and The Amas Song Salon will offer a special presentation with four rising Broadway talents - Sam Davis (An American in Paris), Daniel May (Flower Drum Song), Rashidra Scott (Sister Act), and A.J. Shively (Bright Star) - who will explore the art of musical orchestrating and arranging.
Grab your friends and head out for an evening of humor, heart, and harmony as Chick Flick the Musical comes to The Royal George Theatre Cabaret, 1641 N. Halsted Street in Chicago. This uniquely female-positive new musical begins previews November 1, and opens November 10 for an open run.
EOT proves once again that they are several notches above other community theatres; this is one terrific show where everything comes together.
Coming up at The Iridium are: NYC's all-women blues band JANE LEE HOOKER on July 23; ELLEN KAYE with UK guitarist PAUL ROSE and Ethan Fein and the LiveIt!LIVE Band on July 26; VERNON REID POWER TRIO on July 29; and soul singer/songwriter/guitarist RAUL MIDON on September 24 & 25. Scroll down for details!
The Tiger Who Came to Tea roars into Chelsea this summer in the truly magical Olivier Award nominated West End production opening at Cadogan Hall on Saturday 6 August 2016 and running through to Sunday 4 September 2016. For tickets, call 020 7730 4500 or visit https://www.cadoganhall.com/
The Marvelous Wonderettes has just returned to Off-Broadway after a gap of five years. A sunny jukebox musical whose score is composed of 1950's and '60's girl group classics, Yorktown Stage is happy to present this musical as our summer production, July 23-30, 2016. Among the iconic pop songs featured are 'Mr. Sandman', 'Lollipop', 'Son of a Preacher Man' and 'Hold me, Thrill Me, Kiss Me'. We first meet Cindy Lou, Betty Jane, Missy and Suzy aka The Wonderettes at their 1958 Prom Night, performing a selection of girl group classics in front of their fellow classmates. The musical traces the next decade of the girl's lives up to their reformation in 1968, when they once again take to the stage for their high school reunion.
The great musician Corky Hale needs no introduction. She and her husband composer Mike Stoller have worked with everyone in the music business including Sinatra and Steisand. She is currently producing a revue entitled I Only Have Eyes For You about the music of Al Dubin. It will open at the Ricardo Montalban Theatre Friday May 13. In our chat Hale talks about the show, Dubin and about her incomparable show business life.
Like Garland herself, the show is obsessed with high energy musical uppers contrasted with dark dramatic downers in between. It's a roller coaster ride of songs mixed with self destruction as we watch a star orchestrate her own death.
The longest-running musical, ever. The newest Pulitzer Prize winner. Shakespeare's most popular comedy. The first Off-Broadway show to be live-streamed. America's greatest drama. An end-of-season surprise. Plus a special event that will ROCK your world.
?A hit in the West End and on Broadway, End of the Rainbow makes its awaited return to the stage, playing at the Belgrade Theatre Coventry from Tues 23 to Sat 27 Feb as part of a major new UK tour, starring Lisa Maxwell as Judy Garland.
The Old Globe presents the West Coast premiere of THE METROMANIACS by supremely clever playwright David Ives (All in the Timing, Time Flies). This uproarious new 'translaptation' of a classic French farce, Alexis Piron's La Metromanie, will be directed by one of America's most renowned stage directors, Michael Kahn, presented in association with Shakespeare Theatre Company.
The Old Globe today announced the complete cast and creative team for the West Coast premiere of THE METROMANIACS by supremely clever playwright David Ives (All in the Timing, Time Flies). This uproarious new 'translaptation' of a classic French farce, Alexis Piron's La Metromanie, will be directed by one of America's most renowned stage directors, Michael Kahn, presented in association with Shakespeare Theatre Company.
Although I've seen the successful 1968 film version of THE LION IN WINTER, I'd never had the opportunity to watch the actual stage play which it's based upon, until now. Maybe it was the washed out prints that turned me off to it initially, but it's an absolute revelation to see The Repertory Theatre of St. Louis' superb production. What always seemed too stage bound and static in the film is vibrant and intense in person. Forget the movie and enjoy the brilliance of James Goldman's script which is brimming with intensity and passion, and full of clever twists and turns. An excellent cast and expert direction make this must-see entertainment that demands your time and attention.
The Don Bluth Front Row Theatre in Scottsdale, AZ, is proud to kick off their 2016 season with the Broadway sensation The Producers!
Pandora Productions continues the 2015-2016 season with an oldie but a goodie. Mart Crowley's The Boys in the Band is the quintessential 'gay' play, breaking down boundaries and exploring new topics in its Off-Broadway run of over 1000 performances in the Spring of 1968. Before Boys, gay men were 'fops' and 'dandies' but this play changed it all. Since it was on stage a full year prior to Stonewall, Boys proved to be quite prescient in retrospect. Some historians have said that the play's production in advance of Stonewall set the stage for the events that unfolded there, gays would no longer be kept in the closet. The dark comic play explores issues of self-loathing, internalized homophobia, racial biases and more.
The Old Globe today announced the complete cast and creative team for the West Coast premiere of THE METROMANIACS by supremely clever playwright David Ives (All in the Timing, Time Flies). This uproarious new 'translaptation' of a classic French farce, Alexis Piron's La Metromanie, will be directed by one of America's most renowned stage directors, Michael Kahn, presented in association with Shakespeare Theatre Company.
This holiday season, the award-winning Peccadillo Theater Company will present A WILDER CHRISTMAS, an evening of two rarely seen Thornton Wilder one-acts: THE LONG CHRISTMAS DINNER and PULLMAN CAR HIAWATHA. The show's Obie Award-winning director, Dan Wackerman, is this week's special guest on Richard Pheneger's popular WPKN Radio (89.5 FM) program 'State of the Arts' airing today, November 27th at noon. The segment can also be heard at www.wpkn.org. Performances of A WILDER CHRISTMAS are set to begin this Thursday, December 3rd, with the Opening on December 8th at Theatre at St. Clement's, 423 West 46 Street (between Ninth & Tenth Aves.)
How wonderful is it that a song can usher in all sorts of memories - perhaps of your first kiss, driving in a car along a dusty country road, or of people once-loved, still-loved, who are no longer a part of your life - to flood your mind, fill your heart and to transport you, as if by magic, to some earlier time? I love that feeling, which we in the theater are subject to far more often than regular folk, thanks to the music that underscores our dramatic lives and which allows everyone onstage, offstage, backstage - in whatever stage of life - to indulge in the play of 'make believe.'
1968 met 2015 as original companies of DAMES AT SEA mingle at Drama League Gala honoring Bernadette Peters.
The first Broadway production of Dames at Sea opens at Broadway's Helen Hayes Theater (240 W 44th Street), tonight, October 22, 2015, at 6:30pm.
Since its Off-Broadway debut in 1967, HAIR has become a touchstone for musical theatre fans with a fondness for the decade's counter-culture revolution. Having won both a Tony and a Grammy, there is no doubt that this musical, which defies nearly every theatrical convention, has become as important a part of the genre's cannon as any of the Golden Age's classics. However, it is a show that I have just never 'got.' Perhaps I am too square to appreciate the flower-power sensibility, or too straight-laced to understand the era of psychedelic drugs and free love. Nonetheless, the score by Galt MacDermot (music) and James Rado and Gerome Ragni (lyrics) contains some of the theatre's best 'rock' songs with pop cross-overs 'Aquarius,' 'Good Morning Starshine,' and 'Let the Sunshine In.' Theatre UCF's production of 'The American Tribal Love-Rock Musical,' which runs through October 25th, might not have been able to make me appreciate the show's trippy conceit, but it did confirm that the program has just as much talent as nearly any of Central Florida's professional theatres.
Fear, deceit, and paranoia run rampant in Cleveland Play House's (CPH) gripping new production of Arthur Miller's THE CRUCIBLE.
Harold Pinter was born in Hackney, in London's East End, in October of 1930. An only child, he was born to Jewish parents of very moderate means; his father, a tailor, and his mother, a homemaker, were first-generation descendants of Eastern European immigrants. Like many of his contemporaries, Pinter's childhood was shaped by the onslaught of World War II; at the age of nine, he was evacuated from London through Operation Pied Piper and resettled in a town in Cornwall. The sense of isolation he felt in Cornwall would come to influence his work, as would the changed London to which he returned during the Blitz, where he was witness to, as his 2008 Guardianobituary put it, 'the dramatic nature of wartime life - the palpable fear, the sexual desperation, the genuine sense that everything could end tomorrow.'
1924 | Broadway |
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1932 | Broadway |
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1937 | Broadway |
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1950 | Broadway |
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1967 | Broadway |
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1968 | Broadway |
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1992 | Broadway |
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2017 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
Year | Ceremony | Category | Nominee |
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1968 | Outer Critics Circle Awards | Best Performance | Helen Hayes |
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